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Problematizing the Dominant Narrative on Women's Involvement in Igbo Masking Traditions

Bibliographic Data

ID2308990
AuthorsOdoja Asogwa (0000-0003-4624-1873, University of Nigeria), George Odoh (0000-0003-2592-5678, University of Nigeria, corresponding author)
Year2023
Volume58
Issue6
Pages922-940
Publication date2023-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Asian and African Studies (JOURNAL)
Journal identifiersISSN: 0021-9096 • E-ISSN: 1745-2538
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/00219096221079333
OpenAlexW4214638791
LanguageEN
Citations received1
References cited26

This study examines how the lives of three women, Lọlọ Ọyịodo Eze Elugwu, Lọlọ Ọyịma Ezema, and Lọlọ Ọyima Ayọgụ from Nsukka Igbo, southeast Nigeria, challenge widespread assumptions on women's involvement in Igbo masking traditions. Although the uncommon achievements of these women do not completely dismantle existing beliefs and assumptions that view Igbo masquerade activities as the exclusive preserve of men, the study highlights how their roles as initiates of the Omabe masquerade cult, as well as their capacities to commission, own and animate masks, problematize notions of gender, power and spaces in Igbo masquerade institution. It equally opens up a critical space for interrogating women's positions and roles in Igbo masquerade institution and establishes grounds for re-appraising its essence and gendering politics

Art · Commission · Igbo · Institution · Linguistics · Literature · Masking (illustration · Narrative · Political science · Power (physics · Social science · Sociology · African history and culture studies · African Sexualities and LGBTQ+ Issues · Anthropology · Gender Studies · Law · Philosophy · Race, History, and American Society

  • Reappraising the Nsukka Ọmabe festival through the lens of ethno-aesthetics, therapy and healing

    Open Access•Martins N Okoro•HTS Teologiese Studies /…•2022

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    Theodora Akachi Ezeigbo•African Languages and Cultures•1990

  • African men and feminism

    Malvern Chiweshe•Agenda•2018

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    Open Access•Adeyinka A Aderinto•The Anthropologist•2001

  • Mapping constructs of gender in research on Igbo women in Nigeria

    Uchechukwu Uchendu, G Roets et al.•Gender and Education•2017

  • Women=Masks

    Elisabeth L Cameron•African Arts•1998

  • In the Spirit and in the Flesh

    Amanda Carlson, Amanda B Carlson•African Arts•2019

  • Elephant Women, Furious and Majestic

    Sidney Littlefield Kasfir•African Arts•1998

  • Igbo Arts

    John W Nunley, John Nunley et al.•African Arts•1985

  • Women's Masks and the Power of Gender in Mande History

    Peter M Weil•African Arts•1998

  • Guro Masked Performers

    Anne‐marie Bouttiaux, Anne-Marie Bouttiaux et al.•African Arts•2009

  • Playing with Prohibitions

    Bess Reed•African Arts•1998

  • Burn the Mmonwu” Contradictions and Contestations in Masquerade Performance in Uga, Anambra State in Southeastern Nigeria

    Charles Gore•African Arts•2008

  • Achebe, Nwando. — The Female King of Colonial Nigeria

    Open Access•M Epprecht•Cahiers d études africaines•2013

  • Negotiating gender, power, and spaces in masquerade performances in Nigeria

    John Thabiti Willis•Gender Place & Culture•2013

  • Primitive Art

    Norman Feder, Paul S Wingert•Ethnohistory•1963

  • Seeing the unseeing audience

    Open Access•Susan Elizabeth Gagliardi•Africa•2018

  • Art and the individual in African masquerades Introduction

    Open Access•Susan Elizabeth Gagliardi•Africa•2018

Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1
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