Producing and Consuming Inequality
A Cultural Sociology of the Cultural Industries
Bibliographic Data
| ID | 2985742 |
|---|---|
| Authors | Dai O’brien (0000-0002-1991-756X, University of Edinburgh, corresponding author), Dave O’brien, Kim Allen (0000-0002-5583-8519, University of Leeds), Friedman (0000-0003-0629-1761, London School of Economics and Political Science), Sam Friedman, A Saha (0000-0001-7704-2493, Goldsmiths University of London) |
| Year | 2017 |
| Volume | 11 |
| Issue | 3 |
| Pages | 271-282 |
| Publication date | 2017-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cultural Sociology (JOURNAL) |
| Journal identifiers | ISSN: 1749-9755 • E-ISSN: 1749-9763 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/1749975517712465 |
| OpenAlex | W2735918300 |
| Language | EN |
| Citations received | 42 |
| References cited | 43 |
Even when shocks in a firm's environment are predictable, their consequences are not. Using the relocation of the Dallas Cowboys Stadium as a rich case of such a disruption, we investigate how combinations of strategic interpretation and spatial distance influence incumbent business owners' decisions to pursue temporal adaptation as a response. Temporal adaptation (TA) comprises timing rather than content changes by the firm seeking to adjust to the reconfigured environment. Survey data from 168 business owners show that strategic interpretation directly influences TA decisions. However, the effect of strategic interpretation on the TA decision is moderated by the spatial (geographic) distance of the incumbent firm from the locus of the disruption. Furthermore, results suggest that through strategic interpretation, spatial distance also indirectly affects the business owners' decisions to make temporal changes. Data collected 1.5 and 4 years later suggest that TA responses are related to performance and may be indicative of a particular type of TA, organizational entrainment (OE), which concerns the synchronization of organizational activity cycles with cycles in the environment
Business · Economic geography · Economics · Relocation · Sociology · Survey data collection · Computer Science · Management and Organizational Studies · Social and Cultural Dynamics · Sport and Mega-Event Impacts · Marketing
Game Production Studies
A Space for Us
The Organizational Reproduction of Inequality
Exploring the Digital Undertow
Unequal Opportunities
The creative economy and the triple transition
Identifying the Barriers to Change in TV Production
Cultural industries in international business research
From policy to curriculum
Performing pregnancy
From grassroots to dissent
Multicologies? The development of multi-racial creative ecologies in East London
Struggles for distinction
Creative and cultural work without filters
Left cultural populism and podemos
Reduced to curtain twitchers? Age, ageism and the careers of four women actors
Game Production Studies
Game Production Studies
Cultura i perspectiva de gènere a la ciutat de Barcelona
Care, Justice, Protest and the Politics of Creative Work
A “K” to bridge Korea and the world
Seeing like an infrastructure
Artistic Production and (Re)production
‘If You Move in the Same Circles as the Royals, then You’ll Get Stories About Them’
White Women, White Men, and Intra-Racial Diversity
Exploring the impact of an economic‐centric approach to evaluating cultural activities
Theorizing the performance of (racialized) difference
Tools and measures for diversity and inclusion in media industries
Resisting subalternity
Screen production on the ‘biggest set in the world’
Racism Seems to be the Hardest Word
Playing the system
The values of culture? Social closure in the political identities, policy preferences, and social attitudes of cultural and creative workers
On white-collar boxing and social class
Fashion as 'Force for Change'? How Ideologization Reshapes the Work of Intermediaries in the Legitimation of Culture
Producing and Consuming Inequality
Culture is a Meritocracy
Social Mobility and 'Openness' in Creative Occupations since the 1970s
Hope and Creative Work in Conflict Zones
Drag Performers' Perspectives on the Mainstreaming of British Drag
Cultural Engagement and the Economic Performance of the Cultural and Creative Industries
Racial Valuation
Producing Fashion
Below the Line
Digital sociologies
Pricing Beauty
Representing Black Britain
The field of cultural production
Distinction
Doing Cultural Studies The Story Of The Sony Walkman
Below the Line
Studying Disability Arts and Culture
Culture, Class, Distinction
Culture as a Vocation
The field of Cultural Production
Distinction
The Routledge Companion to the Cultural Industries
Creative Diversity”
Scripting Black Gayness
Emerging Forms of Cultural Capital
Are we all cultural intermediaries now? An introduction to cultural intermediaries in context
The cosmopolitan tribe of television buyers
The Social Stratification of Cultural Consumption
Are the creative industries meritocratic? An analysis of the 2014 British Labour Force Survey
Nonparticipation or different styles of participation? Alternative interpretations from Taking Part
Becoming employable students and ‘ideal’ creative workers
Keeping it real
Beards, scarves, halal meat, terrorists, forced marriage
Fandom as industrial response
Capital in the Twenty-First Century
Piketty's capital and social policy
Classification in Art
The hidden tastemakers
Changing Highbrow Taste
Cultural sociology and new forms of distinction
Managing culture matters
Class dis-identification, cultural stereotypes, and music preferences
Gender and Creative Labour
Producing and Consuming Inequality
Bodies and Voices
Reconceptualizing and Theorizing 'Omnivorousness
Like Skydiving without a Parachute
The Cultural Economy of Fashion Buying
Processing Fads and Fashions
| Unique citing works | 42 |
|---|---|
| Citations per year | 4,67 |
| Citation span | 2017 - 2026 (10) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 41 |