Improvisation and the orchestra
A composer reflects
Bibliographic Data
| ID | 5115525 |
|---|---|
| Authors | George E Lewis, George Lewis (corresponding author) |
| Year | 2006 |
| Volume | 25 |
| Issue | 5-6 |
| Pages | 429-434 |
| Publication date | 2006-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07494460600989812 |
| OpenAlex | W2055537864 |
| Language | EN |
| Citations received | 2 |
| References cited | 9 |
In 1960, the influential ethnomusicologist Mantle Hood coined the term ‘bimusicality’ to describe the work of musicians of the Imperial Japanese Court, who were trained in both gagaku and pan-Europ
Aesthetics · Art · Art history · Improvisation · Performance art · Visual arts · Communication · Diverse Music Education Insights · Music History and Culture · Musicology and Musical Analysis · Psychology
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 2012 - 2021 (10) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |