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Noise

the political economy of music

Bibliographic Data

ID24199513
AuthorsJacques Attali
Year1989
Pages179
Publication date1989-01-01
Open AccessNo
TypeBOOK
VenueNoise (SOURCE_BOOK)
PublisherUniversity of Minnesota Press (PUBLISHER • US)
Open LibraryOL21166249M
ISBN9780816612864
LanguageEN
Citations received657

Economic aspects · Economic aspects of Music · Maatschappij · Music · Music and society · Muziek · Noise · Sociaal-economische aspecten · Social aspects · Social aspects of Music

  • Music and Politics

    Open Access•James Garratt•Music and Politics•2018

  • Music as Ethics

    Andrew Mcgraw•Music As Ethics•2023

  • Music, Encounter, Togetherness

    Norman Cook, Nicholas Cook•Music, Encounter, Togetherness•2024

  • Nineteenth-Century Opera and the Scientific Imagination

    Open Access•David Trippett, Benjamin Walton•Nineteenth-Century Opera and the…•2019

  • Circuito alterado em três atos

    Open Access•Alexandre Marino Fernandez•2013

  • A Questão Da Música Hoje

    Heloísa Costa Lima, HENRIQUE COSTA LIMA•2023

  • Methodological challenges of researching an emerging scene

    Open Access•Steven Taylor•DIY Alternative Cultures & Society•2023

  • Thoughts on a Changing Landscape for Research Archiving in the Cloud Era

    Open Access•Valmont Layne•Sources•2022

  • Patronage and Capitalism in the Musical Associations of Late Nineteenth-Century Colonial Manila

    Open Access•Arwin Quiñones Tan•Malaysian Journal of Music•2019

  • Intersensorial translation of coughing-and-sneezing in an epidemic social context

    Open Access•George Damaskinidis•Punctum International Journal of…•2021

  • Sonorities and Cities (in Times of Crisis)

    Luciana Ferreira Moura Mendonça•Streetnotes•2022

  • Tecnología Digital al servicio de la producción, expresión y percepción musicales

    Open Access•Adrien Faure-Carvallo, Diego Calderón-Garrido et al.•Per Musi•2021

  • The rest is noise

    Open Access•Dana Hradcová, Michal Synek•Qualitative Research•2021

  • Screaming along to mixtapes

    Open Access•James Rendell•Feminist Media Studies•2025

  • Understanding the music industries

    Sam De Boise•Information Communication & Society•2014

  • A step back, a leap forward

    Maria Kouvarou•International Journal of Heritage…•2024

  • White noise

    Open Access•Paul Tourle•International Journal of Heritage…•2017

  • ‘It’s a man’s man’s man’s world’

    Open Access•Gwen Larsen, Gretchen Larsen•Organization•2017

  • Not Just a Zine

    Open Access•Alexandra Karamoutsiou•Forum Historiae•2021

  • Off the Map

    Open Access•Joseph Hyde•Circuit Musiques contemporaines•2010

  • Critical Responses to “Theorizing Improvisation (Musically)

    Open Access•George E Lewis, George Lewis•Music Theory Online•2013

  • Skirmish at the Oasis

    Michael Nardone•Leonardo Music Journal•2016

  • Crowdsourcing the Corpus

    David Plans, David Plans Casal•Leonardo Music Journal•2011

  • Compositional Processes from an Ecological Perspective

    Damián Keller•Leonardo Music Journal•2000

  • Free Enterprise

    Mark Trayle•Leonardo Music Journal•1999

  • The Identification and Transposition of Authentic Instruments

    Jonathan Impett•Leonardo Music Journal•1998

  • Acoustic, Electric and Virtual Noise

    Gavin Carfoot•Leonardo Music Journal•2006

  • The Role of Mechanical Reproduction in (What Was Formerly Known as) the Record in the Age of Personal Fabrication

    Kazuhiro Jo•Leonardo Music Journal•2014

  • Lo-fi Listening as Active Reception

    Elizabeth Newton•Leonardo Music Journal•2016

  • ADHD, expression, and the incorporeal materialism of movement

    Open Access•Kerry Levin•Theory & Psychology•2017

  • The appeal of musical masculinism within contemporary online far-right spaces

    Open Access•Sam De Boise•Journal of Gender Studies•2025

  • Interdisciplinary Research Issues in Music Information Retrieval

    Joe Futrelle, J Stephen Downie•Journal of New Music Research•2003

  • The entanglements which make instruments musical

    Sarah Water•Journal of New Music Research•2021

  • Empty Orchestra

    Karen Tongson•Public Culture•2015

  • Provocation is My Goal

    M Messina•Contemporary Music Review•2015

  • The blindness paradigm

    Paulo C Chagas•Contemporary Music Review•2006

  • Deferred Musical Homecomings

    A Gritten•Contemporary Music Review•2015

  • Music in the Chords of Eternity

    Alistair Riddell, Alistair M Riddell•Contemporary Music Review•1996

  • Touching at a Distance

    Sarah Water, Simon Water et al.•Contemporary Music Review•2013

  • How Musical is Australia? A Maverick’s Contemporary Sound Portrait of the Fifth Continent

    Hollis Taylor•Contemporary Music Review•2018

  • Relational Listening

    Lawrence English•Contemporary Music Review•2017

  • Gender and Technological Failures in Glitch Music

    Hannah Bosma•Contemporary Music Review•2016

  • Haptic sensation and instrumental transgression

    Pedro Rebelo•Contemporary Music Review•2006

  • Improvisation and the orchestra

    George E Lewis, George Lewis•Contemporary Music Review•2006

  • What Does ASMR Sound Like? Composing the Proxemic Intimate Zone in Contemporary Music

    Guya Accornero•Contemporary Music Review•2022

  • Engaged Composition, Dehierarchisation and My Politics of Practice

    Nick Williams•Contemporary Music Review•2015

  • Companion Thinking in Improvised Musicking Practice

    Open Access•Jodie Rottle, Hannah Reardon-Smith•Contemporary Music Review•2023

  • Sonic Directions to the Urban Student

    Derek R Ford•Contemporary Music Review•2023

  • Nietzsche's Baudelaire, or the Sublime Proleptic Spin of his Politico-Economic Thought

    Geoff Waite, G K Waite•Representations•1995

  • Clamor of the Godz

    Patrick Burke•American Music•2011

  • Notes on Deconstructing the Populism

    Justin Patch•American Music•2016

  • Playing for Change”

    Lily E Hirsch•American Music•2010

  • The Cultural and Affective Logic of theDabki

    Paul Tabar•Journal of Intercultural Studies•2005

  • Seven theses on photography

    Open Access•C Pinney•Thesis Eleven•2012

  • The sonic framing of place

    Open Access•Eduardo De La Fuente, Michael James Walsh•Thesis Eleven•2022

  • The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference

    Ruth Hacohen•Poetics Today•2001

  • Duas formas de se ouvir o silêncio

    Open Access•Fabio Akcelrud Durão•Kriterion Revista de Filosofia•2005

  • Conflict and Compromise

    Markus Giesler•Journal of Consumer Research•2008

  • Captivating Technologies

    Peter Avanti•Technology and Culture•2015

  • Cars with the Boom

    David Z Morris, David Morris•Technology and Culture•2014

  • The Decomposing Voice of Postmodern Music

    Steven Connor•New Literary History•2001

  • To Make Sounds inside a “Big Can”

    Wang Jing, Jing Wang•Leonardo•2016

  • Diffractive Rendezvous

    Gisèle Trudel, Nina Czegledy•Leonardo•2023

  • Can the Arts Help to Save the World

    Ricardo Dal Farra•Leonardo•2013

  • Building Environmentally Attuned Communities

    Joseph Finkel•Leonardo•2018

  • Sound Investments

    Michael Maizels•Leonardo•2024

  • The Practice of Recording Music

    Open Access•Jonathan David Tankel•Journal of Communication•1990

  • Imagining Strawberry Fields as a place of pilgrimage

    Open Access•Robert J Kruse•Area•2003

  • Sound Work

    Marina Peterson•Anthropological Quarterly•2013

  • Ritual and the Subjunctive

    Adam Seligman, Adam B Seligman et al.•Ritual and Its Consequences•2008

  • Ambiguity, Ambivalence, and Boundaries

    Adam Seligman, Adam B Seligman et al.•Ritual and Its Consequences•2008

  • Ritual, Play, and Boundaries

    Adam Seligman, Adam B Seligman et al.•Ritual and Its Consequences•2008

  • Movements of Ritual and Sincerity

    Adam Seligman, Adam B Seligman et al.•Ritual and Its Consequences•2008

  • Afterword

    Adam Seligman, Adam B Seligman et al.•Ritual and Its Consequences•2008

  • Ritual and Sincerity

    Adam Seligman, Adam B Seligman et al.•Ritual and Its Consequences•2008

  • “Visions and Versions of America”

    Ulf Schulenberg•Rock Music Studies•2017

  • Memories of the Material/Vestiges of the Virtual

    Jean Hogarty•Rock Music Studies•2015

  • Authenticity and Artifice in Rock and Roll

    Bernardo Alexander Attias•Rock Music Studies•2016

  • Everyday I Write the Book

    Open Access•Gilbert B Rodman•Journal of Popular Music Studies•2006

  • The Poetics of Electrosonic Presence

    Open Access•Jeremy Wallach•Journal of Popular Music Studies•2003

  • "Have You Ever Been to the Pleasure Inn?" The Transformation of Indie Rock in Louisville, Kentucky

    Open Access•Cotten Seiler•Journal of Popular Music Studies•2001

  • Imagining an Interdisciplinary Canon

    Open Access•Steve Waksman•Journal of Popular Music Studies•2010

  • Better Late Than Never

    Open Access•Roger Johnson, Roger N Johnson•Journal of Popular Music Studies•1997

  • Fan Discourse and the Construction of Noise Music as a Genre

    Open Access•Chris Atton•Journal of Popular Music Studies•2011

  • Radio and the Gendered Soundscape

    Open Access•Christine Ehrick•Radio and the Gendered Soundscape•2015

  • Metaphors of Depth in German Musical Thought

    Holly Watkins•Metaphors of Depth in German…•2011

  • Music As Ethics

    Andrew Clay Mcgraw, Andrew Mcgraw•Music As Ethics•2022

  • Music, Encounter, Togetherness

    Norman Cook, Nicholas Cook•Music, Encounter, Togetherness•2024

  • Nineteenth-Century Opera and the Scientific Imagination

    David Trippett, Benjamin Walton•Nineteenth-Century Opera and the…•2019

  • Ephemera Underscored

    John Blair Corbett, John Corbett•Jazz among the Discourses•1995

  • Music

    Open Access•Michelle Duffy•International Encyclopedia of…•2017

  • Push

    Mike D'Errico•Push•2022

  • Música y Trabajo. Organizaciones gremiales de músicos en Chile, 1893-1940

    Open Access•Eileen Karmy•Música y trabajo•2021

  • Opera and Hypnosis

    Open Access•Céline Frigau Manning•Nineteenth-Century Opera and the…•2019

  • The Philippine Popular Music Industry

    José S Buenconsejo•The Oxford Handbook of Global…•2022

  • Climates of Dissent

    Benjamin Tausig•The Oxford Handbook of Protest…•2025

  • Looting Beijing

    Open Access•James Hevia, James L Hevia•Tokens of Exchange•1999

  • Handmaids to the Gospel

    Larissa Heinrich, Larissa N Heinrich•Tokens of Exchange•1999

  • Demystifying Qi

    Open Access•Qiong Zhang•Tokens of Exchange•1999

  • Optic‐Clash

    Open Access•Shaila Bhatti, C Pinney•A Companion to the Anthropology…•2011

Unique citing works546
Citations per year11,73
Citation span1970 - 2025 (56)
Citation velocityrecent
Highly citedYes
Citation typesNeutral: 574
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