Critical Responses to “Theorizing Improvisation (Musically)
Bibliographic Data
| ID | 7928806 |
|---|---|
| Authors | George E Lewis (Columbia University), George Lewis (Columbia University, corresponding author) |
| Year | 2013 |
| Volume | 19 |
| Issue | 2 |
| Publication date | 2013-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.19.2.10 |
| OpenAlex | W2115288128 |
| Language | EN |
| Citations received | 4 |
| References cited | 12 |
This paper constitutes a response to selected topics and issues discussed by panelists in the 2012 joint AMS/SEM/SMT session on improvisation. The growth of critical improvisation studies is discussed, the place of music in the field and the implications for interdisciplinary scholarship are examined, as well as issues related to musical analysis, listening and intentionality, the ideologically charged relationship of improvisation to composition, histories of improvisation outside of musical domains, possible theoretical and conceptual migrations of ideas from music to nonmusical domains, digital interactivity, improvisation as a basis for intercultural, transnational, and human-machine communication, and the impact of improvisation considered as a fundamental human condition
Active listening · Aesthetics · Art · Cognitive science · Improvisation · Interactivity · Multimedia · Musical · Political science · Scholarship · Sociology · Visual arts · Artistic and Creative Research · Communication · Computer Science · Music Technology and Sound Studies · Musicology and Musical Analysis · Psychology
Noise
The black Atlantic
The Improvisation of Musical Dialogue
Beyond the Radif
Improvisation, Analysis, and Listening Otherwise
Noise, the Political Economy of Music
Contemplating the Concept of Improvisation and Its History in Scholarship
Entextualization and the Improvised Past
Renaissance Improvisation and Musicology
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,31 |
| Citation span | 2013 - 2020 (8) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |