Gelede Masquerade
Imagery and Motif
Bibliographic Data
| ID | 9024267 |
|---|---|
| Authors | Henry John Drewal (corresponding author) |
| Year | 1974 |
| Volume | 7 |
| Issue | 4 |
| Pages | 8 |
| Publication date | 1974-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African Arts (JOURNAL) |
| Journal identifiers | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3334883 |
| OpenAlex | W2060925105 |
| Language | EN |
| Citations received | 11 |
Aesthetics · Art · Motif (music) · Visual arts · Evolutionary Psychology and Human Behavior · Face Recognition and Perception · Multisensory perception and integration
West African Masking Traditions and Diaspora Masquerade Carnivals
Performative moral governance in the Gelede festival among the Ketu-Yoruba
West African Masking Traditions and Diaspora Masquerade Carnivals
Reappraising the Nsukka Ọmabe festival through the lens of ethno-aesthetics, therapy and healing
“East-West, West-East”
On Masks and Audible Ghosts
What's in a mask
Symbols of Possession
Masked in Metaphors
Josy Ajiboye, the Ultimate Prankster
Àjẹ́kùnrin
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,22 |
| Citation span | 1975 - 2026 (52) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 9 |