A Kuhn
Datos Biográficos
| ID | 12109 |
|---|---|
| NOMBRE | A Kuhn |
| NOMBRES | A |
| APELLIDO | Kuhn |
| FIRMA | KUHN A |
| AFILIACIONES | Queen Mary University of London |
| ORCID | 0000-0003-1549-7809 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 48 |
| TOTAL DE CITAS | 139 |
| TOTAL COMO AUTOR | 47 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1873 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 4 |
Lastingness and little madnesses
Trends in the pathophysiology of Charcot neuroarthropathy
The pathophysiology of Charcot neuroarthropathy (CN) includes a number of gray areas, particularly regarding the onset of inflammation which induces the disruption of the bone remodeling factor responsible for the onset of bone lysis. This clinical insight highlights a potential link between this inflammation and the rapid correction of chronic hyperglycemia (Dardari et al., 2022), which is known to be responsible for a particular type of neuropa…
A Credit to Her Mother
A Journey Through Memory
In touching on memory production, personal photographs have something in common with autobiographical writing: though if the activities of looking at and talking about photographs also involve a putting into discourse of memory, they lack the dimension of writing and thus perhaps the more revised public productions of self characteristic of conventional autobiography and even, in a different way, of revisionist autobiography. Memory work stages m…
Elinor Glyn, Film History and Popular Culture
Elinor Glyn has assumed an insistent presence in the interstices of my scholarly life over several decades.This has come about
Two or Three Things I Know About Des
Memories of cinemagoing and film experience
Over the past two decades, the relationship between cinema and memory has been the object of increasing academic attention, with growing interest in film and cinema as repositories for representing, shaping, (re)creating or indexing forms of individual and collective memory. This Special Issue on memory and the experience of cinemagoing centres on the perspective of cinema users and audiences, focusing on memories of films, cinema and cinemagoing…
Memory texts and memory work
This essay focuses on re-enactments of the past through performances of memory both in and with visual media , and looks at how these may embody, express, work through, and even unpick, interconnections between the private, the public and the personal. It explores some questions around visual media/visual discourses, memory and collective identity by looking at filmic and photographic examples from England, Scotland, Canada and China. It also rai…
Screen and screen theorizing today
The Trouble With Elinor Glyn
Photography and cultural memory
Recent years have seen a flowering of research and scholarship on cultural memory across the humanities and social sciences. Among the many facets of this work is a quest to extend and deepen understanding of how personal memory operates in the cultural sphere: its distinguishing features; how, where and when it is produced; how people make use of it in their daily lives; how personal or individual memory connects with shared, public forms of mem…
Thresholds
Journal Article Thresholds: film as film and the aesthetic experience Get access Annette Kuhn Annette Kuhn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 46, Issue 4, Winter 2005, Pages 401–414, https://doi.org/10.1093/screen/46.4.401 Published: 01 December 2005
Oral history und Erinnerungsarbeit
Oral history, wörtlich übersetzt die mündliche Geschichtserzählung, stellt die älteste Form der historischen Überlieferung dar. Zur Hochzeit des Verständnisses der Geschichte als einer exakten, den Naturwissenschaften ebenbürtigen Wissenschaft im 19. und 20. Jahrhundert, wurde allerdings der mündlichen Überlieferung kein Ernst zu nehmender historischer Stellenwert beigemessen. Wie bei den „Brüdern Grimm“ wurde das aus der Erinnerung Wieder- und W…
The State of Film and Media Feminism
An Everyday Magic
From the enchanted surroundings of cinemas to the heightened romance of cinema going – on screen and in the back row – Annette Kuhn explores cinema-going in the 1930s, when ‘going to the pictures’ was everybody’s favourite spare-time activity. Drawing on interviews with cinema-goers and contemporary ideas about cultural history, she discovers how cinema provided glamour to young people growing up in an austere climate of ‘making do’. She shows ho…
Children, 'Horrific' Films, and Censorship in 1930s Britain
‘Women’s Genres
Crash and film censorship in the UK
Journal Article Crash and film censorship in the UK Get access Annette Kuhn Annette Kuhn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 40, Issue 4, Winter 1999, Pages 446–450, https://doi.org/10.1093/screen/40.4.446 Published: 01 December 1999
Cinema-going in Britain in the 1930s
1999). Cinema-going in Britain in the 1930s: Report of a Questionnaire Survey. Historical Journal of Film, Radio and Television: Vol. 19, No. 4, pp. 531-543
The wages of sin
Mandy and possibility
Journal Article Mandy and possibility Get access Annette Kuhn Annette Kuhn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 33, Issue 3, Autumn 1992, Pages 233–243, https://doi.org/10.1093/screen/33.3.233 Published: 01 October 1992
Power and Powerlessness
Power and Powerlessness
Power and Powerlessness: Women after 1945, or the Continuity of the Ideology of Femininity Get access Annette Kuhn Annette Kuhn Bonn Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 7, Issue 1, January 1989, Pages 35–46, https://doi.org/10.1093/gh/7.1.35 Published: 01 January 1989
Cinema, Censorship and Sexuality
Encounter between Two Cultures
Journal Article Encounter between Two Cultures: Discussion with Ulrike Ottinger Get access Annetth Kuhn Annetth Kuhn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 28, Issue 4, Autumn 1987, Pages 74–79, https://doi.org/10.1093/screen/28.4.74 Published: 01 October 1987
Castration or Decapitation
Ideology and Cultural Production
Memory texts and memory work
This essay focuses on re-enactments of the past through performances of memory both in and with visual media , and looks at how these may embody, express, work through, and even unpick, interconnections between the private, the public and the personal. It explores some questions around visual media/visual discourses, memory and collective identity by looking at filmic and photographic examples from England, Scotland, Canada and China. It also rai…
Women's Genres
Journal Article Women's Genres Get access Annette Kuhn Annette Kuhn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 1, Jan-Feb 1984, Pages 18–29, https://doi.org/10.1093/screen/25.1.18 Published: 01 January 1984
Screen and screen theorizing today
Cinema-going in Britain in the 1930s
1999). Cinema-going in Britain in the 1930s: Report of a Questionnaire Survey. Historical Journal of Film, Radio and Television: Vol. 19, No. 4, pp. 531-543
"Introduction to Hélène Cixous's "Castration or Decapitation
Children, 'Horrific' Films, and Censorship in 1930s Britain
Mandy and possibility
Journal Article Mandy and possibility Get access Annette Kuhn Annette Kuhn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 33, Issue 3, Autumn 1992, Pages 233–243, https://doi.org/10.1093/screen/33.3.233 Published: 01 October 1992
The Questionnaire in a Sociological Research Project
The ‘Married Love’ Affair
Journal Article The ‘Married Love’ Affair Get access Annette Kuhn Annette Kuhn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 2, March-April 1986, Pages 5–21, https://doi.org/10.1093/screen/27.2.5 Published: 01 March 1986
Documentary
Memories of cinemagoing and film experience
Over the past two decades, the relationship between cinema and memory has been the object of increasing academic attention, with growing interest in film and cinema as repositories for representing, shaping, (re)creating or indexing forms of individual and collective memory. This Special Issue on memory and the experience of cinemagoing centres on the perspective of cinema users and audiences, focusing on memories of films, cinema and cinemagoing…
The State of Film and Media Feminism
Power and Powerlessness
Power and Powerlessness: Women after 1945, or the Continuity of the Ideology of Femininity Get access Annette Kuhn Annette Kuhn Bonn Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 7, Issue 1, January 1989, Pages 35–46, https://doi.org/10.1093/gh/7.1.35 Published: 01 January 1989
Public versus private
Asem oder Silbergold
Orientierung der Tiere / Animal Orientation
The New York Newspaper Strike
Marriage and Family-Building Patterns of University Graduates
The findings relating to marriage and fertility of the National Survey of 1960 Graduates show that highly-educated people are on the whole no exception to the generally observed principle of social and educational endogamy. Those from working-class homes, however, marry overwhelmingly into the middle class, so that marriage here constitutes a means of consolidating newly-won status. Respondents on the whole tended to delay marriage and family bui…
Graduates
The Questionnaire in a Sociological Research Project
Family Size and Ordinal Position
The National Survey of 1960 Graduates, which included every woman and every other man who graduated from British universities in 1960, provided a unique opportunity to further our knowledge of the correlates of academic success measured in terms of the gaining of a university degree. A relatively large family appeared to be no impediment to the educational achievements of middle-class children, but for those with less privileged home circumstance…
Graduates
Film Culture
Film Culture Get access Edward Buscombe, Edward Buscombe Search for other works by this author on: Oxford Academic Google Scholar Mark Nash, Mark Nash Search for other works by this author on: Oxford Academic Google Scholar George Lellis, George Lellis Search for other works by this author on: Oxford Academic Google Scholar Colin McArthur Colin McArthur Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 16, Is…
Graduates
Film Culture
Film Culture: Camera Obscura Get access Annette Kuhn Annette Kuhn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 18, Issue 2, Summer 1977, Pages 123–128, https://doi.org/10.1093/screen/18.2.123 Published: 01 July 1977
Documentary
Ideology and Cultural Production
Feminism and Materialism
Ideology and Cultural Production
Ideology and Cultural Production
Castration or Decapitation
"Introduction to Hélène Cixous's "Castration or Decapitation
Feminine Film
Public versus private
Women's Genres
Journal Article Women's Genres Get access Annette Kuhn Annette Kuhn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 1, Jan-Feb 1984, Pages 18–29, https://doi.org/10.1093/screen/25.1.18 Published: 01 January 1984
Dear Linda
The ‘Married Love’ Affair
Journal Article The ‘Married Love’ Affair Get access Annette Kuhn Annette Kuhn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 2, March-April 1986, Pages 5–21, https://doi.org/10.1093/screen/27.2.5 Published: 01 March 1986
Encounter between Two Cultures
Journal Article Encounter between Two Cultures: Discussion with Ulrike Ottinger Get access Annetth Kuhn Annetth Kuhn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 28, Issue 4, Autumn 1987, Pages 74–79, https://doi.org/10.1093/screen/28.4.74 Published: 01 October 1987
Power and Powerlessness
Sociology (31 obras) · Art (25 obras) · Cinema and Media Studies (19 obras) · Political science (19 obras) · Art history (17 obras) · Law (16 obras) · History (15 obras) · Media studies (14 obras) · Gender Studies (10 obras) · History (10 obras)