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Douglas Thornton

Datos Biográficos

ID184730
NOMBREDouglas Thornton
NOMBRESDouglas
APELLIDOThornton
FIRMATHORNTON D
AFILIACIONESAlphacrucis University College
ORCID0000-0002-8890-3794
VERIFICADOSí
TOTAL DE OBRAS11
TOTAL DE CITAS6
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2017
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H2
  • Hillsong's Swansong? On the Decline of Hillsong Within the Contemporary Congregational Song Genre

    Open Access•Douglas Thornton•ARTICLE•Religions•2025•Citada por: 1•Referencias: 14

    Contemporary Congregational Songs (CCS) are used for gathered musical worship in churches of diverse traditions and denominations all over the world. Christian Copyright Licensing International (CCLI) has measured the use of CCS in licensed churches in various global regions for over 30 years. This article examines the trajectory of songs as they enter and exit the biannual CCLI top songs lists over a 10 year period from 2014-2023. Hillsong has b…

  • Andrew Mall. 2020. God Rock, Inc

    Douglas Thornton, Daniel Thornton•ARTICLE•Journal of World Popular Music•2024

    Andrew Mall. 2020. God Rock, Inc.: The Business of Niche Music. Berkeley, CA: University of California Press. xxiv + 298 pp. ISBN 987-05-203-43412 (hbk)

  • Understanding "Love" in the English Lyrics of the Original Songs by the Multilingual New Creation Church Singapore

    Open Access•H Leng Toh, Douglas Thornton•ARTICLE•Religions•2024•Referencias: 9

    This article explores the way in which love is understood and expressed through the original English lyrics of songs by New Creation Church Singapore (NCC) in comparison to the original songs from Hillsong Church Australia (Hillsong) through the period of 2014-2020. While NCC has a multilingual congregation, reflective of the larger Singaporean society, it composes and releases original contemporary congregational songs (CCS) with English lyrics.…

  • Evaluating the feasibility of implementing a prescription drug misuse prevention intervention in the community

    Open Access•Tamara Al Rawwad, Vaishnavi Tata et al.•ARTICLE•BMC Public Health•2023

    CPOs have unparalleled access to community events, local institutions, and the general population they serve, thus, they have the potential to be active facilitators in implementing prevention interventions

  • Patients prefer free drug disposal options delivered by pharmacists at the point of care

    Open Access•Tyler Varisco, Harshil Patel et al.•ARTICLE•International Journal of Drug…•2023

  • This Is No Performance

    Open Access•Douglas Thornton•ARTICLE•Religions•2023•Citada por: 3•Referencias: 16

    Performing" and "performance" are potentially contentious words within the context of contemporary Christian worship. However, performative elements are explicit in the lyrics of contemporary congregational songs (CCS), and in video recordings of CCS, through the actions of those on stage and in the congregation, as well as in the broader context of staging, lighting, projection, production, and video editing. However, to date, there is only a ha…

  • How YouTube Mediations of Global Contemporary Congregational Songs Contribute to an Understanding of the Genre

    Douglas Thornton, Daniel Thornton•ARTICLE•Journal of Religion Media and…•2021

    Contemporary congregational songs ( ccs ) are a global genre of Christian worship, driven presently from Western production centres. Streaming media platforms, in particular YouTube, have become essential vehicles for disseminating these songs globally, as well as a way for fans to contribute to the popularity of songs through views, likes, comments, sharing, and uploading their own fan-created videos. While this activity has had some scholarly a…

  • A "Sloppy Wet Kiss"? Intralingual Translation and Meaning-Making in Contemporary Congregational Songs

    Open Access•Douglas Thornton•ARTICLE•Religions•2021•Citada por: 2•Referencias: 5

    Translation as a form of music localization does not only occur in diverse cultural or lingual contexts, it also occurs within an ostensibly homogenous culture and language. The global genre of contemporary congregational songs (CCS) is written and performed through a variety of theological lenses. Sometimes a theological position conveyed in, or ascribed to, CCS can be problematic for certain local expressions of the Christian faith to replicate…

  • Star Wars Soundtracks

    Douglas Thornton•ARTICLE•Journal of Religion and Popular…•2019•Referencias: 5

    Music and religion have a long and constitutive history. When considering the potential religious dimensions of the Star Wars universe, musical elements should not be ignored. This article explores the iconic musical scores of John Williams for the Star Wars franchise as a form of worship music. Worship music, especially in Western contemporary Christian contexts, is employed for embodied expression, emotional experience, and spiritual encounter.…

  • Opioid overdose knowledge among college students in a high overdose death state

    Amanda N Stover, Kristin Grogg et al.•ARTICLE•Journal of Human Behavior in the…•2019•Referencias: 11

    University students' knowledge suggests that previous exposure to opioid prescriptions and naloxone training increase a student's knowledge about opioid overdose. This information is not surprising; however, this does make the case that students may benefit from brief overdose education programs that could be implemented across university health education curricula. However, a larger effort may need to be implemented to encourage students to part…

  • On Hillsong’s continued reign over the Australian contemporary congregational song genre

    Douglas Thornton, Daniel H Thornton et al.•ARTICLE•Perfect Beat•2017

    Australia’s popular music charts are not dominated by Australian music. However, in the popular music subgenre, contemporary congregational songs, a single Australian producer has a disproportionately high chart presence compared to international producers: Hillsong Music. This article offers an exploration of and explanation for this anomaly. It examines the extra musical and musical/lyrical components contributing to Hillsong Music’s dominance …

  • This Is No Performance

    Open Access•Douglas Thornton•ARTICLE•Religions•2023•Citada por: 3•Referencias: 16

    Performing" and "performance" are potentially contentious words within the context of contemporary Christian worship. However, performative elements are explicit in the lyrics of contemporary congregational songs (CCS), and in video recordings of CCS, through the actions of those on stage and in the congregation, as well as in the broader context of staging, lighting, projection, production, and video editing. However, to date, there is only a ha…

  • A "Sloppy Wet Kiss"? Intralingual Translation and Meaning-Making in Contemporary Congregational Songs

    Open Access•Douglas Thornton•ARTICLE•Religions•2021•Citada por: 2•Referencias: 5

    Translation as a form of music localization does not only occur in diverse cultural or lingual contexts, it also occurs within an ostensibly homogenous culture and language. The global genre of contemporary congregational songs (CCS) is written and performed through a variety of theological lenses. Sometimes a theological position conveyed in, or ascribed to, CCS can be problematic for certain local expressions of the Christian faith to replicate…

  • Hillsong's Swansong? On the Decline of Hillsong Within the Contemporary Congregational Song Genre

    Open Access•Douglas Thornton•ARTICLE•Religions•2025•Citada por: 1•Referencias: 14

    Contemporary Congregational Songs (CCS) are used for gathered musical worship in churches of diverse traditions and denominations all over the world. Christian Copyright Licensing International (CCLI) has measured the use of CCS in licensed churches in various global regions for over 30 years. This article examines the trajectory of songs as they enter and exit the biannual CCLI top songs lists over a 10 year period from 2014-2023. Hillsong has b…

  • On Hillsong’s continued reign over the Australian contemporary congregational song genre

    Douglas Thornton, Daniel H Thornton et al.•ARTICLE•Perfect Beat•2017

    Australia’s popular music charts are not dominated by Australian music. However, in the popular music subgenre, contemporary congregational songs, a single Australian producer has a disproportionately high chart presence compared to international producers: Hillsong Music. This article offers an exploration of and explanation for this anomaly. It examines the extra musical and musical/lyrical components contributing to Hillsong Music’s dominance …

  • Star Wars Soundtracks

    Douglas Thornton•ARTICLE•Journal of Religion and Popular…•2019•Referencias: 5

    Music and religion have a long and constitutive history. When considering the potential religious dimensions of the Star Wars universe, musical elements should not be ignored. This article explores the iconic musical scores of John Williams for the Star Wars franchise as a form of worship music. Worship music, especially in Western contemporary Christian contexts, is employed for embodied expression, emotional experience, and spiritual encounter.…

  • Opioid overdose knowledge among college students in a high overdose death state

    Amanda N Stover, Kristin Grogg et al.•ARTICLE•Journal of Human Behavior in the…•2019•Referencias: 11

    University students' knowledge suggests that previous exposure to opioid prescriptions and naloxone training increase a student's knowledge about opioid overdose. This information is not surprising; however, this does make the case that students may benefit from brief overdose education programs that could be implemented across university health education curricula. However, a larger effort may need to be implemented to encourage students to part…

  • How YouTube Mediations of Global Contemporary Congregational Songs Contribute to an Understanding of the Genre

    Douglas Thornton, Daniel Thornton•ARTICLE•Journal of Religion Media and…•2021

    Contemporary congregational songs ( ccs ) are a global genre of Christian worship, driven presently from Western production centres. Streaming media platforms, in particular YouTube, have become essential vehicles for disseminating these songs globally, as well as a way for fans to contribute to the popularity of songs through views, likes, comments, sharing, and uploading their own fan-created videos. While this activity has had some scholarly a…

  • A "Sloppy Wet Kiss"? Intralingual Translation and Meaning-Making in Contemporary Congregational Songs

    Open Access•Douglas Thornton•ARTICLE•Religions•2021•Citada por: 2•Referencias: 5

    Translation as a form of music localization does not only occur in diverse cultural or lingual contexts, it also occurs within an ostensibly homogenous culture and language. The global genre of contemporary congregational songs (CCS) is written and performed through a variety of theological lenses. Sometimes a theological position conveyed in, or ascribed to, CCS can be problematic for certain local expressions of the Christian faith to replicate…

  • Evaluating the feasibility of implementing a prescription drug misuse prevention intervention in the community

    Open Access•Tamara Al Rawwad, Vaishnavi Tata et al.•ARTICLE•BMC Public Health•2023

    CPOs have unparalleled access to community events, local institutions, and the general population they serve, thus, they have the potential to be active facilitators in implementing prevention interventions

  • Patients prefer free drug disposal options delivered by pharmacists at the point of care

    Open Access•Tyler Varisco, Harshil Patel et al.•ARTICLE•International Journal of Drug…•2023

  • This Is No Performance

    Open Access•Douglas Thornton•ARTICLE•Religions•2023•Citada por: 3•Referencias: 16

    Performing" and "performance" are potentially contentious words within the context of contemporary Christian worship. However, performative elements are explicit in the lyrics of contemporary congregational songs (CCS), and in video recordings of CCS, through the actions of those on stage and in the congregation, as well as in the broader context of staging, lighting, projection, production, and video editing. However, to date, there is only a ha…

  • Andrew Mall. 2020. God Rock, Inc

    Douglas Thornton, Daniel Thornton•ARTICLE•Journal of World Popular Music•2024

    Andrew Mall. 2020. God Rock, Inc.: The Business of Niche Music. Berkeley, CA: University of California Press. xxiv + 298 pp. ISBN 987-05-203-43412 (hbk)

  • Understanding "Love" in the English Lyrics of the Original Songs by the Multilingual New Creation Church Singapore

    Open Access•H Leng Toh, Douglas Thornton•ARTICLE•Religions•2024•Referencias: 9

    This article explores the way in which love is understood and expressed through the original English lyrics of songs by New Creation Church Singapore (NCC) in comparison to the original songs from Hillsong Church Australia (Hillsong) through the period of 2014-2020. While NCC has a multilingual congregation, reflective of the larger Singaporean society, it composes and releases original contemporary congregational songs (CCS) with English lyrics.…

  • Hillsong's Swansong? On the Decline of Hillsong Within the Contemporary Congregational Song Genre

    Open Access•Douglas Thornton•ARTICLE•Religions•2025•Citada por: 1•Referencias: 14

    Contemporary Congregational Songs (CCS) are used for gathered musical worship in churches of diverse traditions and denominations all over the world. Christian Copyright Licensing International (CCLI) has measured the use of CCS in licensed churches in various global regions for over 30 years. This article examines the trajectory of songs as they enter and exit the biannual CCLI top songs lists over a 10 year period from 2014-2023. Hillsong has b…

Art (8 obras) · Literature (6 obras) · History (5 obras) · Philosophy (5 obras) · Sociology (5 obras) · Aesthetics (4 obras) · Worship (4 obras) · Epistemology (3 obras) · Family medicine (3 obras) · Lyrics (3 obras)

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