Peter Wicke
Datos Biográficos
| ID | 237730 |
|---|---|
| NOMBRE | Peter Wicke |
| NOMBRES | Peter |
| APELLIDO | Wicke |
| FIRMA | WICKE P |
| AFILIACIONES | Humboldt-Universität zu Berlin |
| ORCID | 0009-0003-8687-2810 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 25 |
| TOTAL DE CITAS | 7 |
| TOTAL COMO AUTOR | 24 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1982 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 2 |
Popular music studies behind the Iron Curtain
The study of popular music in the Soviet-controlled East-Central European region has yet to receive the attention it merits. The objective of this study was to fill this gap by investigating the genealogy of popular music research in East Central Europe prior to 1989. It provides a comprehensive account of the evolution of popular music research in socialist East-Central Europe, with a particular focus on Czechoslovakia, Hungary and East Germany.…
Philip Tagg (22 February 1944-9 May 2024)
Sound, dispositif and power
Sound as a medium of music is pre-structured in the social context in which it circulates, representing an aesthetic meta-level of the musical. As a socially pertinent concept, "sound" implies different references to the sonic material, including different ways of listening. The result of a cultural formatting process, sound manifests in formations that audibly and conceptually correspond to the processes through which societies in which they are…
Between Marx and Coca-Cola
In the 1960s and 1970s, Western Europe's "Golden Age" (Eric Hobsbawm), a new youth consciousness emerged, which gave this period its distinctive character. Offering rich and new material, this volume moves beyond the easy conflation of youth culture and "Americanization" and instead sets out to show, for the first time, how international developments fused with national traditions to produce specific youth cultures that became the leading trendse…
Sound As Popular Culture
Rock und Pop
«We all want to change the world», sangen die Beatles 1968. Mit der Gitarre in der Hand die Welt verändern: Dieser Traum ist mit der Rock- und Popmusik untrennbar verbunden. Peter Wicke erzählt ihre Geschichte von den Anfängen bis zur Gegenwart. Dabei kommen Stilrichtungen, Soundformen und Aufnahmetechniken ebenso zur Sprache wie die Veränderungen des Musikmarktes und die Revolutionen der Jugendkultur, von denen die Entwicklung der populären Musi…
Bloomsbury Encyclopedia of Popular Music of the World
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as …
Pop & Mythos. Pop-Kultur. Pop-Asthetik. Pop-Musik
"Schade um all die Stimmen …". Erinnerungen an Musik im Alltagsleben
Phat Beats, Dope Rhyhmes. Hip Hop down under Comin' Upper
Rock- und Popmusik
Rap Music and the Poetics of Identity
Rainbow Quest. The Folk Music Revival & American Society, 1940-1970
"But His Soul Goes Marching on." Musik zur Ästhetisierung und Inszenierung des Krieges
Africa and the Blues
Music and Cultural Theory
Music and Cultural Theory
Born in the GDR”. Ostrock between Ostalgia and cultural self‐assertion
Music and Cultural Theory
Preface. Introduction. 1. The Problem of Affect and Meaning in Music. 2. Music and Cultural Theory. 3. Music and Psychoanalysis. 4. Theorizing Difference in Language and Music. 5. Music as a Medium in Sound. 6. Music as Structure. 7. Music's Semiological Moment. 8. Music - a Performative Semiological Model. 9. Music and Language in the Constitution of Society. 10. Towards a Sociology of Sound. Bibliography. Index
Let the sun shine in your heart“
The times they are a‐changin
Since World War II, nothing has affected the world as deeply as the breakdown of the East‐West conflict after the collapse of Stalinist communism in Eastern Europe. What will come of this change—a more peaceful world or one even more unstable—remains to be seen. Cultural movements will play an important role in this struggle, as they have already. Rock musicians, for example, helped promote the demise of the Berlin Wall and the former German Demo…
Rock Music
On the Rocks
Sentimentality and high pathos
This article deals with one of the darkest chapters in the history of popular music: the way in which it was pressed into the service of the cynical and ultra-reactionary goals of German fascism between the years 1933 and 1945. The aim, however, is not simply to fill a gap in historical accounts, which hitherto have always ignored this period. The subject is far from being merely of historical interest: it concerns the mechanisms whereby popular …
Rock music
Music has rarely exerted such positively hypnotic fascination on such masses of listeners as it has since the meteoric rise of the English group, the Beatles, at the begining of the 1960s. Under this influence the leisure behaviour of young people began to undergo lasting change, focusing around music to an extent that no one - despite the periodically recurring waves of enthusiasm for specific vogues within dance music - would have thought possi…
Rock music
Music has rarely exerted such positively hypnotic fascination on such masses of listeners as it has since the meteoric rise of the English group, the Beatles, at the begining of the 1960s. Under this influence the leisure behaviour of young people began to undergo lasting change, focusing around music to an extent that no one - despite the periodically recurring waves of enthusiasm for specific vogues within dance music - would have thought possi…
Sentimentality and high pathos
This article deals with one of the darkest chapters in the history of popular music: the way in which it was pressed into the service of the cynical and ultra-reactionary goals of German fascism between the years 1933 and 1945. The aim, however, is not simply to fill a gap in historical accounts, which hitherto have always ignored this period. The subject is far from being merely of historical interest: it concerns the mechanisms whereby popular …
Rock music
Music has rarely exerted such positively hypnotic fascination on such masses of listeners as it has since the meteoric rise of the English group, the Beatles, at the begining of the 1960s. Under this influence the leisure behaviour of young people began to undergo lasting change, focusing around music to an extent that no one - despite the periodically recurring waves of enthusiasm for specific vogues within dance music - would have thought possi…
Sentimentality and high pathos
This article deals with one of the darkest chapters in the history of popular music: the way in which it was pressed into the service of the cynical and ultra-reactionary goals of German fascism between the years 1933 and 1945. The aim, however, is not simply to fill a gap in historical accounts, which hitherto have always ignored this period. The subject is far from being merely of historical interest: it concerns the mechanisms whereby popular …
On the Rocks
Rock Music
The times they are a‐changin
Since World War II, nothing has affected the world as deeply as the breakdown of the East‐West conflict after the collapse of Stalinist communism in Eastern Europe. What will come of this change—a more peaceful world or one even more unstable—remains to be seen. Cultural movements will play an important role in this struggle, as they have already. Rock musicians, for example, helped promote the demise of the Berlin Wall and the former German Demo…
Let the sun shine in your heart“
Born in the GDR”. Ostrock between Ostalgia and cultural self‐assertion
Music and Cultural Theory
Preface. Introduction. 1. The Problem of Affect and Meaning in Music. 2. Music and Cultural Theory. 3. Music and Psychoanalysis. 4. Theorizing Difference in Language and Music. 5. Music as a Medium in Sound. 6. Music as Structure. 7. Music's Semiological Moment. 8. Music - a Performative Semiological Model. 9. Music and Language in the Constitution of Society. 10. Towards a Sociology of Sound. Bibliography. Index
Music and Cultural Theory
Music and Cultural Theory
"But His Soul Goes Marching on." Musik zur Ästhetisierung und Inszenierung des Krieges
Africa and the Blues
Rap Music and the Poetics of Identity
Rainbow Quest. The Folk Music Revival & American Society, 1940-1970
Bloomsbury Encyclopedia of Popular Music of the World
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as …
Pop & Mythos. Pop-Kultur. Pop-Asthetik. Pop-Musik
"Schade um all die Stimmen …". Erinnerungen an Musik im Alltagsleben
Phat Beats, Dope Rhyhmes. Hip Hop down under Comin' Upper
Rock- und Popmusik
Rock und Pop
«We all want to change the world», sangen die Beatles 1968. Mit der Gitarre in der Hand die Welt verändern: Dieser Traum ist mit der Rock- und Popmusik untrennbar verbunden. Peter Wicke erzählt ihre Geschichte von den Anfängen bis zur Gegenwart. Dabei kommen Stilrichtungen, Soundformen und Aufnahmetechniken ebenso zur Sprache wie die Veränderungen des Musikmarktes und die Revolutionen der Jugendkultur, von denen die Entwicklung der populären Musi…
Sound As Popular Culture
Between Marx and Coca-Cola
In the 1960s and 1970s, Western Europe's "Golden Age" (Eric Hobsbawm), a new youth consciousness emerged, which gave this period its distinctive character. Offering rich and new material, this volume moves beyond the easy conflation of youth culture and "Americanization" and instead sets out to show, for the first time, how international developments fused with national traditions to produce specific youth cultures that became the leading trendse…
Popular music studies behind the Iron Curtain
The study of popular music in the Soviet-controlled East-Central European region has yet to receive the attention it merits. The objective of this study was to fill this gap by investigating the genealogy of popular music research in East Central Europe prior to 1989. It provides a comprehensive account of the evolution of popular music research in socialist East-Central Europe, with a particular focus on Czechoslovakia, Hungary and East Germany.…
Philip Tagg (22 February 1944-9 May 2024)
Sound, dispositif and power
Sound as a medium of music is pre-structured in the social context in which it circulates, representing an aesthetic meta-level of the musical. As a socially pertinent concept, "sound" implies different references to the sonic material, including different ways of listening. The result of a cultural formatting process, sound manifests in formations that audibly and conceptually correspond to the processes through which societies in which they are…
Art (15 obras) · Music History and Culture (10 obras) · History (7 obras) · Sociology (7 obras) · Aesthetics (6 obras) · Diverse Musicological Studies (6 obras) · Philosophy (6 obras) · History (5 obras) · Anthropology (4 obras) · Law (4 obras)