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Felicia Hughes-Freeland

Datos Biográficos

ID3638293
NOMBREFelicia Hughes-Freeland
NOMBRESFelicia
APELLIDOHughes-Freeland
FIRMAHUGHES-FREELAND F
AFILIACIONESUniversity of Wales Swansea, UK,
VERIFICADONo
TOTAL DE OBRAS38
TOTAL DE CITAS105
TOTAL COMO AUTOR36
TOTAL COMO EDITOR2
PRIMER AÑO DE PUBLICACIÓN1987
AÑO MÁS RECIENTE DE PUBLICACIÓN2021
ÍNDICE H7
  • 'Tradition and the individual talent'

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•CHAPTER•Creativity and Cultural…•2021

    This chapter discusses the artistic creativity, particularly embodied performance, in relation to time and established practice. Eliot asserts the importance of tradition in creative writing over and above that of the personality of, in this case, the poet, taking up multiple themes that are relevant to author&s;s argument. Scholars of different dance and drama traditions in Indonesia have often compared the performer to a puppet, explaining that…

  • Photography in Southeast Asia

    Zhuang Wubin, Felicia Hughes‐freeland et al.•ARTICLE•Journal of Social Issues in…•2018•Citada por: 3

    To mark the fiftieth anniversary of the founding of the ISEAS – Yusof Ishak Institute, SOJOURN is publishing not only the regular March issue but also a special supplementary issue highlighting the journal’s contribution to the study of Southeast Asia during the past three decades

  • Performance

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•CHAPTER•International Encyclopedia of the…•2015

  • The Importance of Ethnographic Film/Video/Multimedia in the Development and Assessment of Anthropological Understanding

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthrovision•2015

    This descriptive account of a project from 2002-2003 entitled ‘Visual technologies and their assessment in undergraduate teaching and learning’ originated as presentation to the IUAES conference at Manchester University, 5-10 Aug 2013, to the panel ‘Establishing academic standards of evaluation for non-literary forms of representation in anthropology’. It presents findings based on a range of practical experiences in teaching and research over th…

  • Film in Contemporary Southeast Asia

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Journal of Contemporary Asia•2013•Citada por: 2

    Film in Contemporary Southeast Asia: Cultural Interpretation and Social Intervention David C. L. Lim and Hiroyuki Yamamoto (eds) (London: Routledge, 2012) This edited book takes a broad regional an

  • Dancing Cultures

    Séverine Carrausse, Felicia Hughes-Freeland et al.•BOOK•Dancing Cultures•2012

  • Women's Creativity in Indonesian Cinema

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Indonesia and the Malay World•2011

    Since the end of President Suharto's New Order regime (1966–1998) there has been a significant increase of women's creative participation in the Indonesian film industry behind the camera as directors, producers, trainers, publicists and distributors. Drawing on film viewings and interviews with Indonesian women directors and producers in 2008 and 2010, this article explores the extent of the changes. It proposes that fictional genres in Indonesi…

  • Refracted visions

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Journal of the Royal Anthropologica…•2011

  • Dance, dissimulation and identity in Indonesia

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•CHAPTER•Anthropology of Indirect…•2010

  • Clara van Groenendael, Victoria M

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthropos•2009

    Anthropos , Seite 586 - 587

  • Gender, Representation, Experience

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Dance Research•2008

    This article explores how gender representations are deployed in anthropological analysis with reference to female performers (ledhek) in rural Java during the last decades of Suharto's New Order Indonesia (1966–1998). 1 It shows how the negative ascriptions given to ledheks were consistent with state promulgated gender ideologies in Indonesia, and explores the women's experiences in performances and everyday life. This different standpoint allow…

  • Embodied Communities

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•BOOK•Embodied communities•2008

    Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance’s role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance’s significance in performance and in everyday lif…

  • Consciousness in performance. A Javanese theory

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Social Anthropology•2007

    La theorie du social reconnait l'importance qu'occupe la conscience dans sa modelisation de l'acteur social, prenant ainsi le risque d'imposer une vision trop occidentale sur un concept deja flou. Un exemple de theorie indigene de la conscience se rencontre dans la philosophie javanaise que developpe par reference au jeu dramatique des danses classiques de la cour le Prince Suryobrongto. Sa contribution a definir le role occupe par la conscience …

  • Charisma and celebrity in Indonesian politics

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthropological Theory•2007•Citada por: 17•Referencias: 20

    Weberian sociology has been used by many theorists in reference to Southeast Asia, though not without controversy. This article explores the anthropology of power and modernization by considering the relationship between Weber's concept of charisma and the modern notion of celebrity. It examines different framings of Weber's thought by political and media theorists. Using ethnographic data on Indonesian leadership, the article revisits Ben Anders…

  • Judy Van Zile, Perspectives on Korean Dance

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Dance Research•2006

  • Ritual, Performance, Media

    Felicia Hughes-Freeland•BOOK•Ritual, Performance, Media•2003

  • Ritual, Performance, Media

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•BOOK•Ritual, Performance, Media•2003

  • Recasting Ritual

    Felicia Hughes‐freeland, Felicia Hughs-Freeland et al.•BOOK•Recasting Ritual•2003

    Recasting Ritual explores how ritualized action diversifies in response to varying cultural, political and physical contexts. The contributors look at how issues such as globalisation and technology affect ritual performance and how minorities often utilise performances to affirm their own identites while also speaking to outsiders.The contributors examine the relationship between ritual meaning and social identity through case-studies drawn from…

  • Performers and Professionalization in Java

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•South East Asia Research•2001•Citada por: 1•Referencias: 8

    This paper draws on a ten-year study of the styles of performance patronage in Java – patronage by the state, the tourist industry and individuals, in contexts from the sultan's court to remote highland villages. It focuses on the latest findings about traditionally-and academically-trained performers in the court city of Yogyakarta. Supported by a number of case studies and survey results, it asks how performers have been surviving the economic …

  • Art and Politics

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Journal of the Royal Anthropologica…•1997•Citada por: 12•Referencias: 7

    Inspire de l'approche constructiviste de Nelson Goodman, cet article soutient que les debats sur l'esthetique en anthropologie de l'art detournent l'attention de questions importantes concernant la constitution de la diversite culturelle et le role social des categories. Tandis que le postulat que l'esthetique est inscrite dans des situations de pratique sociale plus extensives accorde une importance trop grande a la purete et l'authenticite cult…

  • Hooks and Eyes

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthropology Today•1996

  • After the Fact

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Journal of the Royal Anthropologica…•1996•Citada por: 17

  • Asa Conference 1995

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthropology Today•1995

  • The Nordic Eye

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Journal of the Royal Anthropologica…•1995•Citada por: 1

  • Culture and Society in New Order Indonesia

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•REVIEW•Journal of the Royal Anthropologica…•1995

Siguiente
  • Charisma and celebrity in Indonesian politics

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthropological Theory•2007•Citada por: 17•Referencias: 20

    Weberian sociology has been used by many theorists in reference to Southeast Asia, though not without controversy. This article explores the anthropology of power and modernization by considering the relationship between Weber's concept of charisma and the modern notion of celebrity. It examines different framings of Weber's thought by political and media theorists. Using ethnographic data on Indonesian leadership, the article revisits Ben Anders…

  • After the Fact

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Journal of the Royal Anthropologica…•1996•Citada por: 17

  • Affinities and Extremes

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1992•Citada por: 14

    Examining representations of Balinese culture in complex contexts of Indonesia's colonial history, Hindu ritual practice as opposed to Islam, and comparative Indo-European hierarchies, Boon offers a powerful critique of doctrinal approaches to culture, religion, literature, politics, and the history of ideas and disciplines

  • Art and Politics

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Journal of the Royal Anthropologica…•1997•Citada por: 12•Referencias: 7

    Inspire de l'approche constructiviste de Nelson Goodman, cet article soutient que les debats sur l'esthetique en anthropologie de l'art detournent l'attention de questions importantes concernant la constitution de la diversite culturelle et le role social des categories. Tandis que le postulat que l'esthetique est inscrite dans des situations de pratique sociale plus extensives accorde une importance trop grande a la purete et l'authenticite cult…

  • Dance, Sex and Gender

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1989•Citada por: 12

  • Ethnographic Film Aesthetics and Narrative Traditions

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1994•Citada por: 10

  • Hindu Javanese

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1987•Citada por: 9

  • Photography in Southeast Asia

    Zhuang Wubin, Felicia Hughes‐freeland et al.•ARTICLE•Journal of Social Issues in…•2018•Citada por: 3

    To mark the fiftieth anniversary of the founding of the ISEAS – Yusof Ishak Institute, SOJOURN is publishing not only the regular March issue but also a special supplementary issue highlighting the journal’s contribution to the study of Southeast Asia during the past three decades

  • A Throne for the People

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Indonesia•1991•Citada por: 3

    There had been extradordinary activity in and around the palace of Ngayogyakarta Hadiningrat since early morning. By 8:30 A.M. people were crowding the railings in front of the palace and along the road running though the center of the North Square where the distinctively somber Bugis brigade of the palace guard was marching slowly back to the palace. By 9:15 A.M. the numbers had increased, constantly shifting in search of better vantage points. …

  • Film in Contemporary Southeast Asia

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Journal of Contemporary Asia•2013•Citada por: 2

    Film in Contemporary Southeast Asia: Cultural Interpretation and Social Intervention David C. L. Lim and Hiroyuki Yamamoto (eds) (London: Routledge, 2012) This edited book takes a broad regional an

  • Zapin

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1994•Citada por: 2

  • Performers and Professionalization in Java

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•South East Asia Research•2001•Citada por: 1•Referencias: 8

    This paper draws on a ten-year study of the styles of performance patronage in Java – patronage by the state, the tourist industry and individuals, in contexts from the sultan's court to remote highland villages. It focuses on the latest findings about traditionally-and academically-trained performers in the court city of Yogyakarta. Supported by a number of case studies and survey results, it asks how performers have been surviving the economic …

  • The Nordic Eye

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Journal of the Royal Anthropologica…•1995•Citada por: 1

  • Power in Performance

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1991•Citada por: 1

  • Indonesian Image Enhancement

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthropology Today•1989•Citada por: 1

    Felicia Hughes-Freeland has carried out extensive fieldwork in central Java, and made a film The Dancer and the Dance on court dance in Jogjakarta under a joint RAII National Film and Television Schoolfilm training scheme, funded by the Leverhulme Trust. Artistic displays overseas are one way in which governments communicate images of themselves to other nation states. In Indonesia, this concept of 'cultural diplomacy' has recently been emphasize…

  • Peregrinations javanaises

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1987

  • Hindu Javanese

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1987•Citada por: 9

  • Indonesian Image Enhancement

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthropology Today•1989•Citada por: 1

    Felicia Hughes-Freeland has carried out extensive fieldwork in central Java, and made a film The Dancer and the Dance on court dance in Jogjakarta under a joint RAII National Film and Television Schoolfilm training scheme, funded by the Leverhulme Trust. Artistic displays overseas are one way in which governments communicate images of themselves to other nation states. In Indonesia, this concept of 'cultural diplomacy' has recently been emphasize…

  • Visual Anthropology at the Zagreb Icaes

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthropology Today•1989

  • Dance, Sex and Gender

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1989•Citada por: 12

  • Javanese Shadow Plays, Javanese Selves

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1989

  • A Throne for the People

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Indonesia•1991•Citada por: 3

    There had been extradordinary activity in and around the palace of Ngayogyakarta Hadiningrat since early morning. By 8:30 A.M. people were crowding the railings in front of the palace and along the road running though the center of the North Square where the distinctively somber Bugis brigade of the palace guard was marching slowly back to the palace. By 9:15 A.M. the numbers had increased, constantly shifting in search of better vantage points. …

  • Nothing New

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthropology Today•1991

  • Power in Performance

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1991•Citada por: 1

  • Affinities and Extremes

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1992•Citada por: 14

    Examining representations of Balinese culture in complex contexts of Indonesia's colonial history, Hindu ritual practice as opposed to Islam, and comparative Indo-European hierarchies, Boon offers a powerful critique of doctrinal approaches to culture, religion, literature, politics, and the history of ideas and disciplines

  • The Dancer and the Dance

    Marina Roseman, Felicia Hughes‐freeland et al.•ARTICLE•Ethnomusicology•1994

  • Zapin

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1994•Citada por: 2

  • Ethnographic Film Aesthetics and Narrative Traditions

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Man•1994•Citada por: 10

  • Asa Conference 1995

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthropology Today•1995

  • The Nordic Eye

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Journal of the Royal Anthropologica…•1995•Citada por: 1

  • Culture and Society in New Order Indonesia

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•REVIEW•Journal of the Royal Anthropologica…•1995

  • Hooks and Eyes

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Anthropology Today•1996

  • After the Fact

    Felicia Hughes‐freeland, Felicia Hughes-Freeland et al.•ARTICLE•Journal of the Royal Anthropologica…•1996•Citada por: 17

  • Art and Politics

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Journal of the Royal Anthropologica…•1997•Citada por: 12•Referencias: 7

    Inspire de l'approche constructiviste de Nelson Goodman, cet article soutient que les debats sur l'esthetique en anthropologie de l'art detournent l'attention de questions importantes concernant la constitution de la diversite culturelle et le role social des categories. Tandis que le postulat que l'esthetique est inscrite dans des situations de pratique sociale plus extensives accorde une importance trop grande a la purete et l'authenticite cult…

  • Performers and Professionalization in Java

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•South East Asia Research•2001•Citada por: 1•Referencias: 8

    This paper draws on a ten-year study of the styles of performance patronage in Java – patronage by the state, the tourist industry and individuals, in contexts from the sultan's court to remote highland villages. It focuses on the latest findings about traditionally-and academically-trained performers in the court city of Yogyakarta. Supported by a number of case studies and survey results, it asks how performers have been surviving the economic …

  • Ritual, Performance, Media

    Felicia Hughes-Freeland•BOOK•Ritual, Performance, Media•2003

  • Ritual, Performance, Media

    Felicia Hughes‐freeland, Felicia Hughes-Freeland•BOOK•Ritual, Performance, Media•2003

  • Recasting Ritual

    Felicia Hughes‐freeland, Felicia Hughs-Freeland et al.•BOOK•Recasting Ritual•2003

    Recasting Ritual explores how ritualized action diversifies in response to varying cultural, political and physical contexts. The contributors look at how issues such as globalisation and technology affect ritual performance and how minorities often utilise performances to affirm their own identites while also speaking to outsiders.The contributors examine the relationship between ritual meaning and social identity through case-studies drawn from…

  • Judy Van Zile, Perspectives on Korean Dance

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Dance Research•2006

  • Consciousness in performance. A Javanese theory

    Open Access•Felicia Hughes‐freeland, Felicia Hughes-Freeland•ARTICLE•Social Anthropology•2007

    La theorie du social reconnait l'importance qu'occupe la conscience dans sa modelisation de l'acteur social, prenant ainsi le risque d'imposer une vision trop occidentale sur un concept deja flou. Un exemple de theorie indigene de la conscience se rencontre dans la philosophie javanaise que developpe par reference au jeu dramatique des danses classiques de la cour le Prince Suryobrongto. Sa contribution a definir le role occupe par la conscience …

Sociology (24 obras) · Art (20 obras) · Asian Studies and History (15 obras) · History (15 obras) · Anthropology (14 obras) · Philosophy (14 obras) · Political science (14 obras) · Visual arts (11 obras) · History (10 obras) · Politics (9 obras)

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