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Andrea Wright

Datos Biográficos

ID3799494
NOMBREAndrea Wright
NOMBRESAndrea
APELLIDOWright
FIRMAWRIGHT A
AFILIACIONESEdge Hill University
ORCID0009-0007-4351-0763
VERIFICADOSí
TOTAL DE OBRAS9
TOTAL DE CITAS0
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2012
AÑO MÁS RECIENTE DE PUBLICACIÓN2023
ÍNDICE H0
  • Shifting Solidarities

    Andrea Wright•CHAPTER•Life Worlds of Middle Eastern Oil•2023

    This chapter looks at how workers expressed solidarity and formed alliances to navigate their working and living conditions in the 1940s and 1950s Gulf. We see changing workers’ solidarities when we compare work stoppages in Iran, complaints of human rights violations in Bahrain and hunger strikes in Aden. At each of these sites, I consider the claims made by workers, with whom workers formed alliances and how workers mobilised. This focus brings…

  • Eye of the Taika

    Andrea Wright•ARTICLE•Journal of New Zealand & Pacific…•2023

    Review of: Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi , Matthew Bannister (2021) Detroit, MI: Wayne State University Press, 312 pp., ISBN 978 0 81434 533 7 (pbk), US$36.99

  • Art that Moves

    Andrea Wright•ARTICLE•Journal of New Zealand & Pacific…•2023

    Review of: Art that Moves: The Works of Len Lye , Roger Horrocks (2015) Auckland: Auckland University Press, 257 pp., ISBN 978 1 86940 422 2 (pbk), NZ$79.99 The Long Dream of Waking: New Perspectives on Len Lye , Paul Brobbel, Wystan Curnow and Roger Horrocks (eds) (2017) Christchurch: Canterbury University Press, 224 pp., ISBN 978 1 92714 596 8 (pbk), NZ$49.99

  • Between Dreams and Ghosts

    Andrea Wright•BOOK•Between Dreams and Ghosts•2021

    More than one million Indians travel annually to work in oil projects in the Gulf, one of the few international destinations where men without formal education can find lucrative employment. Between Dreams and Ghosts follows their migration, taking readers to sites in India, the United Arab Emirates, and Kuwait, from villages to oilfields and back again. Engaging all parties involved—the migrants themselves, the recruiting agencies that place the…

  • ‘Vampires don’t do dishes’

    Andrea Wright•ARTICLE•Journal of New Zealand & Pacific…•2018

    The New Zealand horror-comedy What We Do in the Shadows (2014) emerged at a time when contemporary cinema had been showing a renewed and sustained interest in vampire fiction. Whilst it was not the first to offer a humorous reworking of vampire mythology, this parody is striking for it comes from a strong tradition in New Zealand cinema of disrupting genres, an approach that can be observed, for instance, in Peter Jackson’s early work. What We Do…

  • ‘I thought I was like you, but I’m not’

    Andrea Wright•ARTICLE•Journal of New Zealand & Pacific…•2016

    This article sets out to argue that the growing maturity of a national cinema permits a challenge to established tropes and representations that can result in innovative and original visions. Taika Waititi’s Boy (2010) is a film that deliberately confronts the conventions that have developed around the representation of Māori culture and Māori characters on-screen. By avoiding either depictions of urban violence and deprivation or mythic fantasie…

  • Handbook of Psychological Assessment

    Gary Groth‐marnat, Andrea Wright et al.•BOOK•Handbook of Psychological…•2016

  • Fatness and the maternal body

    Open Access•Anne Wright, Andrea Wright•ARTICLE•Social Anthropology•2013

  • A sheep in wolf's clothing? The problematic representation of women and the female body in 1980s sword and sorcery cinema

    Anne Wright, Andrea Wright•ARTICLE•Journal of Gender Studies•2012•Referencias: 9

    The muscled, independent woman found in action-orientated cinema is a problematic figure that confronts customary perceptions of masculine and feminine representation and gender roles. The regularly applied active/passive dichotomy is challenged by the agency and skill of these women, but, simultaneously, their position is undermined by an emphasis on the body, relationships with male characters, and the demands of patriarchy. Indeed, Jeffrey A. …

Sin obras prominentes en esta página.

  • A sheep in wolf's clothing? The problematic representation of women and the female body in 1980s sword and sorcery cinema

    Anne Wright, Andrea Wright•ARTICLE•Journal of Gender Studies•2012•Referencias: 9

    The muscled, independent woman found in action-orientated cinema is a problematic figure that confronts customary perceptions of masculine and feminine representation and gender roles. The regularly applied active/passive dichotomy is challenged by the agency and skill of these women, but, simultaneously, their position is undermined by an emphasis on the body, relationships with male characters, and the demands of patriarchy. Indeed, Jeffrey A. …

  • Fatness and the maternal body

    Open Access•Anne Wright, Andrea Wright•ARTICLE•Social Anthropology•2013

  • ‘I thought I was like you, but I’m not’

    Andrea Wright•ARTICLE•Journal of New Zealand & Pacific…•2016

    This article sets out to argue that the growing maturity of a national cinema permits a challenge to established tropes and representations that can result in innovative and original visions. Taika Waititi’s Boy (2010) is a film that deliberately confronts the conventions that have developed around the representation of Māori culture and Māori characters on-screen. By avoiding either depictions of urban violence and deprivation or mythic fantasie…

  • Handbook of Psychological Assessment

    Gary Groth‐marnat, Andrea Wright et al.•BOOK•Handbook of Psychological…•2016

  • ‘Vampires don’t do dishes’

    Andrea Wright•ARTICLE•Journal of New Zealand & Pacific…•2018

    The New Zealand horror-comedy What We Do in the Shadows (2014) emerged at a time when contemporary cinema had been showing a renewed and sustained interest in vampire fiction. Whilst it was not the first to offer a humorous reworking of vampire mythology, this parody is striking for it comes from a strong tradition in New Zealand cinema of disrupting genres, an approach that can be observed, for instance, in Peter Jackson’s early work. What We Do…

  • Between Dreams and Ghosts

    Andrea Wright•BOOK•Between Dreams and Ghosts•2021

    More than one million Indians travel annually to work in oil projects in the Gulf, one of the few international destinations where men without formal education can find lucrative employment. Between Dreams and Ghosts follows their migration, taking readers to sites in India, the United Arab Emirates, and Kuwait, from villages to oilfields and back again. Engaging all parties involved—the migrants themselves, the recruiting agencies that place the…

  • Shifting Solidarities

    Andrea Wright•CHAPTER•Life Worlds of Middle Eastern Oil•2023

    This chapter looks at how workers expressed solidarity and formed alliances to navigate their working and living conditions in the 1940s and 1950s Gulf. We see changing workers’ solidarities when we compare work stoppages in Iran, complaints of human rights violations in Bahrain and hunger strikes in Aden. At each of these sites, I consider the claims made by workers, with whom workers formed alliances and how workers mobilised. This focus brings…

  • Eye of the Taika

    Andrea Wright•ARTICLE•Journal of New Zealand & Pacific…•2023

    Review of: Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi , Matthew Bannister (2021) Detroit, MI: Wayne State University Press, 312 pp., ISBN 978 0 81434 533 7 (pbk), US$36.99

  • Art that Moves

    Andrea Wright•ARTICLE•Journal of New Zealand & Pacific…•2023

    Review of: Art that Moves: The Works of Len Lye , Roger Horrocks (2015) Auckland: Auckland University Press, 257 pp., ISBN 978 1 86940 422 2 (pbk), NZ$79.99 The Long Dream of Waking: New Perspectives on Len Lye , Paul Brobbel, Wystan Curnow and Roger Horrocks (eds) (2017) Christchurch: Canterbury University Press, 224 pp., ISBN 978 1 92714 596 8 (pbk), NZ$49.99

Sociology (8 obras) · Art (5 obras) · Gender Studies (4 obras) · History (4 obras) · Law (4 obras) · Literature (4 obras) · Political science (4 obras) · Aesthetics (3 obras) · Masculinity (3 obras) · Media studies (3 obras)

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