A sheep in wolf's clothing? The problematic representation of women and the female body in 1980s sword and sorcery cinema

Datos Bibliográficos

ID3620495
AutoresAnne Wright (0000-0001-9685-7348), Andrea Wright (0009-0007-4351-0763, Edge Hill University, autor de correspondencia)
Año2012
Volumen21
Número4
Páginas401-411
Fecha de publicación2012-12-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaJournal of Gender Studies (JOURNAL)
Identificadores de la revistaISSN: 0958-9236 • E-ISSN: 1465-3869
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/09589236.2012.681183
OpenAlexW2014803253
IdiomaEN
Referencias citadas12

The muscled, independent woman found in action-orientated cinema is a problematic figure that confronts customary perceptions of masculine and feminine representation and gender roles. The regularly applied active/passive dichotomy is challenged by the agency and skill of these women, but, simultaneously, their position is undermined by an emphasis on the body, relationships with male characters, and the demands of patriarchy. Indeed, Jeffrey A. Brown (1996) argues that a female in an action role is simply a ‘sheep in wolf's clothing’. This paper will explore Brown's claim by focusing on the 1980s sword and sorcery cycle, in particular the often critically overlooked Conan the Destroyer (1984) and Red Sonja (1985). In these narratives, women are seemingly elevated from subsidiary roles to become action heroines or formidable villains. Moreover, the films facilitate discussions of the women as warriors, women as powerful malevolent forces, but also engage with broader issues surrounding the representation of gender, sexuality, race, and the female body

Aesthetics · Art · Clothing · Human sexuality · Literature · Masculinity · Movie theater · Narrative · Patriarchy · Political science · Politics · Social science · Sociology · SWORD · Art, Politics, and Modernism · Cinema and Media Studies · Fashion and Cultural Textiles · Gender Studies · Law