Charlotta Salmi
Datos Biográficos
| ID | 3815741 |
|---|---|
| NOMBRE | Charlotta Salmi |
| NOMBRES | Charlotta |
| APELLIDO | Salmi |
| FIRMA | SALMI C |
| AFILIACIONES | Queen Mary University of London |
| ORCID | 0000-0002-8099-6033 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAS | 9 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2012 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 2 |
Adolescent girls’ experiences of online gender-based violence
Graphic Narratives and History in the Americas
Detail from Ghost River: The Fall and Rise of the Conestoga. In recent years, graphic narratives have gained greater recognition within the historical profession. University presses publish series of graphic histories, conferences include regular contributions from historians studying various kinds of sequential graphic narration, and an increasing number of historians are collaborating with artists in the production of graphic histories. In a pr…
Kathmandu's Street Art
This article explores how gendered vulnerability is represented in Nepali street art. It focuses on three different public mural initiatives in Kathmandu that address women’s vulnerability to discrimination and violence and the need for greater awareness through different visual strategies. We argue that these initiatives are illustrative of the questions that art raises about how feminism can be mediated in different popular visual art forms. Sp…
Reading footnotes
This article presents Joe Sacco's Footnotes in Gaza (2009) as a graphic human rights narrative. It argues that the text draws on established conventions in historiography and investigative journalism to present Palestinians as human subjects in international media discourse. To do so, Sacco experiments with different strategies of documentary writing and recording and critiques the ways in which received frames of representation determine who is …
‘A Necessary Forgetfulness of the Memory of Place’
Since the first translation of his work into English in the 1970s Mahmoud Darwish has been internationally received as a spokesman for the Palestinian national cause in exile. Associating himself and his work with resistance, Darwish's poetry has been instrumental in voicing Palestinian political demands such as the right of return. In the last two decades, however, there has been a marked shift in Darwish's poetry towards a recognition of the im…
Reflections on a National Cartography
This article considers Palestinian human rights lawyer Raja Shehadeh's recent travel texts Palestinian Walks: Notes on a Vanishing Landscape (2007) and A Rift in Time: Travels with My Ottoman Uncle (2010) as national narratives. In contrast to how these works have hitherto been received, as political and ecocritical interventions, this study contends that they can also be read in the light of postcolonial literary theory. While Shehadeh uses huma…
Reflections on a National Cartography
This article considers Palestinian human rights lawyer Raja Shehadeh's recent travel texts Palestinian Walks: Notes on a Vanishing Landscape (2007) and A Rift in Time: Travels with My Ottoman Uncle (2010) as national narratives. In contrast to how these works have hitherto been received, as political and ecocritical interventions, this study contends that they can also be read in the light of postcolonial literary theory. While Shehadeh uses huma…
Reading footnotes
This article presents Joe Sacco's Footnotes in Gaza (2009) as a graphic human rights narrative. It argues that the text draws on established conventions in historiography and investigative journalism to present Palestinians as human subjects in international media discourse. To do so, Sacco experiments with different strategies of documentary writing and recording and critiques the ways in which received frames of representation determine who is …
‘A Necessary Forgetfulness of the Memory of Place’
Since the first translation of his work into English in the 1970s Mahmoud Darwish has been internationally received as a spokesman for the Palestinian national cause in exile. Associating himself and his work with resistance, Darwish's poetry has been instrumental in voicing Palestinian political demands such as the right of return. In the last two decades, however, there has been a marked shift in Darwish's poetry towards a recognition of the im…
Reflections on a National Cartography
This article considers Palestinian human rights lawyer Raja Shehadeh's recent travel texts Palestinian Walks: Notes on a Vanishing Landscape (2007) and A Rift in Time: Travels with My Ottoman Uncle (2010) as national narratives. In contrast to how these works have hitherto been received, as political and ecocritical interventions, this study contends that they can also be read in the light of postcolonial literary theory. While Shehadeh uses huma…
Reading footnotes
This article presents Joe Sacco's Footnotes in Gaza (2009) as a graphic human rights narrative. It argues that the text draws on established conventions in historiography and investigative journalism to present Palestinians as human subjects in international media discourse. To do so, Sacco experiments with different strategies of documentary writing and recording and critiques the ways in which received frames of representation determine who is …
Kathmandu's Street Art
This article explores how gendered vulnerability is represented in Nepali street art. It focuses on three different public mural initiatives in Kathmandu that address women’s vulnerability to discrimination and violence and the need for greater awareness through different visual strategies. We argue that these initiatives are illustrative of the questions that art raises about how feminism can be mediated in different popular visual art forms. Sp…
Adolescent girls’ experiences of online gender-based violence
Graphic Narratives and History in the Americas
Detail from Ghost River: The Fall and Rise of the Conestoga. In recent years, graphic narratives have gained greater recognition within the historical profession. University presses publish series of graphic histories, conferences include regular contributions from historians studying various kinds of sequential graphic narration, and an increasing number of historians are collaborating with artists in the production of graphic histories. In a pr…
Art (5 obras) · Political science (5 obras) · Literature (4 obras) · Politics (4 obras) · Sociology (4 obras) · Narrative (3 obras) · Comics and Graphic Narratives (2 obras) · Gender Studies (2 obras) · Gender, Feminism, and Media (2 obras) · History (2 obras)