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David Kunzle

Datos Biográficos

ID558117
NOMBREDavid Kunzle
NOMBRESDavid
APELLIDOKunzle
FIRMAKUNZLE D
AFILIACIONESUniversity of California, Los Angeles
VERIFICADONo
TOTAL DE OBRAS25
TOTAL DE CITAS21
TOTAL COMO AUTOR25
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1970
AÑO MÁS RECIENTE DE PUBLICACIÓN2020
ÍNDICE H2
  • A Personal Che from Around the World

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•2020

  • Chesucristo

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•2008•Citada por: 1•Referencias: 3

    Cuba and a few "heretical" interpreters of scripture have seen Jesus in the context of armed struggle against the Roman occupiers. With the Gospels, Jesus was largely disarmed. In the generation since Che Guevara's death, Che has become similarly disarmed-associated with the struggle for social justice and peace rather than with revolutionary violence and the gun. The world-famous Korda photograph, with its expression of a serene visionary, has l…

  • From Criminal to Courtier

    David Kunzle•BOOK•From Criminal to Courtier•2002

    The art of the Netherlands (Dutch and Flemish) is unique in Early Modern Europe in its concern for military cruelty against civilians, principally the peasantry. Decimated by time and changes in taste, this popular iconography proves varied and extensive, stretching from Bruegel to and past Rubens. 'Massacres of the Innocents' continue to be a favourite subject through the Eighty Years War, in contrast to ruling-class glorifications of war. Dutch…

  • Spanish Herod, Dutch Innocents

    Open Access•David Kunzle•ARTICLE•Art History•2001•Citada por: 1

    This article approaches the famous Bruegel painting by establishing possible precursors for the politicization of the Massacre of the Innocents in European drama and art. With the wars, the theme moves, suddenly popular, from Italy to the north. I argue that there are, in fact, two distinct compositions of the subject by Bruegel the Elder, the other being much less well known but probably derived from him (both were later much copied), which I pl…

  • Róger Sánchez's "Humor Erótico" and the Semana Cómica

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•1998•Referencias: 1

  • A Cuban donation to Los Angeles for US‐Cuba‐Vietnam reconciliation

    David Kunzle•ARTICLE•Third Text•1993

    (1993). A Cuban donation to Los Angeles for US‐Cuba‐Vietnam reconciliation: A mural by Rene Mederos. Third Text: Vol. 7, No. 25, pp. 33-42

  • Artists and Warfare in the Renaissance

    Open Access•David Kunzle•ARTICLE•Renaissance Quarterly•1992

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Festival and revolution in the highlands of Vietnam

    David Kunzle•ARTICLE•Bulletin of Concerned Asian…•1992•Referencias: 1

    Spring Festival on the High Plateaus (figure 1) is the name given by Vietnamese artist Tran Huu Chat to an engraved, painted, and lacquered wooden panel executed in 1962 and acquired by the Museum of Fine Arts in Hanoi. As so often in Vietnamese art of recent decades, this large (120 × 96 cm), elaborate, and richly populated composition is socially and politically charged, but it is also of exceptional ethnographic significance. The theme of soli…

  • The History of the Comic Strip

    Mary Lee Townsend, David Kunzle•ARTICLE•German Studies Review•1991

  • But Seriously, Folks

    Open Access•Ian Gordon, David Kunzle et al.•ARTICLE•American Quarterly•1991•Citada por: 1

  • Revolutionary Resurrection

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•1989

    In the United States both the media and the administration label the Sandinista government Marxist and accuse it of religious intolerance. Yet even the most superficial familiarity with the Nicaraguan Revolution reveals how Christianity inspired the insurrection that triumphed on July 19, 1979, and has continued to foster revolutionary spirit ever since, especially in the face of contra aggression. While the Catholic hierarchy continues to oppose…

  • Hogarth's Suppressed Blacks

    Open Access•David Kunzle•ARTICLE•Art History•1987

    Hogarth'S Blacks. Images of Blacks in Eighteenth Century English Art by David Dabydeen , Mandelstrup (Denmark) and Kingston upon Thames: Dungaroo Press, 1986

  • Marie Duval

    David Kunzle•ARTICLE•Woman s Art Journal•1986

  • Marie Duval and Ally Sloper

    David Kunzle•ARTICLE•History Workshop Journal•1986

    Marie Duval and Ally Sloper Get access David Kunzle David Kunzle Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 21, Issue 1, SPRING 1986, Pages 133–140, https://doi.org/10.1093/hwj/21.1.133 Published: 01 March 1986

  • The First Ally Sloper

    David Kunzle•ARTICLE•Oxford Art Journal•1985

    The First Ally Sloper: The Earliest Popular Cartoon Character as a Satire on the Victorian Work Ethic Get access DAVID KUNZLE DAVID KUNZLE Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 8, Issue 1, 1985, Pages 40–48, https://doi.org/10.1093/oxartj/8.1.40 Published: 01 March 1985

  • Nicaragua's La Prensa—capitalist thorn in socialist flesh

    Open Access•David Kunzle•ARTICLE•Media Culture & Society•1984•Citada por: 1

  • Pop Art as Consumerist Realism

    Open Access•David Kunzle•ARTICLE•Studies in Visual Communication•1984

  • Gustave Dore's History of Holy Russia

    David Kunzle•ARTICLE•The Russian Review•1983

    Gustave Dore's History of Holy Russial is a largely ignored monument to French bellicosity towards Russia at the outbreak of the Crimean War. I attempt here a succinct characterization of that extravagant and peculiar work and propose to situate it historically as a propaganda salvo that misfired, both in relation to French public opinion and the development of Dore's oeuvre and career. Its subsequent publishing history in the twentieth century i…

  • Mexican Painting

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•1982

    ionism emanating primarily from United States, particularly in form of abstract expressionism, which threatened to overwhelm native traditions all over Latin America. Goldman's analysis of how this new abstractionism was promoted by U.S. corporations and their Latin American allies or subsidiaries and of how it served ideological needs of U.S.ionism was promoted by U.S. corporations and their Latin American allies or subsidiaries and of how it se…

  • Chile's La Firme Versus Itt

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•1978•Referencias: 1

    In a highly technologized world not only telephones but communications generally are a dense subject. Can we assume that the communications media as they have evolved under capitalism can become, once they fall under the control of a socialist government or socialist intention, an instantly effective means of building socialist consciousness? Can the old content be transformed and the medium itself (in technological and stylistic senses) remain u…

  • Dress Reform as Antifeminism

    David Kunzle•ARTICLE•Signs: Journal of Women in…•1977•Citada por: 12

  • Political Cartoons and Comic Strips

    Ronald Paulson, Herbert M Atherton et al.•ARTICLE•Eighteenth-Century Studies•1975

  • Public Graphics in Cuba

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•1975•Citada por: 3

    The isolation of Cuba from the rest of the Americas has been more complete in the economic and political than in the cultural spheres. Cuba has continued to exchange ideas even when and where exchange of goods was impossible. The thrust towards a global role, the refusal to segregate nationalist from international perspectives, and the relative independence the nation has preserved with the respect to its major political and economic ally, the So…

  • Report on a Filmmaking Experience

    Open Access•Lucha Film Collective, Bill Bollinger et al.•ARTICLE•Latin American Research Review•1975•Citada por: 2

    Shortly after the coup of 11 September 1973 in Chile, nine people came together in the Los Angeles area to express their outrage on film: Seven were students and teachers who had been in Chile, two were politically committed filmmakers. The product of this union was the fifty-five-minute documentary "Chile with Poems and Guns" which reached several thousand international viewers during the first year after its release. Twice aired on Los Angeles …

  • English Medieval Graffiti . V. Pritchard

    David Kunzle•ARTICLE•Speculum•1970

  • Dress Reform as Antifeminism

    David Kunzle•ARTICLE•Signs: Journal of Women in…•1977•Citada por: 12

  • Public Graphics in Cuba

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•1975•Citada por: 3

    The isolation of Cuba from the rest of the Americas has been more complete in the economic and political than in the cultural spheres. Cuba has continued to exchange ideas even when and where exchange of goods was impossible. The thrust towards a global role, the refusal to segregate nationalist from international perspectives, and the relative independence the nation has preserved with the respect to its major political and economic ally, the So…

  • Report on a Filmmaking Experience

    Open Access•Lucha Film Collective, Bill Bollinger et al.•ARTICLE•Latin American Research Review•1975•Citada por: 2

    Shortly after the coup of 11 September 1973 in Chile, nine people came together in the Los Angeles area to express their outrage on film: Seven were students and teachers who had been in Chile, two were politically committed filmmakers. The product of this union was the fifty-five-minute documentary "Chile with Poems and Guns" which reached several thousand international viewers during the first year after its release. Twice aired on Los Angeles …

  • Chesucristo

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•2008•Citada por: 1•Referencias: 3

    Cuba and a few "heretical" interpreters of scripture have seen Jesus in the context of armed struggle against the Roman occupiers. With the Gospels, Jesus was largely disarmed. In the generation since Che Guevara's death, Che has become similarly disarmed-associated with the struggle for social justice and peace rather than with revolutionary violence and the gun. The world-famous Korda photograph, with its expression of a serene visionary, has l…

  • Spanish Herod, Dutch Innocents

    Open Access•David Kunzle•ARTICLE•Art History•2001•Citada por: 1

    This article approaches the famous Bruegel painting by establishing possible precursors for the politicization of the Massacre of the Innocents in European drama and art. With the wars, the theme moves, suddenly popular, from Italy to the north. I argue that there are, in fact, two distinct compositions of the subject by Bruegel the Elder, the other being much less well known but probably derived from him (both were later much copied), which I pl…

  • But Seriously, Folks

    Open Access•Ian Gordon, David Kunzle et al.•ARTICLE•American Quarterly•1991•Citada por: 1

  • Nicaragua's La Prensa—capitalist thorn in socialist flesh

    Open Access•David Kunzle•ARTICLE•Media Culture & Society•1984•Citada por: 1

  • English Medieval Graffiti . V. Pritchard

    David Kunzle•ARTICLE•Speculum•1970

  • Political Cartoons and Comic Strips

    Ronald Paulson, Herbert M Atherton et al.•ARTICLE•Eighteenth-Century Studies•1975

  • Public Graphics in Cuba

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•1975•Citada por: 3

    The isolation of Cuba from the rest of the Americas has been more complete in the economic and political than in the cultural spheres. Cuba has continued to exchange ideas even when and where exchange of goods was impossible. The thrust towards a global role, the refusal to segregate nationalist from international perspectives, and the relative independence the nation has preserved with the respect to its major political and economic ally, the So…

  • Report on a Filmmaking Experience

    Open Access•Lucha Film Collective, Bill Bollinger et al.•ARTICLE•Latin American Research Review•1975•Citada por: 2

    Shortly after the coup of 11 September 1973 in Chile, nine people came together in the Los Angeles area to express their outrage on film: Seven were students and teachers who had been in Chile, two were politically committed filmmakers. The product of this union was the fifty-five-minute documentary "Chile with Poems and Guns" which reached several thousand international viewers during the first year after its release. Twice aired on Los Angeles …

  • Dress Reform as Antifeminism

    David Kunzle•ARTICLE•Signs: Journal of Women in…•1977•Citada por: 12

  • Chile's La Firme Versus Itt

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•1978•Referencias: 1

    In a highly technologized world not only telephones but communications generally are a dense subject. Can we assume that the communications media as they have evolved under capitalism can become, once they fall under the control of a socialist government or socialist intention, an instantly effective means of building socialist consciousness? Can the old content be transformed and the medium itself (in technological and stylistic senses) remain u…

  • Mexican Painting

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•1982

    ionism emanating primarily from United States, particularly in form of abstract expressionism, which threatened to overwhelm native traditions all over Latin America. Goldman's analysis of how this new abstractionism was promoted by U.S. corporations and their Latin American allies or subsidiaries and of how it served ideological needs of U.S.ionism was promoted by U.S. corporations and their Latin American allies or subsidiaries and of how it se…

  • Gustave Dore's History of Holy Russia

    David Kunzle•ARTICLE•The Russian Review•1983

    Gustave Dore's History of Holy Russial is a largely ignored monument to French bellicosity towards Russia at the outbreak of the Crimean War. I attempt here a succinct characterization of that extravagant and peculiar work and propose to situate it historically as a propaganda salvo that misfired, both in relation to French public opinion and the development of Dore's oeuvre and career. Its subsequent publishing history in the twentieth century i…

  • Nicaragua's La Prensa—capitalist thorn in socialist flesh

    Open Access•David Kunzle•ARTICLE•Media Culture & Society•1984•Citada por: 1

  • Pop Art as Consumerist Realism

    Open Access•David Kunzle•ARTICLE•Studies in Visual Communication•1984

  • The First Ally Sloper

    David Kunzle•ARTICLE•Oxford Art Journal•1985

    The First Ally Sloper: The Earliest Popular Cartoon Character as a Satire on the Victorian Work Ethic Get access DAVID KUNZLE DAVID KUNZLE Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 8, Issue 1, 1985, Pages 40–48, https://doi.org/10.1093/oxartj/8.1.40 Published: 01 March 1985

  • Marie Duval

    David Kunzle•ARTICLE•Woman s Art Journal•1986

  • Marie Duval and Ally Sloper

    David Kunzle•ARTICLE•History Workshop Journal•1986

    Marie Duval and Ally Sloper Get access David Kunzle David Kunzle Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 21, Issue 1, SPRING 1986, Pages 133–140, https://doi.org/10.1093/hwj/21.1.133 Published: 01 March 1986

  • Hogarth's Suppressed Blacks

    Open Access•David Kunzle•ARTICLE•Art History•1987

    Hogarth'S Blacks. Images of Blacks in Eighteenth Century English Art by David Dabydeen , Mandelstrup (Denmark) and Kingston upon Thames: Dungaroo Press, 1986

  • Revolutionary Resurrection

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•1989

    In the United States both the media and the administration label the Sandinista government Marxist and accuse it of religious intolerance. Yet even the most superficial familiarity with the Nicaraguan Revolution reveals how Christianity inspired the insurrection that triumphed on July 19, 1979, and has continued to foster revolutionary spirit ever since, especially in the face of contra aggression. While the Catholic hierarchy continues to oppose…

  • The History of the Comic Strip

    Mary Lee Townsend, David Kunzle•ARTICLE•German Studies Review•1991

  • But Seriously, Folks

    Open Access•Ian Gordon, David Kunzle et al.•ARTICLE•American Quarterly•1991•Citada por: 1

  • Artists and Warfare in the Renaissance

    Open Access•David Kunzle•ARTICLE•Renaissance Quarterly•1992

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Festival and revolution in the highlands of Vietnam

    David Kunzle•ARTICLE•Bulletin of Concerned Asian…•1992•Referencias: 1

    Spring Festival on the High Plateaus (figure 1) is the name given by Vietnamese artist Tran Huu Chat to an engraved, painted, and lacquered wooden panel executed in 1962 and acquired by the Museum of Fine Arts in Hanoi. As so often in Vietnamese art of recent decades, this large (120 × 96 cm), elaborate, and richly populated composition is socially and politically charged, but it is also of exceptional ethnographic significance. The theme of soli…

  • A Cuban donation to Los Angeles for US‐Cuba‐Vietnam reconciliation

    David Kunzle•ARTICLE•Third Text•1993

    (1993). A Cuban donation to Los Angeles for US‐Cuba‐Vietnam reconciliation: A mural by Rene Mederos. Third Text: Vol. 7, No. 25, pp. 33-42

  • Róger Sánchez's "Humor Erótico" and the Semana Cómica

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•1998•Referencias: 1

  • Spanish Herod, Dutch Innocents

    Open Access•David Kunzle•ARTICLE•Art History•2001•Citada por: 1

    This article approaches the famous Bruegel painting by establishing possible precursors for the politicization of the Massacre of the Innocents in European drama and art. With the wars, the theme moves, suddenly popular, from Italy to the north. I argue that there are, in fact, two distinct compositions of the subject by Bruegel the Elder, the other being much less well known but probably derived from him (both were later much copied), which I pl…

  • From Criminal to Courtier

    David Kunzle•BOOK•From Criminal to Courtier•2002

    The art of the Netherlands (Dutch and Flemish) is unique in Early Modern Europe in its concern for military cruelty against civilians, principally the peasantry. Decimated by time and changes in taste, this popular iconography proves varied and extensive, stretching from Bruegel to and past Rubens. 'Massacres of the Innocents' continue to be a favourite subject through the Eighty Years War, in contrast to ruling-class glorifications of war. Dutch…

  • Chesucristo

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•2008•Citada por: 1•Referencias: 3

    Cuba and a few "heretical" interpreters of scripture have seen Jesus in the context of armed struggle against the Roman occupiers. With the Gospels, Jesus was largely disarmed. In the generation since Che Guevara's death, Che has become similarly disarmed-associated with the struggle for social justice and peace rather than with revolutionary violence and the gun. The world-famous Korda photograph, with its expression of a serene visionary, has l…

  • A Personal Che from Around the World

    Open Access•David Kunzle•ARTICLE•Latin American Perspectives•2020

Art (20 obras) · Political science (14 obras) · History (13 obras) · Art history (12 obras) · Law (11 obras) · Literature (8 obras) · Politics (8 obras) · History (7 obras) · Philosophy (7 obras) · Sociology (6 obras)

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