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Donald J Cosentino

Datos Biográficos

ID709453
NOMBREDonald J Cosentino
NOMBRESDonald J
APELLIDOCosentino
FIRMACOSENTINO D J
AFILIACIONESUniversity of California, Los Angeles
VERIFICADONo
TOTAL DE OBRAS58
TOTAL DE CITAS98
TOTAL COMO AUTOR58
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1980
AÑO MÁS RECIENTE DE PUBLICACIÓN2022
ÍNDICE H6
  • Doran Hrothgar Ross Scholar, Trickster, Connoisseur

    Donald J Cosentino•ARTICLE•African Arts•2022

    Has it been duly noted that one of Doran H. Ross's last requests on this globe of sin was for a rum and coke from his home hospice nurse? And that the nurse was a Yoruba from Nigeria who, while happily complying with Mr. Ross's request, would regularly call her mom in London, excitedly telling her all about the Yoruba pop art hanging in Doran's man cave?Unpack that scene of defiance and compliance and you've got the secret of the plot. Doran had …

  • Mary “Polly” Nooter Roberts 1959–2018

    Karen E Milbourne, Susan Mullin Vogel et al.•ARTICLE•African Arts•2019

  • Riding with Death

    Open Access•Donald J Cosentino•ARTICLE•New West Indian Guide / Nieuwe…•2019

  • Oriki for Robert Farris Thompson

    Henry John Drewal, C Daniel Dawson et al.•ARTICLE•African Arts•2017

    When Drewal was invited to write a praise piece for Robert Farris Thompson for this issue celebrating the fiftieth anniversary of African Arts, he soon realized it was beyond his body-mind-heart, because Bob himself is larger than life, a person who has touched and inspired so many folks in so many walks of life and thought. So Drewal contacted his dear friend and colleague C. Daniel Dawson, who may know Bob better than anyone, as well as Bob's i…

  • Vernacular miracles

    Donald Cosentino, Donald J Cosentino•ARTICLE•Material Religion•2014•Referencias: 1

    Naples is a city run by miracles. Canonical miracles like the thrice-annual liquefaction of San Gennaro's blood, and vernacular miracles, like those effected by the capozzelle, anonymous skulls venerated at Fontanelle, the largest ossuary in Europe. Devotees visited these “little skulls” at the cemetery, cleaned them, adopted them into their families, even had them rebaptized. In return for these favors, the anime pezzentelle (vagabond souls) con…

  • Marilyn Jensen Houlberg 1939–2012

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•2013

    June 01 2013 Marilyn Jensen Houlberg 1939–2012 Donald Cosentino, Donald Cosentino Donald Cosentino is Professor Emeritus of World Arts and Cultures, UCLA, and curatorial partner with Marilyn Houlberg on “The Sacred Arts of Haitian Vodou” (1995–99) and “In Extremis: Death and Life in 21st Century Haitian Art” (2012–14). [email protected] Search for other works by this author on: This Site Google Scholar Henry John Drewal, Henry John Drewal He…

  • Baby on the Blender

    Donald Cosentino, Donald J Cosentino•ARTICLE•Small Axe A Caribbean Journal of…•2011

    Research Article| November 01 2011 Baby on the Blender: A Visual History of Catastrophe in Haiti Donald Cosentino Donald Cosentino Search for other works by this author on: This Site Google Small Axe (2011) 15 (3 (36)): 134–154. https://doi.org/10.1215/07990537-1443358 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Donald Cosentino; Baby on the Blender: A Visual History of Catastrophe in Haiti. Small Axe 1 November 2011;…

  • Exhibition/Catalog Review

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•2010

  • The Radiance of the King

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•2009•Citada por: 1

    September 01 2009 The Radiance of the King Donald Cosentino Donald Cosentino Donald Cosentino is UCLA Professor of World Arts and Cultures and retired co-editor of African Arts. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Donald Cosentino Donald Cosentino is UCLA Professor of World Arts and Cultures and retired co-editor of African Arts. [email protected] Online ISS…

  • Vodou a way of life

    Donald Cosentino, Donald J Cosentino•ARTICLE•Material Religion•2009•Citada por: 1

  • Black Atlantic Religion

    Donald Cosentino, Donald J Cosentino•ARTICLE•Hispanic American Historical Review•2007•Citada por: 18

    Cultural histories of the “black Atlantic,” as Africa and its various diasporas are fashionably called in the academy, are less than 75 years old, but they’ve already established their own orthodoxies. It is Professor Matory’s evident pleasure to skewer many of their perceived truths and to include in his skewering those globalization theorists who suppose transnationalism began with frequent-flyer miles or DirecTV. To them he says, check the tra…

  • Du c t de chez Scheub

    Donald Cosentino, Donald J Cosentino•ARTICLE•Research in African Literatures•2006

    Du cote de chez is a remembrance of the classes taught by Harold Scheub in the early 1970s, at a time when student revolutions on the streets of Madison, Wisconsin, were matched by radically new approaches to the study of oral traditions espoused by Scheub. It is a homage to the brilliant scholar who revealed what wonders lay buried under the misnomer folktales and then crafted a set of critical tools appropriate to the analysis or oral narrative…

  • Divine Revolution

    Open Access•George Cole, Donald J Cosentino•ARTICLE•Chasqui•2005

  • Vodou in the Age of Mechanical Reproduction

    Open Access•Donald Cosentino, Donald J Cosentino•ARTICLE•Res: Anthropology and Aesthetics•2005

  • Bicentennial Blues

    Donald J Cosentino•ARTICLE•African Arts•2004

  • Chasing Amy

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•2004

  • Africa

    Suzanne Preston Blier, Jean M Borgatti et al.•CHAPTER•2003

  • Cosentino Replies

    Donald J Cosentino•ARTICLE•African Arts•2001

  • A Day for the Hunter, a Day for the Prey

    Donald J Cosentino, Gage Averill•ARTICLE•African Arts•2000

  • Hip-Hop Assemblage

    Donald J Cosentino•ARTICLE•African Arts•2000

    Organisee en 1997 par le Royal Academy of Arts a Londres, l'exposition Sensation: Young British Artists from the Saatchi Collections, fut ulterieurement presentee au Brooklyn Museum of Art de New York. L'une des oeuvres exposees, La Vierge Marie, oeuvre hip-hop panafricaine de l'artiste d'origine africaine Chris Ofili, declencha une controverse mobilisant le maire et l'archeveque de la ville, ainsi que l'epouse du President des Etats-Unis. L'util…

  • Ten Years Dead

    Donald J Cosentino•ARTICLE•African Arts•1998

  • Dennis Rodman and the Relic

    Donald J Cosentino•ARTICLE•African Arts•1997

  • Doing Vodou

    Donald J Cosentino•ARTICLE•African Arts•1996•Citada por: 1

  • On Looking at a Vodou Altar

    Donald J Cosentino•ARTICLE•African Arts•1996

    want to change your view of altars by telling you a few things about them in Haitian Vodou. Altars happen. Altars must be fed. Altars must be awakened. Altars wax and wane in potency. Altars breathe. Altars tell stories. Altars reveal the state of being of individuals and communities. Altars can be in a bottle, or under your skin, or buried in your yard. They can be hung in the rafters of a house or the limbs of a tree, or they can be placed on t…

  • Lavilokan

    Donald J Cosentino•ARTICLE•African Arts•1996•Citada por: 1

Siguiente
  • Black Atlantic Religion

    Donald Cosentino, Donald J Cosentino•ARTICLE•Hispanic American Historical Review•2007•Citada por: 18

    Cultural histories of the “black Atlantic,” as Africa and its various diasporas are fashionably called in the academy, are less than 75 years old, but they’ve already established their own orthodoxies. It is Professor Matory’s evident pleasure to skewer many of their perceived truths and to include in his skewering those globalization theorists who suppose transnationalism began with frequent-flyer miles or DirecTV. To them he says, check the tra…

  • Defiant Maids and Stubborn Farmers

    Donald J Cosentino•ARTICLE•African Arts•1984•Citada por: 16

    The domei is a popular narrative art form among the Mende people of Sierra Leone. Although it is a traditional form, the narratives are not remembered or retold, but on each occasion the performers recreate out of a common stock of characters and plots domeisia, which are singular and sometimes brilliant expressions of a singular, and often brilliant, culture. In this book Donald Cosentino presents a large selection of these narratives, as he col…

  • Defiant Maids and Stubborn Farmers

    Roy Willis, Donald Cosentino et al.•ARTICLE•Man•1983•Citada por: 15

  • Who Is That Fellow in the Many-Colored Cap? Transformations of Eshu in Old and New World Mythologies

    Donald Cosentino, Donald J Cosentino•ARTICLE•Journal of American Folklore•1987•Citada por: 11

  • I Am Not Myself

    Donald J Cosentino, Herbert M Cole•ARTICLE•African Arts•1985•Citada por: 10

  • Moving with the Face of the Devil

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1988•Citada por: 7

  • Omnes Cultura Tres Partes Divisa Est

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Studies Review•1987•Citada por: 4

    Good art is commercial art”—Andy Warhol I have been asked to comment on the implications of a sector of culture being examined as popular within the typology adopted by Karin Barber to describe cultural strata in contemporary African societies. In order to face her enormous and daunting task (an intellectual call to arms which few other scholars would have had the courage, or the wide ranging intellectual ability, to meet so successfully) Barber …

  • Vodou Vatican

    Donald J Cosentino•ARTICLE•Caribbean Quarterly•1993•Citada por: 3•Referencias: 2

    (1993). Vodou Vatican: A Prolegomenon for Understanding Authority in a Synthetic Religion. Caribbean Quarterly: Vol. 39, Spiritual Baptists, Shango and other African Derived Religions of the Caribbean, pp. 100-107

  • Divine Horsepower

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1988•Citada por: 2

  • Mende Ribaldry

    Donald J Cosentino•ARTICLE•African Arts•1982•Citada por: 2

  • Sixteen Cowries

    Donald J Cosentino, William Bascom•ARTICLE•African Arts•1982•Citada por: 2

  • Lele Gbomba and the Style of Mende Baroque

    Donald J Cosentino•ARTICLE•African Arts•1980•Citada por: 2

  • The Radiance of the King

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•2009•Citada por: 1

    September 01 2009 The Radiance of the King Donald Cosentino Donald Cosentino Donald Cosentino is UCLA Professor of World Arts and Cultures and retired co-editor of African Arts. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Donald Cosentino Donald Cosentino is UCLA Professor of World Arts and Cultures and retired co-editor of African Arts. [email protected] Online ISS…

  • Vodou a way of life

    Donald Cosentino, Donald J Cosentino•ARTICLE•Material Religion•2009•Citada por: 1

  • Doing Vodou

    Donald J Cosentino•ARTICLE•African Arts•1996•Citada por: 1

  • Lavilokan

    Donald J Cosentino•ARTICLE•African Arts•1996•Citada por: 1

  • Andres Serrano

    Donald J Cosentino•ARTICLE•African Arts•1990•Citada por: 1

  • Spirit and Image

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1987•Citada por: 1

  • Build Your Own Model of a Hausa Settlement of Northern Nigeria

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1980

  • Lele Gbomba and the Style of Mende Baroque

    Donald J Cosentino•ARTICLE•African Arts•1980•Citada por: 2

  • Aṣa Ibílè Yorùbá

    Donald J Cosentino•ARTICLE•African Arts•1981

  • Defiant Maids and Stubborn Farmers

    Open Access•Donald J Cosentino•BOOK•Defiant Maids and Stubborn Farmers•1982

    The domei is a popular narrative art form among the Mende people of Sierra Leone. Although it is a traditional form, the narratives are not remembered or retold, but on each occasion the performers recreate out of a common stock of characters and plots domeisia, which are singular and sometimes brilliant expressions of a singular, and often brilliant, culture. In this book Donald Cosentino presents a large selection of these narratives, as he col…

  • Mende Ribaldry

    Donald J Cosentino•ARTICLE•African Arts•1982•Citada por: 2

  • Sixteen Cowries

    Donald J Cosentino, William Bascom•ARTICLE•African Arts•1982•Citada por: 2

  • Defiant Maids and Stubborn Farmers

    Roger D Abrahams, Roger Abrahams et al.•ARTICLE•African Arts•1983

  • The Crest and the Hide

    Donald J Cosentino, Harold Courlander•ARTICLE•African Arts•1983

  • Defiant Maids and Stubborn Farmers

    Roy Willis, Donald Cosentino et al.•ARTICLE•Man•1983•Citada por: 15

  • Defiant Maids and Stubborn Farmers

    Donald J Cosentino•ARTICLE•African Arts•1984•Citada por: 16

    The domei is a popular narrative art form among the Mende people of Sierra Leone. Although it is a traditional form, the narratives are not remembered or retold, but on each occasion the performers recreate out of a common stock of characters and plots domeisia, which are singular and sometimes brilliant expressions of a singular, and often brilliant, culture. In this book Donald Cosentino presents a large selection of these narratives, as he col…

  • African Myth and Black Reality in Bahian Carnaval

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1984

  • Defiant Maids and Stubborn Farmers

    Philip M Peek, Donald Cosentino et al.•ARTICLE•Journal of American Folklore•1984

  • I Am Not Myself

    Donald J Cosentino, Herbert M Cole•ARTICLE•African Arts•1985•Citada por: 10

  • The Development of African Drama. Michael Etherton

    Open Access•Donald Cosentino, Donald J Cosentino•ARTICLE•American Ethnologist•1985

  • Flash of the Spirit

    Open Access•Donald Cosentino, Donald J Cosentino•ARTICLE•American Ethnologist•1985

  • The Epic of Son-Jara

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1987

  • Spirit and Image

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1987•Citada por: 1

  • Who Is That Fellow in the Many-Colored Cap? Transformations of Eshu in Old and New World Mythologies

    Donald Cosentino, Donald J Cosentino•ARTICLE•Journal of American Folklore•1987•Citada por: 11

  • Omnes Cultura Tres Partes Divisa Est

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Studies Review•1987•Citada por: 4

    Good art is commercial art”—Andy Warhol I have been asked to comment on the implications of a sector of culture being examined as popular within the typology adopted by Karin Barber to describe cultural strata in contemporary African societies. In order to face her enormous and daunting task (an intellectual call to arms which few other scholars would have had the courage, or the wide ranging intellectual ability, to meet so successfully) Barber …

  • Moving with the Face of the Devil

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1988•Citada por: 7

  • "The Final Word on "Voodoo

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1988

  • "More on "Voodoo

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1988

  • Divine Horsepower

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1988•Citada por: 2

  • Art on the Road

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1989

  • Andres Serrano

    Donald J Cosentino•ARTICLE•African Arts•1990•Citada por: 1

Art (41 obras) · History (20 obras) · Visual arts (18 obras) · Geography (15 obras) · Sociology (14 obras) · Philosophy (13 obras) · Art history (12 obras) · African history and culture studies (10 obras) · Literature (10 obras) · History (9 obras)

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