Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Defiant Maids and Stubborn Farmers

Tradition and Invention in Mende Story Performance

Datos Bibliográficos

ID19908693
AutoresDonald J Cosentino (autor de correspondencia)
Año1982
Fecha de publicación1982-06-03
Open AccessSí
TipoBOOK
RevistaDefiant Maids and Stubborn Farmers (SOURCE_BOOK)
EditorialCambridge University Press (PUBLISHER • US)
DOI10.1017/cbo9780511753053
OpenAlexW1965275909
Open LibraryOL34420149M
ISBN9780511753053
GOOGLE_BOOK_IDK_nAPQAACAAJ
IdiomaEN
Citas recibidas17

The domei is a popular narrative art form among the Mende people of Sierra Leone. Although it is a traditional form, the narratives are not remembered or retold, but on each occasion the performers recreate out of a common stock of characters and plots domeisia, which are singular and sometimes brilliant expressions of a singular, and often brilliant, culture. In this book Donald Cosentino presents a large selection of these narratives, as he collected them in dramatic performance on the verandahs and around the cooking fires of a Mende village. The domei is told to please, and Dr Cosentino details the various elements that constitute the pleasure of an oral performance. But beneath the surface glitter of these ironic, horrifying, bawdy and haunting narrative performances, there is an intellectual hardness of argument and debate which shines through the domeisia included here. Dominating these performances, and emblematic of the entire artistic tradition, are the 'everywoman' figure of the Defiant Maid, Yombo, and the 'everyman' Stubborn Farmer, Kpana

Aesthetics · Argument (complex analysis · Art · Ethnology · Literature · Narrative · Pleasure · Sierra leone · African history and culture studies · History · Psychology · Africa · Folklore · History and criticism · Mende (african people) · Oral tradition · Storytelling · Tales · Tales, history and criticism

  • A Review of African Oral Traditions and Literature

    Harold Scheub•African Studies Review•1985

  • The Lantern Festival in Senegambia

    Judith Bettelheim•African Arts•1985

  • Some Reflections on the Oral Traditions of the Galinhas Country, Sierra Leone

    Open Access•Adam Jones•History in Africa•1985

  • Setting the stage for a `Festival of Lies

    Open Access•Danny Hoffman•International Journal of Cultural…•2009

  • Research Article

    Timothy Corrigan Correll•Folklore•2005

  • The State of Research on Performance in Africa

    Margaret Thompson Drewal•African Studies Review•1991

  • The Art of The Ozidi Saga

    Isidore Okpewho•Research in African Literatures•2003

  • Ideology, Autonomy, and Sisterhood

    Open Access•Susan Starr Sered•Gender & Society•1994

  • Writing About Conflict in Africa

    Open Access•M Mcgovern•Africa•2011

  • Dan and Mende masks

    Open Access•M C Jedrej•Africa•1986

  • The Narrated, Nonnarrated, and the Disnarrated

    Open Access•Cecilia Vindrola-Padros, G Ampah Johnson•Qualitative Health Research•2014

  • The Sounds of Silence

    Open Access•Philip M Peek•American Ethnologist•1994

  • Oye Oye lo que Ustedes no Saben

    Open Access•Joan Kelly Hall•Journal of Linguistic Anthropology•1993

  • The Sublime Dance of Mende Politics

    Open Access•William P Murphy•American Ethnologist•1998

  • The political use of Sande ideology and symbolism

    Open Access•Caroline Bledsoe•American Ethnologist•1984

  • Creating the Appearance of Consensus in Mende Political Discourse

    Open Access•William P Murphy•American Anthropologist•1990

  • Surviving loss and remaking the world

    Open Access•Michael E Jackson, Michael Jackson•Hau Journal of Ethnographic Theory•2018

Obras citantes distintas17
Citas por año0,4
Intervalo de citas1984 - 2018 (35)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 16
Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae