Both sides of the curtain”
Elizabeth Robins, synaesthesia, and the subjective correlative
Datos Bibliográficos
| ID | 12370351 |
|---|---|
| Autores | Carol Hanbery Mackay (The University of Texas at Austin, autor de correspondencia) |
| Año | 1997 |
| Volumen | 17 |
| Número | 4 |
| Páginas | 299-316 |
| Fecha de publicación | 1997-10-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Text and Performance Quarterly (JOURNAL) |
| Identificadores de la revista | ISSN: 1046-2937 • E-ISSN: 1479-5760 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462939709366195 |
| OpenAlex | W2121584197 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 14 |
Actress‐playwright‐novelist Elizabeth Robins (1862–1952) evolved autobiography into a new form, with characteristics akin to those of performance, enabling the reader/viewer to experience the aleatory creation of a multiple, contradictory “self.”
Aesthetics · Art · Art history · Biography · Correlative · Linguistics · Performance art · Visual arts · History · Joseph Conrad and Literature · Literature: history, themes, analysis · Philosophy · Theatre and Performance Studies
A poetics of women's autobiography
The melodramatic imagination
Acting Out
Performing Feminisms
Women of Grace
The Proper Lady and the Woman Writer, Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen
Elizabeth Robins
Art and Anger
The Laugh of the Medusa
On Female Identity and Writing by Women
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,05 |
| Intervalo de citas | 2006 - 2006 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |