Women Playing Men
Yue Opera and Social Change in Twentieth-Century Shanghai
Datos Bibliográficos
| ID | 12790664 |
|---|---|
| Autores | Mark Bender (0000-0001-7421-1853, autor de correspondencia) |
| Año | 2010 |
| Volumen | 17 |
| Número | 1 |
| Páginas | 120-122 |
| Fecha de publicación | 2010-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The Chinese Historical Review (JOURNAL) |
| Identificadores de la revista | ISSN: 1547-402X • E-ISSN: 2048-7827 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1179/tcr.2010.17.1.120 |
| OpenAlex | W2064651401 |
| Idioma | EN |
| Citas recibidas | 10 |
(2010). Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai. The Chinese Historical Review: Vol. 17, No. 1, pp. 120-122
Art · Art history · Opera · Political science · Social change · Sociology · Chinese history and philosophy · Gender Studies · History · Law
Passionate aesthetics
The Missing Intangible Cultural Heritage in Shanghai Cultural and Creative Industries
Masculinity and Chineseness in post-1950s Hong Kong Cantonese opera
Imagining Transgender China
‘Shanghai is burning’
Performing androgyny
Crying Songs and Their Fans
Restaging Zhu Yingtai in Early Communist China
Between Accommodation and Resistance
Trans-in-Asia, Asia-in-Trans
| Obras citantes distintas | 10 |
|---|---|
| Citas por año | 0,71 |
| Intervalo de citas | 2012 - 2022 (11) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 9 |