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Challenges and Rewards of Surtitling as an Audiovisual Translation Mode

A Case Study of the Contemporary Opera Have a Good Day

Datos Bibliográficos

ID12866236
AutoresLina Abraitienė (0000-0002-5926-5594, Aleksandras Stulginskis University, autor de correspondencia), Indrė Koverienė (0000-0002-3571-2564, Aleksandras Stulginskis University), Jūratė Urbonienė (Aleksandras Stulginskis University)
Año2015
Volumen0
Número26
Fecha de publicación2015-07-03
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaStudies About Languages (JOURNAL)
Identificadores de la revistaISSN: 1648-2824 • E-ISSN: 2029-7203
EditorialKaunas University of Technology (KTU) (PUBLISHER)
DOI10.5755/j01.sal.0.26.12422
OpenAlexW1680783552
IdiomaEN
Citas recibidas1
Referencias citadas8

Rapid technological development made everyday life difficult to imagine without possibility to watch the newest films, performances, concerts from any place and in any language around the world. Velocity of audiovisual media distribution is an undisputable outcome of globalisation that induced the need for variety of entertainment including, but not limited to, television, mobile phones and their programmes, games likewise plays and modern operas. Therefore, the demand for audiovisual language transfer has become the most crucial as the number of such media users has been growing rapidly

Acoustics · Art · Chorus · Field (mathematics · Human–computer interaction · Linguistics · Literature · Mode (computer interface · Opera · Poetry · Production (economics · Rhyme · Singing · Computer Science · linguistics and terminology studies · Mathematics · Philosophy · Subtitles and Audiovisual Media · Translation Studies and Practices

  • Canonical texts in the audiovisual context

    Open Access•Anna M Rędzioch-Korkuz•Perspectives•2020

  • In Other Words

    Mona Baker•In Other Words•1992

  • Translation of Idioms and Fixed Expressions

    Open Access•Amir Shojaei•Theory and Practice in Language…•2012

  • Analysis of Idiom Translation Strategies from English into Lithuanian

    Open Access•Margarita Strakšienė•Studies About Languages•2009

  • Accessible Opera

    Pilar Orero, Anna Matamala•Perspectives•2007

  • Omission in translation

    Rodica Dimitriu•Perspectives•2004

  • Dubbing or subtitling

    Jorge Díaz Cintas, Jorge Díaz‐Cintas•Perspectives•1999

  • Linguistics and Ethnology in Translation-Problems

    Eugene A Nida, Eugene Nida•WORD•1945

  • The Source Text of Opera Surtitles

    Open Access•Riitta Virkkunen•Meta Journal des traducteurs•2004

Obras citantes distintas1
Citas por año0,17
Intervalo de citas2020 - 2020 (1)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 1
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