Looking for Pei Lim's penis
Melancholia, mimicry, pedagogy
Datos Bibliográficos
| ID | 13086147 |
|---|---|
| Autores | David K Seitz (0000-0002-0098-9037, Harvey Mudd College, autor de correspondencia) |
| Año | 2019 |
| Volumen | 6 |
| Número | 1 |
| Páginas | 48-58 |
| Fecha de publicación | 2019-01-02 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Porn Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 2326-8743 • E-ISSN: 2326-8751 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/23268743.2018.1559081 |
| OpenAlex | W2929236419 |
| Idioma | EN |
| Referencias citadas | 20 |
This article considers the salience of Freud’s account of melancholia – one that points to the constitutive role of loss in subject formation – for understanding the racialization of queer sexuality and its mediation in pornography. Scholars have long and insightfully demonstrated the value of melancholia as an interpretive lens for making sense of the dynamics of racialization in the context of the contradictions of liberalism in the Global North. Taking cues from such work, I seek here to trace how pornography might stage returns to inaugural scenes of repudiated desire, and how it might proffer insight into the specificities of racial melancholia for queers. To illuminate the potential of constitutive loss for thinking about race in queer porn, I turn to the figure of Lim Pei-Hsien, an artist, activist, and porn star with a storied but rarely acknowledged history in Canadian LGBTQ, AIDS, and anti-racist circles. I argue that sustained engagement with Lim’s work positions him as a profoundly and perhaps instructively melancholic figure, one who might productively inform thinking on race, queerness, and pornography, particularly when read through a psychoanalytic lens
Art · Biology · Melancholia · Mimicry · Penis · Psychoanalysis · Zoology · Hong Kong and Taiwan Politics · Japanese History and Culture · Medicine · Psychology · Social Psychology · Anatomy
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| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |