Navajo Ceremonial Gaps and Individual Selfhood
Datos Bibliográficos
| ID | 13655712 |
|---|---|
| Autores | Eugene L Hartley (University of Wisconsin–Green Bay, autor de correspondencia), William T Beaver (Flagstaff, Arizona) |
| Año | 1989 |
| Volumen | 65 |
| Número | 2 |
| Páginas | 459-466 |
| Fecha de publicación | 1989-10-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Psychological Reports (JOURNAL) |
| Identificadores de la revista | ISSN: 0033-2941 • E-ISSN: 1558-691X |
| Editorial | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.2466/pr0.1989.65.2.459 |
| OpenAlex | W2328411128 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 12 |
The traditional Navajo wedding ceremony is examined. The ritual includes the depiction of a sample mandala and the welding of the couple into a unitary selfhood. The design on the wedding basket involves mandalas with ceremonial gaps. The open mandala is interpreted to represent an expanded selfhood that transcends the body and embraces the community and all phases of nature
Aesthetics · Archaeology · Art · Ceremony · Depiction · Mandala · Navajo · Psychoanalysis · Shadow (psychology · Sociology · Visual arts · Anthropology · Art Education and Development · Folklore, Mythology, and Literature Studies · History · Philosophy · Psychology · Visual Culture and Art Theory
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,05 |
| Intervalo de citas | 2006 - 2006 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |