Theater, Theory, Speculation
Walter Benjamin and the Scenes of Modernity
Datos Bibliográficos
| ID | 16536715 |
|---|---|
| Autores | Robert E Helbling (autor de correspondencia), Rainer Nagele (0000-0003-0298-4130) |
| Año | 1993 |
| Volumen | 16 |
| Número | 3 |
| Páginas | 573 |
| Fecha de publicación | 1993-10-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | German Studies Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0149-7952 • E-ISSN: 2164-8646 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/1432180 |
| OpenAlex | W2073615328 |
| Idioma | EN |
| Citas recibidas | 15 |
Aesthetics · Art · Art history · Economics · Epistemology · Modernity · Speculation · Art, Politics, and Modernism · Cultural Studies and Postmodernism · History · Philosophy · Walter Benjamin Studies Compilation
Allegories of Rending
The Theater in Modernist Thought
Hamlet als Beispiel Anmerkungen zu Derridas Marx-Lektüre
Die Kunst des hellen Mittags”
Mitte (ohne Ende, ohne Anfang) Über “von Spannungen gesättigte Konstellationen” in Bildern Jeff Walls
Blind Gestures
Goethe’s Conscience
Test and Gestus in Brecht and Benjamin
Beyond the Aesthetic Garden
The Question of the Scene
Presentation as indirection, indirection as schooling
The Last Scientist, the First Magician
Schimmern, Glitzern, Blöden, Träumen, Eilen Und Stolpern”
A Topology of Thresholds
The Writing is on the Wall
| Obras citantes distintas | 15 |
|---|---|
| Citas por año | 0,5 |
| Intervalo de citas | 1996 - 2017 (22) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 6 |