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Performance and Evolution in the Age of Darwin

Out of the Natural Order

Datos Bibliográficos

ID19948486
AutoresJane Goodall (autor de correspondencia)
Año2002
Fecha de publicación2002-09-26
Open AccessNo
TipoBOOK
RevistaPerformance and Evolution in the Age of Darwin (SOURCE_BOOK)
EditorialRoutledge (PUBLISHER • GB)
DOI10.4324/9780203471494
OpenAlexW4242599805
Open LibraryOL3725893M
ISBN9780203471494
IdiomaEN
Citas recibidas17

Performance and Evolution in the Age of Darwin reveals the ways in which the major themes of evolution were taken up in the performing arts during Darwin's adult lifetime and in the generation after his death. The period 1830-1900 was the formative period for evolutionary ideas. While scientists and theorists investigated the law and order of nature, show business was more concerned with what was out of the natural order. Missing links and throwbacks, freak taxonomies and exotic races were favourite subject matter for the burgeoning variety theatre movement. Focusing on popular theatre forms in London, New York and Paris, Jane Goodall shows how they were interwoven with the developing debate about human evolution. With this book, Goodall contributes an important new angle to the debates surrounding the history of evolution. She reveals that, far from creating widespread culture shock, Darwinian theory tapped into some of the long-standing themes of popular performance and was a source for diverse and sometimes hilarious explorations

Biology · Darwin (ADL) · Evolutionary biology · Software engineering · Computer Science · Social and Cultural Dynamics · Art and science · Evolution · Theater and society

  • Dangerous Darwinism

    Open Access•Chris Fleming, Jane Goodall•Public Understanding of Science•2002

  • Exhibition curation as practice-as-research performance historiography

    Open Access•Kate Holmes•Studies in Theatre and Performance•2024

  • Nineteenth- and Early Twentieth-Century Representations of the Oberammergau Passion Play

    Open Access•Leanne Groeneveld•Theatre Survey•2021

  • The circus and modernity

    Gillian Arrighi•Early Popular Visual Culture•2012

  • Controversy about a human–animal big cat stunt in Fillis’s Circus

    Peta Tait•Early Popular Visual Culture•2009

  • Spectacular astronomy

    Charlotte Bigg, Kürt Vanhoutte•Early Popular Visual Culture•2017

  • Blondin conquers nature and invents the circus celebrity

    Peta Tait•Early Popular Visual Culture•2013

  • The secret life of plants

    Oliver Gaycken•Early Popular Visual Culture•2012

  • Synthesising circus aesthetics and science

    Gillian Arrighi•Early Popular Visual Culture•2018

  • On with the Show’

    Open Access•John Springhall•History Compass•2004

  • Portals to metropolis

    Open Access•David Michalski•Tourist Studies•2004

  • Precarity afoot

    Travis Brisini•Text and Performance Quarterly•2018

  • You never need an analyst with Bobby around’

    Open Access•Jeffrey Rubel•History of the Human Sciences•2021

  • From Copenhagen to infinity and beyond

    Open Access•Kirsten Shepherd-Barr•Interdisciplinary Science Reviews•2003

  • The Acceptable Face of the Unintelligible’

    Mike Vanden Heuvel•Interdisciplinary Science Reviews•2013

  • Human or machine?” performing androids, “Elektro‐Homos,” and the “Phroso” and “Moto Phoso” manias on the popular stage around 1900

    Open Access•Anna‐Sophie Jürgens•The Journal of Popular Culture•2023

  • Caliban's Legacy

    Erika Rundle•TDR/The Drama Review•2007

Obras citantes distintas17
Citas por año0,71
Intervalo de citas2002 - 2024 (23)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 17
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