Reel love' across ethnic boundaries? The extent and significance of inter-ethnic intimacy in Australian cinema
Datos Bibliográficos
| ID | 2146286 |
|---|---|
| Autores | Natascha Klocker (0000-0001-7526-3292), Elyse Stanes (0000-0002-7120-257X) |
| Año | 2013 |
| Volumen | 36 |
| Número | 12 |
| Páginas | 2035-2054 |
| Fecha de publicación | 2013-12-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Ethnic and Racial Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 0141-9870 • E-ISSN: 1466-4356 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01419870.2012.675080 |
| OpenAlex | W1978904807 |
| Idioma | EN |
| Citas recibidas | 11 |
| Referencias citadas | 28 |
National cinemas play an important role in the construction of national identities, representing the 'self' to both domestic and international audiences. Evidence of the material impacts of media representations on individuals and society, and the pervasiveness of movie-watching as a cultural activity, underscore the importance of scholarly inquiry into film. Here, we are concerned with how ethnic diversity has been negotiated within the Australian national cinema - specifically at the scale of intimate interpersonal relationships. Our analysis of twenty-five recent Australian films considers how cinema alerts audiences to the possibilities and limitations of love within and across ethnic boundaries. We find cause for modest optimism in regard to the frequency of Australian cinematic representations of inter-ethnic intimacy, although the narrow range of ethnic groups permitted to participate in these encounters, and an apparent reticence to portray marriage, co-habitation and child-bearing across ethnic boundaries, remain cause for concern.Keywords: intimacycinemafilmethnicityinter-racialprejudice AcknowledgementsThe authors would like to thank Dr Carol Farbotko and two anonymous referees for their valuable comments on an earlier version of this manuscript. All remaining errors are our own.Additional informationNotes on contributorsNatascha KlockerNATASCHA KLOCKER is a Lecturer in Human Geography in the School of Earth & Environmental Sciences at the University of Wollongong.Elyse StanesELYSE STANES is a PhD Candidate in the School of Earth & Environmental Sciences at the University of Wollongong
Ethnic group · Media studies · Movie theater · National cinema · Sociology · Anthropology · Cinema and Media Studies · Gender Studies · Gender, Feminism, and Media · History · Media Studies and Communication
This is not how we talk about race anymore”
Racism and Anti‐Racism in Families
Miracle baby
A case of cruel optimism
The Geography of Islamophobia in Sydney
Racismo e Saúde
Ethnic DiversitywithinAustralian Homes
Media Representations of Racism and Spatial Mobility
Intercultural Film
Mixed matters in Australia
Pride and prejudice
Australian Cinema After Mabo
Cinemas of value
Race Mixing
The Persistence of Whiteness
The Contours and Etiology of Whites' Attitudes Toward Black-White Interracial Marriage 1
Black African Immigrants to Australia
A Geography of Racism’
Asian Australian intercultural domesticity in Aya and The Home Song Stories
Attitudes toward Out‐groups and the perception of consensus
Updating the Bogardus social distance studies
Sexual Racism
Guess Who's Coming to Dinner
Racism and Intolerance in Eastern Australia
Disciplining Subjectivity and Space
Romance and reconciliation
Telling Stories
Is Intermarriage a Good Indicator of Integration
Of Mail-Order Brides and 'Boys' Own' Tales
The White Father
Sexual Racism
Attacks on Indian students
Symbolic Reality Bites
Experiences of racism and the changing nature of white privilege among lone white mothers of mixed-parentage children in the UK
Latinidad and masculinidad in Hollywood scripts
Emotional segregation
| Obras citantes distintas | 11 |
|---|---|
| Citas por año | 0,92 |
| Intervalo de citas | 2014 - 2022 (9) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 11 |