Disciplining Subjectivity and Space
Representation, Film and its Material Effects
Datos Bibliográficos
| ID | 8102455 |
|---|---|
| Autores | Jennifer England (autor de correspondencia) |
| Año | 2004 |
| Volumen | 36 |
| Número | 2 |
| Páginas | 295-321 |
| Fecha de publicación | 2004-03-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Antipode (JOURNAL) |
| Identificadores de la revista | ISSN: 0066-4812 • E-ISSN: 1467-8330 |
| Editorial | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1467-8330.2004.00407.x |
| OpenAlex | W2118836882 |
| Idioma | EN |
| Citas recibidas | 18 |
| Referencias citadas | 21 |
Although the distinction between representation and reality is increasingly blurred, I argue that representational discourses have material effects in everyday life. By moving “outside the text” I trace the messy terrain between visual discourse and everyday life in Downtown Eastside, Vancouver by examining two questions: (1) how do discursive productions of visual culture articulate, inscribe, and discipline space and subjectivity and (2) how do aboriginal women negotiate the material consequences of those representations? Using discourse and feminist analysis, I analyse how a documentary film, produced by the Vancouver Police Department, constructs spaces and subjectivities of deviance through techniques of realism and the moral gaze of the police officers. I argue that aboriginal women negotiate these deviant representations through their experiences of racism and sexism by police officers. Consequently, aboriginal women are rendered either hyper‐visible or invisible by police officers, marked by their gender, race, and class. Combining an analysis of the documentary film and in‐depth interviews with aboriginal women, I argue that critical geographers must consider the analytical spaces “outside of the text” to explore the material effects of visual representations
Aesthetics · Art · Epistemology · Everyday life · Negotiation · Political science · Politics · Representation (politics · Social science · Sociology · Subjectivity · Visual culture · Anthropology · Crime, Deviance, and Social Control · Geographies of human-animal interactions · Public Spaces through Art · Gender Studies · Law
When Victims Look like Criminals
A Legacy of Harm
Underclassism' and access to healthcare in urban centres
Human Trafficking and Media Myths
Missing and Murdered Women
What matters? The role of values in transformations toward sustainability
Marching to be somebody
Race’ matters
LGBTQ “selves” in films from the Reel-Lives project as signifiers of political and social change, and of personal value
Nothing Short of a Horror Show”
Visual methodologies through a feminist lens
Abandoned Women and Spaces of the Exception
The Arab Spring was Critically Acclaimed
Making news and making space
Tropicality’ and wildness
Walking the Talk
Ethnic DiversitywithinAustralian Homes
Reel love' across ethnic boundaries? The extent and significance of inter-ethnic intimacy in Australian cinema
The Burden of Representation
Women and Film
Unmarked
Place, Power, Situation and Spectacle
Looking White People in the Eye
White Women, Race Matters
Engendering the Slum
I'd rather watch the movie than read the book
Towards a holistic approach to geographic research on film
Body, Corporeal Space, and Legitimating Chronic Illness
Constructions of Criminality
Visual Pleasure and Narrative Cinema
Pets or Meat
Debating Reality-TV
New Globalism, New Urbanism
The Police on Skid-Row
Re-Mediating the Spaces of Reality Television
Giuliani Time
| Obras citantes distintas | 18 |
|---|---|
| Citas por año | 0,86 |
| Intervalo de citas | 2005 - 2025 (21) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 18 |