Women and Film
Both sides of the camera
Datos Bibliográficos
| ID | 23398115 |
|---|---|
| Autores | E Ann Kaplan (0009-0000-1829-1174, autor de correspondencia) |
| Año | 1983 |
| Fecha de publicación | 1983-01-01 |
| Open Access | No |
| Tipo | BOOK |
| Revista | WOMEN AND FILM (SOURCE_BOOK) |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.4324/9780203328149 |
| OpenAlex | W4252688747 |
| Open Library | OL51663758M |
| ISBN | 9780203328149 |
| Idioma | EN |
| Citas recibidas | 138 |
Art · Cinema and Media Studies · Materials Science · Spanish Culture and Identity · Women in motion pictures
Colonial Masculinities under a Woman’s Gaze in Margarida Cardoso’s A Costa dos Murmúrios
The Woman Warrior
Forced Exile
A Critique of Normative Heterosexuality
New Nollywood and the Female Gaze
Popular Culture and Oral Traditions in African Film
Film
Cinema and Film
Tuberculosis in Cinematic Narratives
Shifting Paradigms
Film as Sound Art
‘Taken by my wife’ – Challenging the Amateur/professional binary in Wessex Film and Sound Archive’s (WFSA) Early Films (1895-1922)
Arte y gestión
La imagen de la mujer en la Trilogía Roja de Zhang Yimou
Feminist counter-cinema and decolonial countervisuality
Experiences of migration from Turkey to Germany
Speaking silence
Hyper-femininity as radical resistance
Silence as Elective Mutism in Minor Cinema
Rethinking Noir
Konstelacja Mulvey
Espectacularizar el trauma
Memoria histórica y el franquismo. El documental feminista español durante el gobierno de Mariano Rajoy (2011-2018)
A Critique of Normative Heterosexuality
Postfeminism and artificial intimacy
Male gays in the female gaze
Between home and flight
Deforming justice
Equality and/or Independence
Cautionary Tales from the Sexual Revolution
Negotiating Civil Rights in Prime Time
Latina feminist moments of recognition
Subverting technologies of gender in male-dominated gender regimes
Women’s narratives inhibiting scopophilic and voyeuristic views
Diana in the World of Men
Making Space for the Maid
Reflecting upon the changing of times
You Know You Love Me
Feminist sexualities, race and the internet
Women and Gender Studies, Italian Style
Domestic Violence on the Italian Screen
Symbolic Subordination and the Representation of Power in Margaret Mead and Samoa
Gina as Steven
Friends, Judaism, and the Holiday Armadillo
The queer activity of extreme male bodybuilding
You don’t look like a dancer!”
From the stigmatized tattoo to the graffitied body
Promise unfulfilled
Feminism and culture—the movie
Beyond the boundary
Detecting the Phallus
The Female Subject of Popular Culture
Chick Flicks” as Feminist Texts
Music as Persuasion
Feminine Empowerment in Disney's Beauty and the Beast
Feminist Critique and Cinematic Counterhistory in the Documentary With Babies and Banners
China Beach and American Mythology of War
Inequality in Symbolism
(Un)Veiling the Female Gaze
Masquerading As the American Male in the Fifties
Introduction
Mom, and Pop Psychology
Disciplining Subjectivity and Space
This Is My Life
Invisibility, homophobia and heterosexism
Selling the Sex That Sells
Performing gender and nation in ¡ay carmela! 1
Man un/made
Women immune to a nervous breakdown
King David Between Power and Adultery
Ellas en Pantalla
The Womb as Weapon and Wound
Between Naturalism and the Male Gaze
Myth to Margin
Cultural Imaginaries and Political Undercurrents in the Song “Aalathinu Centre” From the Malayalam Movie Lokah
Intersections of Gender, Class, and Cinematic Space
Feminist theories and media studies
Conditions of Visibility
Postmodern, post-political, post caring
The contained threat
Sexual Surveillance and Medical Authority in Two Versions of The Handmaid's Tale
Cinematic Carcerality
Comic Theory from a Feminist Perspective
Public Memory or Public Amnesia? British Women of the Second World War in Popular Films of the 1950s and 1960s
Longing for the Past and Resisting Oblivion
The body as history and memory
Hiroshima Mon Amour”
MTV Presents
Class and Gender in Prime-Time Television Entertainment
Advertising Visual Images
Must We Acknowledge What We Mean? The Viewer's Role in Filmed Versions of A Streetcar Named Desire
The Gender Politics of Death
You Can't Kill the Boogeyman
Strange Fruit”
Ophelia's Space
Talking Women
I. Unlimited Partnership
Gender stereotypes in documentary cinema
Reframing Visual Narrative
Seeing is believing, but touching is the truth”
| Obras citantes distintas | 138 |
|---|---|
| Citas por año | 3,21 |
| Intervalo de citas | 1983 - 2026 (44) |
| Velocidad de citación | current |
| Altamente citado | Sí |
| Tipos de cita | Neutras: 138 |