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Cinematic checkpoints and sovereign time

Datos Bibliográficos

ID2178804
AutoresDavid Fieni
Año2014
Volumen50
Número1
Páginas6-18
Fecha de publicación2014-01-02
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaJournal of Postcolonial Writing (JOURNAL)
Identificadores de la revistaISSN: 1744-9855 • E-ISSN: 1744-9863
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17449855.2013.850212
OpenAlexW2028545651
IdiomaEN
Citas recibidas4
Referencias citadas6

This article articulates a concept of sovereign time and aims to demonstrate how the checkpoint generates this time. After briefly discussing how the checkpoint system in the West Bank radically alters the tempos of daily life, It then works through the understanding of messianic time developed by Walter Benjamin and Giorgio Agamben in order to distinguish sovereign time as a unique concept. It argues that the temporalities of the checkpoint correspond to the spatial configurations of these sites, labeling these compound spatio-temporal relationships as chronotopes. The second half of the article examines how the checkpoint functions as a film set where a theological understanding of sovereignty is performed and filmed, and also explores how critical cinema exposes the checkpoint as a location that brings different kinds of chronotopes to crisis. It analyzes scenes at the checkpoint in Gillo Pontecorvo’s The Battle of Algiers (1966), Tawfiq Saleh’s The Dupes (1972), Elia Suleiman’s Divine Intervention (2002) and Yoav Shamir’s Checkpoint (2004) in order to show how these films interrupt the sovereign time of the checkpoint and make it audible and visible

Aesthetics · Ancient history · Art · Art history · Battle · Business · Movie theater · Order (exchange · Political science · Sovereignty · Temporalities · Computer Science · Hannah Arendt's Political Philosophy · Philosophy, Ethics, and Existentialism · Political Theology and Sovereignty · History · Law

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    David Fieni•Journal for Cultural Research•2016

  • Checkpoint Time

    Helga Tawil-Souri, Helga Tawil‐souri•Qui Parle•2017

  • Disrupting movements, synchronising schedules

    Open Access•Hanna Baumann•City•2019

  • Walled States, Waning Sovereignty

    Wendy Brown•Walled States, Waning Sovereignty•2010

  • The Camp as the Nomos of the Modern

    Giorgio Agamben•Violence, Identity, and…•1997

  • Homo Sacer

    Giorgio Agamben•Homo Sacer•2020

  • The Time That Remains

    Giorgio Agamben•The Time That Remains•2005

Obras citantes distintas4
Citas por año0,4
Intervalo de citas2016 - 2021 (6)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 4
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