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Married to the Cape

Adam West, Batman and Signature Roles on the Small Screen

Datos Bibliográficos

ID22062756
AutoresCarl Sweeney (0000-0002-3373-9464, University of Wolverhampton, autor de correspondencia)
Año2022
Volumen20
Fecha de publicación2022-01-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaTV/Series (JOURNAL)
Identificadores de la revistaISSN: 2266-0909 • E-ISSN: 2266-0909
EditorialOpenEdition (PUBLISHER)
DOI10.4000/tvseries.5508
OpenAlexW4225402638
IdiomaEN
Referencias citadas15

Influential theoretical paradigms posit that television is unlike cinema because it creates personalities rather than stars. Conversely, Deborah Jermyn challenges prior theories through analysis of Sarah Jessica Parker’s image, suggesting that it may be time to revisit the notion that true stardom needs to be associated with a range of different roles. However, though this is pertinent to contemporary figures, it is also relevant to those who came earlier. In particular, American television stars of the 1960s and 1970s were likely to be defined by their connection to a flagship part, due to a variety of factors that helped cement such associations.By theorising star status for someone linked with a single role, a distinct form of televisual fame comes into focus. To argue this, this article proposes a new category of stardom, described by the term ‘signature role TV star’. It evaluates Adam West, best known for his leading role on Batman (ABC, 1966-1968), as an archetypal example. Despite its initial popularity, Batman was cancelled after three seasons and West was unable to develop a lasting career as a mainstream leading man, meaning that his signature role remained the defining aspect of his stardom. Nevertheless, his image acquired productive new inflections over time, especially once his screen persona amplified the ludicrousness he displayed as Batman. Therefore, West embodies not just the ambivalences of being associated with a signature TV role, but also the advantages

Aesthetics · Art · Comics · Epistemology · Humanities · Literature · Mainstream · Media studies · Movie theater · Persona · Political science · Popularity · Sociology · Comics and Graphic Narratives · History · Law · Media, Gender, and Advertising · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism · Social Psychology

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    Open Access•Paul Rixon•American Television on British…•2006

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  • It’s all my interpretation

    Open Access•Matt Hills, Rebecca Williams•European Journal of Cultural…•2005

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    John Ellis•Seeing Things•2000

Velocidad de citaciónhistorical
Altamente citadoNo
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