Stars
Datos Bibliográficos
| ID | 23398523 |
|---|---|
| Autores | Richard Dyer (0000-0002-7881-4747, autor de correspondencia) |
| Año | 1998 |
| Fecha de publicación | 1998-01-01 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Stars (SOURCE_BOOK) |
| Editorial | British Film Institute (PUBLISHER • GB) |
| DOI | 10.5040/9781838710934 |
| OpenAlex | W4391866994 |
| ISBN | 9781838710934 |
| Idioma | EN |
| Citas recibidas | 198 |
Through the intensive examination of films, magazines, advertising and critical texts, Dyer analyses the historical, ideological and aesthetic significance of stars, changing the way we understand screen icons. Paying particular attention to icons including Marlon Brando, Bette Davis, Marlene Dietrich, Marilyn Monroe and John Wayne.
Astronomy · Physics · Stars · Cinema and Media Studies · Film in Education and Therapy · South Asian Cinema and Culture
Feeling like a feminist
Association between suicide reporting in the media and suicide
Social media celebrity and the institutionalization of YouTube
Lucilla You Min and Her Embodiment of a Cosmopolitan Fantasy
Screen Test
"The Digital Won't Let Me Go"
Forum
Star-Spangled Ghibli
Of local and global fame
Les codes d’une masculinité « cool »
Introduction
Une rupture dans la performance
Mireille Darc, 1960s Subversive Dumb Blonde
Introduction
Jouer et déjouer le masculin et le féminin
Entre cinéma et mode, le costume chez Tilda Swinton
Valérie Lemercier de Palais royal ! (2005) à 100 % Cachemire (2013)
From Assimilation Narratives to “Regular Stories”
Kate Winslet dans Mildred Pierce de Todd Haynes (HBO, 2011)
Married to the Cape
“He’s Not Good, But He’s Not Bad”
Beyond Aesthetics
Translation and queer audiovisual culture
Les dynamiques raciales de la production de Michael Jackson (1979-2001)
Marketing Jiang Qing
Early Chinese cinema and two-way world flows
Camping It up with EMI
‘The All-American Smile
Guilty of being a dwarf
El exceso de la imagen y su reverso en la palabra
Construction et déconstruction des mythes de fondation de l’Ouest américain au cinéma. Sur quatre plans iconiques du Western. Stagecoach , The Ox-Bow Incident , The Searchers , Once Upon a Time in the West
The Paradox of Steve Coogan
Czy da się określić, kto był królem śmiechu? Uwagi o badaniach recepcji filmu w Polsce międzywojennej
Littérature fordiste et imaginaires médiatiques. Les bulletins de communication du Fleuve Noir
Bruce Lee as director and the star as author
Labubu
Rajini’s Finger, Indexicality, and the Metapragmatics of Presence
Extending and Withholding Forgiveness to Josh Hamilton
Giving Hegemonic Masculinity a Face Lift
Just like a film star!’
Applying Dyer’s Star Theory to Sport
The shifting terrains of framing sexuality
Celebrity Studies in the Long Eighteenth Century
Modernism, Celebrity and the Public Personality
The unruly aesthetics of the pregnant pop star
From the Bottom to the Top”
Live and learn”
Caffeinated Solutions as Neoliberal Politics
Burnt Orange
Reality Goes Pop!”
Gossip as News
Repackaging the Egyptian Monarchy
A star of the airwaves
The affable young man
Encoding material female bodies through cosmetic surgeries
The Best of Both Worlds
Freeze frame
Tom Cruise
My Job is Me
Julie Andrews
Soccer, South Africa and Celebrity Status
Locating “la voz”
Driving With La Movida
The Star’s Image, Victimization and Celebrity Culture
The Gender Politics of Celebrity Humanitarianism in Africa
Everything to everyone, all at once
Virtually Multicultural
Sissyphilia and Tropicopolitan Sensibilities
Stardom from the perspective of media power
Celebrity, ageing and the construction of ‘third age’ identities
The BBC and television fame in the 1950s
Capybaras as Internet celebrities
Remembering socialist entertainment
From high camp to post-modern camp
Why becoming a national treasure matters
Girls make sense
High Fashion and Pop Fashion
Sport, Celebrity and Religion
For the love of Jodie Foster
Living with fame
The ignorant hip-hop artist? Political rap encounters Jacques Rancière in Paris’s Sonic Jihad
Starring Lucy Lawless
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’
Kylie Minogue as a gay icon
Always the larrikin
Flaubert, Femininity, and Free-Fall Stardom
Stark raving fat
Who Don't Care If The Money's No Good?”
The Structural Functions of Stardom in the Recording Industry
A Delicious Way to Help Save Lives”
The Black Pimpernel
Girls’ Generation? Gender, (Dis)Empowerment, and K-pop
South Korean Advertising as Popular Culture
As Seen on the Internet
It All Started with a Bang
The Virtual Idol
The Global Hansik Campaign and the Commodification of Korean Cuisine
The Popularity of Individualism
Wer Viewership and Queer Imag(in)ing
Person-Indexing Registers, Stardom, Auteurism
| Obras citantes distintas | 198 |
|---|---|
| Citas por año | 7,62 |
| Intervalo de citas | 2000 - 2026 (27) |
| Velocidad de citación | current |
| Altamente citado | Sí |
| Tipos de cita | Neutras: 197 |