Uneasy Relationships
Contemporary Artists and Anthropology
Datos Bibliográficos
| ID | 2391323 |
|---|---|
| Autores | Arnd Schneider (University of East London, autor de correspondencia) |
| Año | 1996 |
| Volumen | 1 |
| Número | 2 |
| Páginas | 183-210 |
| Fecha de publicación | 1996-07-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Journal of Material Culture (JOURNAL) |
| Identificadores de la revista | ISSN: 1359-1835 • E-ISSN: 1460-3586 |
| Editorial | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/135918359600100203 |
| OpenAlex | W2126583594 |
| Idioma | EN |
| Citas recibidas | 27 |
| Referencias citadas | 41 |
The documentary, narrative or even fictional character of ethnographic pho tography and film has been debated for some time. However, anthropology has hardly taken notice of the visual representation of other cultures in recent contemporary art. In contrast with earlier modernist 'primitivism' these con temporary artists also appropriate anthropological methods and provide a critique of ethnographic and collecting practices. The article investigates the epistemological implications that arise from anthropological appropriations in contemporary art and ultimately argues that such art can be as legitimate in the representation of other cultures as already academically established written and visual discourses in anthropology
Aesthetics · Art · Art history · Character (mathematics · Contemporary art · Ethnography · Literature · Narrative · Notice · Politics · Representation (politics · Sociology · Visual anthropology · Anthropology · Cultural Heritage Management and Preservation · Law · Museums and Cultural Heritage · Photography and Visual Culture
Recipe 2
Life in the Age of Biotechnology
Life Cycle of a Common Weed
Interlude
Recipe 3
R. A. W. Assmilk Soap
Speculative Fabulations for Technoculture’s Generations
Recipe 4
Recipe 1
Blasted Landscapes (and the Gentle Arts of Mushroom Picking)
Invertebrate Visions
Hope in Blasted Landscapes
The ethnographic turn - and after
Pauses and flow in art making and ethnographic research
The ‘Great Walk and More’
Lothar Baumgarten's Imaginary Amazon
On 'appropriation'. A critical reappraisal of the concept and its application in global art practices
Hope in blasted landscapes
Contested grounds
Making Art, Making Identity
Visual ethnographies of displacement and violence
Antropologia e práticas artísticas em Portugal
Arte e antropologia no século XX
A Design for Life
The Anthropology of Art, After the End of Art
On'appropriation'. A critical reappraisal of the concept and its application in global art practices
Three modes of experimentation with art and ethnography
Crafts in the World Market
The children of Sánchez
Innovation in Ethnographic Film
Memory and modernity
Anthropology of the Self
Incidents of travel in Central America, Chiapas, and Yucatan /
Incidents of travel in Yucatan /
The Taste of Ethnographic Things
Anthropology Art and Aesthetics
Primitive art in civilized places
Cultural Complexity
Self Consciousness
Cognitive Aspects of Religious Symbolism
Overlay
Primitivism and Modern Art
Journal of the Anthropological Society of Oxford
Anthropology as Cultural Critique
Anthropology Today
The James Bay Project. A River Drowned by Water
Imagery and Creativity
Esthetic Recognition of Ancient Amerindian Art
Five Families. Mexican Case Studies in the Culture of Poverty
Collecting the Pre-Columbian past
Objects and Others
Creole World, Purist Rhetoric
A Second Reflection
The Interpretation of Ritual
Knowledge of the Body
Anthropology's Hidden Colonialism
The Art Diviners
What Became Authentic Primitive Art
Ethnographies as Texts/Ethnographers as Griots
Culture, Genuine and Spurious
| Obras citantes distintas | 27 |
|---|---|
| Citas por año | 0,96 |
| Intervalo de citas | 1998 - 2021 (24) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 27 |