All That Is Native and Fine
The Politics of Culture in an American Region
Datos Bibliográficos
| ID | 2708843 |
|---|---|
| Autores | Burt Feintuch, David E Whisnant |
| Año | 1986 |
| Volumen | 4 |
| Número | 4 |
| Páginas | 471 |
| Fecha de publicación | 1986-01-01 |
| Open Access | No |
| Tipo | BOOK |
| Revista | American Music (JOURNAL) |
| Identificadores de la revista | ISSN: 0734-4392 • E-ISSN: 1945-2349 |
| Editorial | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.2307/3052232 |
| OpenAlex | W2322937818 |
| Idioma | EN |
| Citas recibidas | 96 |
Aesthetics · Art · Culture of the United States · Genealogy · Literature · Native american · Political science · Politics · Sociology · Anthropology · Canadian Identity and History · History · Law
Creating Healthy Community in the Postindustrial City
We Can Always Go Back Home
Intangible cultural heritage and the better angels of folklore's nature
Maternalism and the Promotion of Scientific Medicine During the Industrial Transformation of Appalachia, 1880-1930
Jane Hicks Gentry
Writing the Geography of the Blue Ridge Mountains
TransAmericana
Imagining Home, Nation, World
An American Folk Opera? Triangulating Folkness, Blackness, and Americaness in Gershwin and Heyward's Porgy and Bess
Public Folklore in the Twenty-first Century
The Sound of Rocks Aquiver
Critical Historiography of the Present
Narrative, Cosmos, and Nation
In Search of Authenticity
Something in These Hills
Madeline McDowell Breckinridge and the Battle for a New South
Reds, Whites, and Blues
The Americanization of West Virginia
Loveliness but with an Edge
Beyond frontiers
Introduction
A Green New Deal for Appalachia
Apple Stack Cake as Folk Tradition, Myth, and Icon in the Construction of an Appalachian Cuisine
Framing Appalachia
Historical Records
Wham, Bam, thank you, Sam
Situated Comparison
Where Did Porgy and Bess Come From
Women and the Formation of Swedish Folklife Research
Belief and the American Folk
Intangible Heritage as a Festival; or, Folklorization Revisited
"Rose Connolly" Revisited
After the Revolution
An American Folk Opera? Triangulating Folkness, Blackness, and Americaness in Gershwin and Heyward'sPorgy and Bess
Politics on the Pavement
The Sound of Rocks Aquiver? Composing Racial Ambivalence in Territorial Hawai'i
Cultural Sustainability
Instrument in Tow
"Place" as Prepolitical Grounds of Democracy
Weighing the Risks and Rewards of Involvement in Cultural Conservation and Heritage Tourism
Woven Identities
Appalachian Anxiety
Stepping, Saluting, Cracking, and Freaking
The "value" of dialect as object
Theorizing fieldwork impact
The Patronage of Difference
American Country Dancing
Ancient art in modern context
The City as Stage
Cora Wilson Stewart and Kentucky's Moonlight Schools
The Education of the Folk
Materializing the nation in Sweden and America
A Question of Loyalty
Doris Ulmann in Brasstown
Heritage” as alternative place and space
Displaying the Industrial
A Geography of Racism’
The end of collecting
Coming in from the Margin
Cracker craic
Keeping Sweden Swedish
The Architecture of Vernacular Subjectivities
Ethnological Knowledges and their Political Contexts
Just Miles Away but Worlds Apart
Searching for silenced voices in Appalachian music
Critical Historiography of the Present
Tradition and the New Social Movements
Call It Tradition
Gathering the voices of the people? Cecil Sharp, cultural hybridity, and the folk music of Appalachia
Marimba
The Democratic Partisan Militia and the Black Peril
Tradition
Multi-Paradigm Discipline, Inter-Disciplinary Field, Peering through and around the Interstices
Great Opportunities for the Many of Small Means
Music Revivals
After New Perspectives
Documenting Traditions and the Ethnographic Double Bind
When Strangers Bring Cameras
| Obras citantes distintas | 78 |
|---|---|
| Citas por año | 2,74 |
| Intervalo de citas | 1991 - 2025 (35) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 82 |