Yucatán's Dancing Pig's Head (Cuch)
Icon, Carnival, and Commodity
Datos Bibliográficos
| ID | 2807212 |
|---|---|
| Autores | Ron Loewe (0000-0001-5829-4257, autor de correspondencia), Ronald Loewe |
| Año | 2003 |
| Volumen | 116 |
| Número | 462 |
| Páginas | 420-443 |
| Fecha de publicación | 2003-10-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Journal of American Folklore (JOURNAL) |
| Identificadores de la revista | ISSN: 0021-8715 • E-ISSN: 1535-1882 |
| Editorial | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.2307/4137756 |
| OpenAlex | W4312675330 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 15 |
As a central feature of the annual fiesta, the Maya cuch ceremony and its various transformations have been a staple of ethnographic description for more than fifty years. Through this investiture ceremony, responsibility for organizing the fiesta is passed from one religious confraternity to another. Although descriptions of the cuch abound, the ethnography ofperformance remains fragmented. Ethnographies tend to privilege or essentialize particular performances and ignore variants that violate the ethnographer's notion of authenticity. Indeed, the multiplicity of labels in Spanish and Maya used to describe the cuch and its transformations-cuch, k'ub pol, okostah pol, baile del cochino, etc.-leaves the impression that different enactments or performances bear little or no relation to one another. In contrast, the present article demonstrates the dialogical relations between various transformations of the cuch-pious, satirical, and folkloric-as an aid to interpreting more heterodox performances. In particular, following Bakhtin, the author argues that the rich parody which permeates the k'ub pol-a transformation of the cuch performed on some former henequén plantations-is invariably lost, or reduced to an innocent burlesque, if one fails to recognize its relationship to more sober, "Catholic" interpretations of the cuch
Aesthetics · Archaeology · Art · Art history · Burlesque · Ceremony · Ethnography · Folklore · Icon · Literature · Maya · Relation (database) · Sociology · Anthropology · History · Latin American and Latino Studies · Latin American history and culture · Politics and Society in Latin America
The fiesta system and economic change
Competence in performance
Natural histories of discourse
Maya Saints and Souls in a Changing World
Frontiers, Settlements, and Development in Folklore Studies, 1972-1985
Cognitive Aspects of Religious Symbolism
Outline of a Theory of Practice
Migration, Mujercitas, and Medicine Men
Zinacantan
Legendry, Metafolklore, and Performance
Yucatán's Dancing Pig's Head (Cuch)
New Voices in American Studies
Carne, Carnales, and the Carnivalesque
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,04 |
| Intervalo de citas | 2003 - 2003 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |