A literary stylistic analysis of a poem by the Somali poet Axmed Ismaciil Diiriye 'Qaasim
Datos Bibliográficos
| ID | 2808619 |
|---|---|
| Autores | Martin Orwin (0000-0003-2369-8010, autor de correspondencia) |
| Año | 2000 |
| Volumen | 63 |
| Número | 2 |
| Páginas | 194-214 |
| Fecha de publicación | 2000-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Bulletin of the School of Oriental and African Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 0041-977X • E-ISSN: 1474-0699 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0041977x00007187 |
| OpenAlex | W2120580712 |
| Idioma | EN |
| Citas recibidas | 3 |
| Referencias citadas | 5 |
This article presents a stylistic analysis of a poem which we shall call Macaan iyo Qadhaadh, 'Sweet and bitter' by the Somali poet Axmed Ismaciil Diiriye 'Qaasim'. It will show ways in which the language has been crafted syntactically, metrically, alliteratively and in other ways so as to contribute to the power and meaning of the poem as a whole. A stylistics-based approach has been followed looking at the actual language structures and stylistic devices used in the poem and ideas are proposed on their contribution to the meaning and power of the poem. Cureton (1992) has been influential in the way grouping of lines has been dealt with and in how prolongation in the poem has been presented and discussed
Art · Epistemology · Linguistics · Literature · Meaning (existential) · Poetry · Power (physics) · Somali · Stylistics · History · Multilingual Education and Policy · Philosophy · Postcolonial and Cultural Literary Studies · Swearing, Euphemism, Multilingualism
| Obras citantes distintas | 3 |
|---|---|
| Citas por año | 0,12 |
| Intervalo de citas | 2000 - 2024 (25) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 3 |