America's Great Comeback Story

The White Possessive in Detroit Tourism

Datos Bibliográficos

ID2961228
AutoresRebecca J Kinney (0009-0009-1841-6825, autor de correspondencia)
Año2018
Volumen70
Número4
Páginas777-806
Fecha de publicación2018-01-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaAmerican Quarterly (JOURNAL)
Identificadores de la revistaISSN: 0003-0678 • E-ISSN: 1080-6490
EditorialProject MUSE (PUBLISHER • US)
DOI10.1353/aq.2018.0063
OpenAlexW2905353345
IdiomaEN
Citas recibidas4

This essay unpacks the narrative of Detroit as "America's great comeback story" by suggesting that the narration of the city as an authentically American frontier of opportunity is rooted in what Aileen Moreton-Robinson calls "the white possessive." In so doing, the essay emerges from and extends work that poses whiteness and property as co-constructions within the settler colonial state. I argue that tourism narratives of exploration and discovery, in which a majority black city is imagined as open, empty, and ready for exploration and settlement by adventurous explorers and urban pioneers, represent the possessive logics of whiteness. By analyzing the ways in which Detroit has been chronicled in travel narratives of the late twentieth and early twenty-first centuries such as the chronicles of urban explorers and the state-funded "Pure Michigan" tourism campaign, I show how the mythology of the frontier and its reliance on white possession as the defining narrative of place is redeployed in the attempt to (re)claim Detroit by the State of Michigan, corporate elites, and creative class workers

Archaeology · Art · Frontier · Linguistics · Literature · Mythology · Narrative · Possessive · Settlement (finance · Sociology · State (computer science · Tourism · White (mutation · American History and Culture · Asian American and Pacific Histories · Classics · Gender Studies · History · Race, History, and American Society