Profitability trends in Hollywood, 1929 to 1999
Somebody Must Know Something1
Datos Bibliográficos
| ID | 3364490 |
|---|---|
| Autores | Michael Pokorny (University of Westminster), John Sedgwick (0000-0002-8775-6243, London Metropolitan University) |
| Año | 2010 |
| Volumen | 63 |
| Número | 1 |
| Páginas | 56-84 |
| Fecha de publicación | 2010-02-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | The Economic History Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0013-0117 • E-ISSN: 1468-0289 |
| Editorial | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1468-0289.2009.00488.x |
| OpenAlex | W1973957792 |
| Idioma | EN |
| Citas recibidas | 8 |
| Referencias citadas | 16 |
This article presents an overview of the development of the US film industry from 1929 to 1999. Notwithstanding a volatile film production environment, in terms of rate of return and market share variability, the industry has remained relatively stable and profitable. Film production by the film studios is interpreted as analogous to the construction of an investment portfolio, whereby producers diversified risk across budgetary categories. In the 1930s, high-budget film production was relatively unprofitable, but the industry adjusted to the steep decline in film-going in the postwar period by refining high-budget production as the focus for profitability
Art · Art history · Business · Commerce · Economics · Film industry · Hollywood · Investment (military) · Macroeconomics · Movie theater · Political science · Portfolio · Production (economics) · Profitability index · Rate of return · Studio · Art History and Market Analysis · Engineering · Finance · Financial Markets and Investment Strategies · Housing Market and Economics
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| Obras citantes distintas | 8 |
|---|---|
| Citas por año | 0,5 |
| Intervalo de citas | 2010 - 2026 (17) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 8 |