Warner Bros Film Grosses, 1921-51
The William Schaefer ledger
Datos Bibliográficos
| ID | 5878751 |
|---|---|
| Autores | H Mark Glancy (Queen Mary University of London, autor de correspondencia) |
| Año | 1995 |
| Volumen | 15 |
| Número | 1 |
| Páginas | 55-73 |
| Fecha de publicación | 1995-03-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Historical Journal Of Film Radio and Television (JOURNAL) |
| Identificadores de la revista | ISSN: 0143-9685 • E-ISSN: 1465-3451 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01439689500260031 |
| OpenAlex | W2060714071 |
| Idioma | DE |
| Citas recibidas | 16 |
| Referencias citadas | 3 |
Conclusion The three studio ledgers that have been uncovered so far have confirmed many facts about the studio system and challenged many others. The figures certainly will be useful to film historians investigating particular films, stars or genres. The ledgers also point to areas that are in need of further research. Most notably, the high level of foreign earnings that each of these studios received and relied upon necessitates further understanding of Hollywood's relationship with its foreign audiences; and, as Jewell has noted, there is little to explain the fact that foreign earnings held up (and even increased) during World War II [23]. Furthermore, the fact that three ledgers have emerged in the past three years begs the question of how many more exist. Comparison of the MGM, RKO and Warner Bros data indicates that MGM was a particularly lavish and successful studio, but Warner Bros at times challenged MGM's pre-eminence, and for much of its history RKO seems to be in a different league altogether. Ledgers detailing other members of the 'big five' group of studios would clarify this, but an even greater perspective would be garnered from ledgers concerning the "little three" and the "poverty row" studios. One can only hope that they exist, and that they are made accessible to historians
Art · Art history · Business · Hollywood · Ledger · Sociology · Studio · Visual arts · Accounting · Art History and Market Analysis · Cinema and Media Studies · European history and politics · History
‘The highest salary ever paid to a human being’
Impressions of Disraeli
Product Differentiation at the Movies
Film consumer decision-making
Stars and Stories
Selling French Films on Foreign Markets
International films and International Markets
Michael Balcon's Close Encounter with the American Market, 1934–1936
The Risk Environment of Film Making
The decline and fall of the European film industry
Consumers as risk takers
Resolving the global efficiency versus local adaptability dilemma
Hollywood in the world market – evidence from Australia in the mid-1930s
The Adoption of New Technologies
Profitability trends in Hollywood, 1929 to 1999
The film business in the United States and Britain during the 1930s1
| Obras citantes distintas | 16 |
|---|---|
| Citas por año | 0,53 |
| Intervalo de citas | 1996 - 2023 (28) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 16 |