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Taylorism, Managerial Control Strategies, and the Ballets of Balanchine and Stravinsky

Datos Bibliográficos

ID3757772
AutoresJean Van Delinder (Oklahoma State University, autor de correspondencia)
Año2005
Volumen48
Número11
Páginas1439-1452
Fecha de publicación2005-07-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaAmerican Behavioral Scientist (JOURNAL)
Identificadores de la revistaISSN: 0002-7642 • E-ISSN: 1552-3381
EditorialSAGE Publications Inc (PUBLISHER)
DOI10.1177/0002764205277189
OpenAlexW2125881620
IdiomaEN
Citas recibidas6
Referencias citadas18

In the early 20th century, Taylor's principles of scientific management (i.e., Taylorism) fashioned control strategies that sought improvements in workers' productivity yet resulted in control of workers'bodies. This article explores the affinities between Taylorism and the ballets Apollo and Agon choreographed by George Balanchine and scored by Igor Stravinsky. Their work embodies a modernist aesthetic influencedby the principles of scientific management, and it reshaped the organization of modern ballet away from focus on the ballerinas and onto the "creative" choreographer and composer

Apollo · Art · Art history · Ballet · Dance · Economic growth · Economics · George (robot) · Management · Productivity · Scientific management · Sociology · Visual arts · Diversity and Impact of Dance · Musicology and Musical Analysis · Theatre and Performance Studies

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Obras citantes distintas6
Citas por año0,32
Intervalo de citas2007 - 2025 (19)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 6
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