Images of another Tunisia
A film trilogy by Moncef Dhouib
Datos Bibliográficos
| ID | 3979300 |
|---|---|
| Autores | Andrea Flores Khalil, Andrea Khalil (City University of New York, autor de correspondencia) |
| Año | 2002 |
| Volumen | 7 |
| Número | 2 |
| Páginas | 99-115 |
| Fecha de publicación | 2002-06-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The Journal of North African Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 1362-9387 • E-ISSN: 1743-9345 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13629380208718468 |
| OpenAlex | W1978522008 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 4 |
This article examines a film trilogy by Moncef Dhouib in light of contemporary image production in Tunisian society. The analysis is based on a relation between the ideological production of the image by the state, on the one hand, and oppositional images of religious and mystical practices, on the other. The 'ideological' image is linked to the political situation from Bourguiba until the present time. The secular image is characterised, in content, by a forced visibility of the human body. The films of Moncef Dhouib were selected as an example of an oppositional image that is simultaneously resisting political and religious uses of visuality. Short summaries are provided given the difficulty of viewing the films both inside and outside Tunisia
Aesthetics · Art · Art history · Ideology · Image (mathematics · Literature · Mysticism · Optics · Physics · Political science · Politics · Relation (database · Sociology · State (computer science · Trilogy · Visibility · African history and culture studies · Computer Science · Law · North African History and Literature · Political and Social Issues · Artificial Intelligence
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,09 |
| Intervalo de citas | 2015 - 2015 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |