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A report on the reports of the stanford literary lab

A reason why the digital humanities may find it difficult to change literary history

Datos Bibliográficos

ID4474201
AutoresDaniel Candel, Daniel Candel Bormann (0000-0003-4320-4639, Universidad de Alcalá, autor de correspondencia)
Año2018
Volumen2018
Número224
Páginas111-134
Fecha de publicación2018-09-25
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaSemiotica (JOURNAL)
Identificadores de la revistaISSN: 0037-1998 • E-ISSN: 1613-3692
EditorialWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/sem-2016-0223
OpenAlexW2887174993
IdiomaEN
Citas recibidas2
Referencias citadas24

The present article studies eight of the twelve reports of the Stanford Literary Lab (SLL) to understand why the revolutionary practices of the lab, and by extension of the digital humanities, have not yet changed literary history, as the lab itself admits. The article examines the reports with two related cultural-semantic tools, each of which is introduced via the Pixar movieBrave. First, the interpretations of the reports are placed within a basic semantic grid organized into four quadrants by a nature-society axis and a past-present axis, which shows that the interpretations are invariably situated in the present-society quadrant. This analysis, while necessary, merely proves that SLL operates within a certain cultural climate. The real test lies in ascertaining whether this cultural climate affects the interpretation of novel data. To do so, the article looks for the reaction of SLL to novel data in two reports. The reports are shown to domesticate novelty by explaining it through standard alethic/deontic patterns, even though the data are novel precisely because the patterns largely fail to explain them. The article closes by asking whether such patterns limit or enable thinking and what this means for the digital humanities

Art · Digital humanities · Epistemology · Extension (predicate logic) · Humanities · Interpretation (philosophy) · Linguistics · Literature · Novelty · Situated · Sociology · Artificial Intelligence · Computer Science · Digital Games and Media · Digital Humanities and Scholarship · History · Narrative Theory and Analysis · Philosophy · Psychology · Social Psychology

  • Systematizing evil in literature

    Open Access•Daniel Candel, Daniel Candel Bormann•Semiotica•2021

  • Extending the embodied semiotic square

    Open Access•Daniel Candel, Daniel Candel Bormann•Semiotica•2020

  • The way of the world

    Franco Moretti•The way of the world•2000

  • The Limits of Critique

    Rita Felski•Limits of Critique•2015

  • Signs taken for wonders

    Franco Moretti•Signs taken for wonders•1983

  • Metahistory

    Hayden White•Metahistory•1973

  • Keywords (Routledge Revivals)

    Raymond Williams•Keywords•2013

  • Topics in Philosophical Logic

    Open Access•Nicholas Rescher•Topics in Philosophical Logic•1968

  • Marxism and Literary History

    J Frow•Marxism and Literary History•1986

  • Reassembling the Social

    Bruno Latour•REASSEMBLING THE SOCIAL: AN…•2005

  • Analyzing the fictional worlds of Pixar with an eye on digital humanities

    Open Access•Daniel Candel, Daniel Candel Bormann et al.•Semiotica•2017

  • An Essay in Modal Logic

    G P Henderson, George H von Wright•The Philosophical Quarterly•1953

  • Interdisciplining Digital Humanities

    Open Access•Julie Thompson Klein•Interdisciplining Digital…•2014

  • Possible Worlds in the History of the Novel

    Daniel Candel Bormann•Poetics Today•2016

  • Advanced literacy and the place of literary semantics in secondary education

    Open Access•Daniel Candel•Semiotica•2013

  • Moving Possible World Theory from Logic to Value

    Daniel Candel Bormann•Poetics Today•2013

  • Hayden White's Philosophical History

    Ian Hunter•New Literary History•2014

  • On Midlevel Concepts

    J Frow•New Literary History•2010

Obras citantes distintas2
Citas por año0,33
Intervalo de citas2020 - 2021 (2)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 2
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