Una epistemología del género documental para la memoria social en Chile

Datos Bibliográficos

ID6140940
AutoresFernando Fuente-Alba Cariola (0000-0002-4316-5097, Universidad Católica de la Santísima Concepción), Fernando Fuente-Alba, Óscar Basulto Gallegos (0000-0001-8323-1098), Oscar Basulto-Gallegos
Año2018
Número61
Páginas12-27
Fecha de publicación2018-03-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaCinta de moebio (JOURNAL)
Identificadores de la revistaISSN: 0717-554X • E-ISSN: 0717-554X
EditorialSciELO Agencia Nacional de Investigacion y Desarrollo (ANID) (PUBLISHER)
DOI10.4067/s0717-554x2018000100012
OpenAlexW2792966857
SCIELO_PIDS0717-554X2018000100012
IdiomaES
Citas recibidas2
Referencias citadas3

The article, through a theoretical-epistemic and historical effort, seeks to account for the relevance of the audio-visual documentary genre, as a reference in the construction of reality and social memory, focusing specifically on the development of documentary in Chile. For this, it is argued about the problems that the identification of this type of audio-visual realizations entails, and once this question is settled, it is alluded to the revitalizing force that it achieves as a reflection of a society, its reconstruction of the past, its valorisation of the present and its projection with vision of the future. That is, the documentary as a possibility to intervene in what we perceive as real, being necessary to deepen some notions as truth; objectivity and subjectivity; reality and social memory, among other important issues. All this historical and epistemological journey is supported in phenomenology and hermeneutics, by virtue of investigating the documentary genre from the Chilean experience

Humanities · Political science · Cultural and Social Studies in Latin America · Memory, violence, and history · Philosophy · Political and Social Dynamics in Chile and Latin America

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