Developing Animals
Wildlife and Early American Photography
Datos Bibliográficos
| ID | 8126535 |
|---|---|
| Autores | Matthew Brower (autor de correspondencia) |
| Año | 2011 |
| Páginas | 244 |
| Fecha de publicación | 2011-01-26 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Developing animals (SOURCE_BOOK) |
| Editorial | University of Minnesota Press (PUBLISHER • US) |
| DOI | 10.5749/minnesota/9780816654789.001.0001 |
| OpenAlex | W4238033912 |
| Open Library | OL24902955M |
| ISBN | 9780816654789 |
| Idioma | EN |
| Citas recibidas | 24 |
Pictures of animals are now ubiquitous, but the ability to capture animals on film was a significant challenge in the early era of photography. This book takes us back to the time when Americans started taking pictures of the animal kingdom, at the beginning of the twentieth century, the moment when photography became a mass medium and wildlife photography an increasingly popular genre. The book investigates the way photography changed our perception of animals. It analyzes how photographers created new ideas about animals as they moved from taking pictures of taxidermic specimens in so-called natural settings to the emergence of practices such as camera hunting, which made it possible to capture images of creatures in the wild. By combining approaches in visual cultural studies and the history of photography, the book goes further to argue that photography has been essential not only to the understanding of wildlife but also to the conceptual separation of humans and animals
Archaeology · Art · Biology · Creatures · Natural (archaeology · Perception · Photography · Visual arts · Wildlife · Geographies of human-animal interactions · Psychology · 19th century · History · Human-animal relationships · Photographic criticism · united states · Wildlife photography · Ecology
Le flash et la fixation de l’image latente dans les années 1890
The Flash and the Fixing of the Latent Image around the 1890s
Decolonizing Photography
“A Truer Test of Woodcraft”
“Chinese Elm 1030595 . . . (or can I call you Dale??)”
Parodying the Biotech Industry
A Means of Protection or Destruction
An Addendum to Pop
Marcel Duchamp, Copyright, and the Emergence of Art as Idea
Anisa̱lag̱a’s Claim to the “Seattle Pole”
Conclusion
Can Animals Own Copyright
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)
Copyright and Creative Practice
Many Hands Make Light-Fingered Work
Deceptive Landscapes
Tiger in a photographic gaze
Pistolgraphs
La naturaleza no existe
Watching birds
Between Manufacturing and Landscapes
Connecting to nature through tech? The case of the iNaturalist app
Deconstructing the Animal in Search of the Real
Animals, daguerreotypes and movement
| Obras citantes distintas | 24 |
|---|---|
| Citas por año | 1,71 |
| Intervalo de citas | 2012 - 2025 (14) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 24 |