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Studies in Aeschylus

Datos Bibliográficos

ID9329261
AutoresMartin L West
Año1990
Fecha de publicación1990-12-31
Open AccessNo
TipoBOOK
RevistaStudies in Aeschylus (SOURCE_BOOK)
EditorialDe Gruyter (PUBLISHER • DE)
DOI10.1515/9783110948066
OpenAlexW587130413
Open LibraryOL37101808M
ISBN9783110948066
IdiomaEN
Citas recibidas84

Classical Antiquity Studies · History · Organic Chemistry Synthesis Methods

  • Simonides the Poet

    Richard Rawles•Simonides the Poet•2018

  • Classical Revivals and “Pagan” Art

    Alan Cameron•The last pagans of Rome•2010

  • Aeschylus

    Open Access•Delfim F Leão, Maria Do Céu Fialho et al.•The Encyclopedia of Ancient History•2012

  • The Livian Revival

    Alan Cameron•The last pagans of Rome•2010

  • Conclusion

    Alan Cameron•The last pagans of Rome•2010

  • The Frigidus

    Alan Cameron•The last pagans of Rome•2010

  • Sacrifice in Drama

    Open Access•Richard Seaford•Animal Sacrifice in the Ancient…•2017

  • Music and Dance in Tragedy After the Fifth Century

    Open Access•Mark Griffith•Greek Tragedy after the Fifth…•2018

  • Correctors and Critics II

    Alan Cameron•The last pagans of Rome•2010

  • The Tragedians of Heraclea and Comedians of Sinope

    Open Access•Edith Hall•Ancient Theatre and Performance…•2019

  • The Annales of Nicomachus Flavianus I

    Alan Cameron•The last pagans of Rome•2010

  • The Poem Against the Pagans

    Alan Cameron•The last pagans of Rome•2010

  • Hellenistic Tragedy and Satyr-Drama; Lycophron’s Alexandra

    Open Access•Simon Hornblower•Greek Tragedy after the Fifth…•2018

  • Beyond Athens

    Open Access•Brigitte Le Guen•Greek Tragedy after the Fifth…•2018

  • The Exagōgē of Ezekiel the Tragedian

    Open Access•Pierluigi Lanfranchi•Greek Tragedy after the Fifth…•2018

  • The “Pagan” Literary Revival

    Alan Cameron•The last pagans of Rome•2010

  • Theatre Performance After the Fifth Century

    Open Access•Anne Duncan, A A M Duncan et al.•Greek Tragedy after the Fifth…•2018

  • Theatrical Reenactment in Pindar and Aeschylus

    Open Access•Anna Uhlig•Theatrical Reenactment in Pindar…•2019

  • The Rhesus

    Open Access•Almut Fries•Greek Tragedy after the Fifth…•2018

  • The Phanagoria Chous

    Open Access•Jeffrey Rusten, Jeffrey S Rusten•Ancient Theatre and Performance…•2019

  • The Real Circle of Symmachus

    Alan Cameron•The last pagans of Rome•2010

  • Greek Tragedy After the Fifth Century

    Open Access•Vaios Liapēs, Antōnēs K Petridēs et al.•Greek Tragedy after the Fifth…•2018

  • Introduction

    Open Access•David Braund•Ancient Theatre and Performance…•2019

  • Theatre and Performance in the Bosporan Kingdom

    Open Access•David Braund•Ancient Theatre and Performance…•2019

  • Greek Tragedy and the Theatre of Sisterhood

    Open Access•Lyndsay Coo•Female Characters in Fragmentary…•2020

  • The Northward Advance of Greek Horizons

    Open Access•Stephanie West•Ancient Theatre and Performance…•2019

  • Celebrating Dionysus in Istros and Tomis

    Open Access•Madalina Dana•Ancient Theatre and Performance…•2019

  • Pagan Converts

    Alan Cameron•The last pagans of Rome•2010

  • The Fifth Century and After

    Open Access•Francis M Dunn, Francis Dunn•Greek Tragedy after the Fifth…•2018

  • Pagan Scholarship

    Alan Cameron•The last pagans of Rome•2010

  • Scholars and Scholarship on Tragedy

    Open Access•Johanna Hanink•Greek Tragedy after the Fifth…•2018

  • Epilogue

    Open Access•David Braund•Ancient Theatre and Performance…•2019

  • Pagan Writers

    Alan Cameron•The last pagans of Rome•2010

  • Correctors and Critics I

    Alan Cameron•The last pagans of Rome•2010

  • Greek Texts and Latin Translation

    Alan Cameron•The last pagans of Rome•2010

  • Black Sea Back Story

    Open Access•Edith Hall•Ancient Theatre and Performance…•2019

  • From Constantius to Theodosius

    Alan Cameron•The last pagans of Rome•2010

  • Fragmentary Greek Tragedies Set in the Black Sea

    Open Access•Rosie Wyles•Ancient Theatre and Performance…•2019

  • Suffering in Silence

    Open Access•P J Fingla, P J FINGLASS•Female Characters in Fragmentary…•2020

  • Ancient Theatre in Tauric Chersonesus

    Open Access•Sergey Saprykin•Ancient Theatre and Performance…•2019

  • Historiography and Theatre

    Open Access•David Braund•Ancient Theatre and Performance…•2019

  • Priests and Initiates

    Alan Cameron•The last pagans of Rome•2010

  • Women in Love in the Fragmentary Plays of Sophocles

    Open Access•Alan H Sommerstein•Female Characters in Fragmentary…•2020

  • Female Violence towards Women and Girls in Greek Tragedy

    Open Access•Fiona Mchardy•Female Characters in Fragmentary…•2020

  • The Historia Augusta

    Alan Cameron•The last pagans of Rome•2010

  • Society and Politics in Post-Fifth-Century Tragedy

    Open Access•D M Carter•Greek Tragedy after the Fifth…•2018

  • Other Christian Verse Invectives

    Alan Cameron•The last pagans of Rome•2010

  • Macrobius and the “Pagan” Culture of his Age

    Alan Cameron•The last pagans of Rome•2010

  • Paratheatrical Performances in the Bosporan Kingdom

    Open Access•Maya Muratov•Ancient Theatre and Performance…•2019

  • Theatre at Olbia in the Black Sea

    Open Access•Valeriya Bylkova•Ancient Theatre and Performance…•2019

  • The Annales of Nicomachus Flavianus II

    Alan Cameron•The last pagans of Rome•2010

  • Attitudes Towards Tragedy from the Second Sophistic to Late Antiquity

    Open Access•Ruth Webb•Greek Tragedy after the Fifth…•2018

  • Greek Tragedy in the Fourth Century

    Open Access•Vayos Liapis, Theodoros K Stephanopoulos•Greek Tragedy after the Fifth…•2018

  • Pagans and Polytheists

    Alan Cameron•The last pagans of Rome•2010

  • The Last Pagans of Rome

    Alan Cameron•The last pagans of Rome•2010

  • Prometheus in Russia

    Open Access•Ekaterina But•Classical Receptions Journal•2022

  • In Blood and Ashes

    Jessica L Lamont, Jessica Lamont•In Blood and Ashes•2023

  • An Ancient Theatre Dynasty

    Edmund Stewart•Philologus•2016

  • Unlocking the Riddles of Classical Greek Melodies II

    Open Access•Tosca A C Lynch•Greek and Roman Musical Studies•2022

  • The “Double Orpheus”

    Open Access•Tomasz Mojsik•Mythos•2020

  • Prometheus Bound and Sophocles’ Inachos

    Kyriakos Tsantsanoglou•Trends in Classics•2020

  • The Mortal Voice in the Tragedies of Aeschylus

    Open Access•Sarah Nooter•Mortal Voice in the Tragedies of…•2017

  • Female Characters in Fragmentary Greek Tragedy

    Open Access•P J FINGLASS, Lyndsay Coo•Female Characters in Fragmentary…•2020

  • Tragedy, Ritual and Money in Ancient Greece

    Open Access•Richard Seaford, Robert Bostock•Tragedy, Ritual and Money in…•2018

  • Ancient Theatre and Performance Culture Around the Black Sea

    Open Access•David Braund, Edith Hall et al.•Ancient Theatre and Performance…•2019

  • Ajax behind the skēnē

    Marco Catrambone•Mnemosyne•2021

  • Métrica e tropos em duas tragédias de Ésquilo

    Open Access•Anne-Iris Muñoz, Anne‐Iris Muñoz•Classica - Revista Brasileira de…•2012

  • Further considerations on the cult of Kybele

    Open Access•Maya Vassileva•Anatolian Studies•2001

  • The Furies in Choe. and Ag

    Open Access•William Whallon•The Classical Quarterly•1995

  • Aeschylus, Septem Contra Thebas 780–7

    Open Access•Margalit Finkelberg•The Classical Quarterly•2014

  • Aeschylus, Septem Contra Thebas 780–7

    Open Access•Maayan Mazor•The Classical Quarterly•2017

  • Aeschylus, Eumenides 522–5

    Open Access•Francesco Morosi, Guido Paduano•The Classical Quarterly•2022

  • Aeschylus, Eumenides 174–8

    Open Access•Natalia Georgantzoglou•The Classical Quarterly•1996

  • Paeanic Markers in Aeschylus, Choephoroi 150–63

    Open Access•Steven Brandwood•The Classical Quarterly•2020

  • Seven Textual Notes on Seven Against Thebes

    Open Access•Vayos Liapis, VAYOS J LIAPIS•The Classical Quarterly•2018

  • Dionysos Comes to Thrace

    Kathryn Topper, Kathryn R Topper•Arethusa•2015

  • The Ghost of Clytemnestra in the Eumenides

    Amit Shilo•The American Journal of Philology•2018

  • Against a Prometheia

    Florence Yoon•TAPA•2016

  • Iliad and Aethiopis on the Stage

    Open Access•M L West•The Classical Quarterly•2000

  • Distorted Oaths in Aeschylus

    Isabelle Torrance•Illinois Classical Studies•2015

  • Prayer and Curse in Aeschylus’ Seven Against Thebes

    Eva Stehle•Classical Philology•2005

  • Madness and Bestialization in Euripides' Heracles

    Open Access•Antonietta Provenza•The Classical Quarterly•2013

  • Interiority, the ‘Deep Earth’ and the Spatial Symbolism of Darius' Apparition in the Persians of Aeschylus

    Open Access•Emmanuela Bakola•The Cambridge Classical Journal•2014

  • Nine Passages of Aeschylus, Agamemnon

    Open Access•Oliver Thomas•The Classical Quarterly•2013

Obras citantes distintas84
Citas por año2,71
Intervalo de citas1995 - 2023 (29)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 84
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