Zaruhi A Hakobyan
Biographic Data
| ID | 10046224 |
|---|---|
| NAME | Zaruhi A Hakobyan |
| GIVEN NAMES | Zaruhi A |
| FAMILY NAME | Hakobyan |
| SIGNATURE | HAKOBYAN Z A |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Images-Allegories in the Medieval Sculpture of Armenia and the South Caucasus
The article deals with the sculptural faces, or heads, which are very popular in the art of medieval Armenia and the South Caucasus. They often occupy the outer niches of the churches, decorate altar parts, or eastern facades. These generalized images, devoid of individual features, differ markedly from the donator and other images. The iconographic analysis and comparisons with similar images from early Christian art (floor mosaic, textile, scul…
The Frescoes of the Haghpat Monastery in the Historical-Confessional Context of the 13th Century
The Church of the Holy Sign of Haghpat monastery was built and painted by Bagratids. From this early layer of murals only the very small fragments have been preserved. During the second rise of the monastery under the Zacharids, when the Armenian-Chalcedonian community was on the rise, there was a demand for new frescoes, which were executed in two stages. Under the patronage of Zakare, as the sign of loyalty to the Orthodox, the Armenian-Chalced…
No prominent works on this page.
The Frescoes of the Haghpat Monastery in the Historical-Confessional Context of the 13th Century
The Church of the Holy Sign of Haghpat monastery was built and painted by Bagratids. From this early layer of murals only the very small fragments have been preserved. During the second rise of the monastery under the Zacharids, when the Armenian-Chalcedonian community was on the rise, there was a demand for new frescoes, which were executed in two stages. Under the patronage of Zakare, as the sign of loyalty to the Orthodox, the Armenian-Chalced…
Images-Allegories in the Medieval Sculpture of Armenia and the South Caucasus
The article deals with the sculptural faces, or heads, which are very popular in the art of medieval Armenia and the South Caucasus. They often occupy the outer niches of the churches, decorate altar parts, or eastern facades. These generalized images, devoid of individual features, differ markedly from the donator and other images. The iconographic analysis and comparisons with similar images from early Christian art (floor mosaic, textile, scul…
Altar (2 works) · Ancient history (2 works) · Archaeology (2 works) · Art (2 works) · Byzantine Studies and History (2 works) · Eurasian Exchange Networks (2 works) · History (2 works) · Visual arts (2 works) · Altarpiece (1 work) · Archaeology and Historical Studies (1 work)