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Simone Rambaldi

Biographic Data

ID10046316
NAMESimone Rambaldi
GIVEN NAMESSimone
FAMILY NAMERambaldi
SIGNATURERAMBALDI S
AFFILIATIONSHuman Growth Foundation
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Ancient Artistic Motifs on Italian Memorials from the Unity to the Aftermath of World War I

    Open Access•Simone Rambaldi•ARTICLE•Actual Problems of Theory and…•2022

    In the decades subsequent to the unification of the Kingdom of Italy, achieved in 1861 with the proclamation of Vittorio Emanuele II as the king of the new State, the Italian peninsula became covered with many commemorative monuments. These were devoted, first of all, to honour the men who played a leading role in the heroic deeds of the Risorgimento but also to remember the places where the major historical events occurred. Afterwards as well, t…

  • Two Borderline Works: The Miniature Classical Friezes by John Henning

    Open Access•Simone Rambaldi•ARTICLE•Actual Problems of Theory and…•2020

    The theme of the article is two plaster replicas of the miniaturized reproductions of the Parthenon and Bassae friezes made in London by the Scottish sculptor and carver John Henning in the first decades of the 19th century. The reliefs were recently revealed during a new exhibition of the Plaster Cast Gallery, belonging to the Department of Cultures and Societies of the University of Palermo in Italy. Henning based himself on the original marble…

  • Unusual Circulating Anticoagulant in a Patient with Systemic Lupus Erythematosus

    Open Access•Simone Rambaldi, Luis Sánchez-Medal et al.•ARTICLE•Acta Haematologica•2009

No prominent works on this page.

  • Unusual Circulating Anticoagulant in a Patient with Systemic Lupus Erythematosus

    Open Access•Simone Rambaldi, Luis Sánchez-Medal et al.•ARTICLE•Acta Haematologica•2009

  • Two Borderline Works: The Miniature Classical Friezes by John Henning

    Open Access•Simone Rambaldi•ARTICLE•Actual Problems of Theory and…•2020

    The theme of the article is two plaster replicas of the miniaturized reproductions of the Parthenon and Bassae friezes made in London by the Scottish sculptor and carver John Henning in the first decades of the 19th century. The reliefs were recently revealed during a new exhibition of the Plaster Cast Gallery, belonging to the Department of Cultures and Societies of the University of Palermo in Italy. Henning based himself on the original marble…

  • Ancient Artistic Motifs on Italian Memorials from the Unity to the Aftermath of World War I

    Open Access•Simone Rambaldi•ARTICLE•Actual Problems of Theory and…•2022

    In the decades subsequent to the unification of the Kingdom of Italy, achieved in 1861 with the proclamation of Vittorio Emanuele II as the king of the new State, the Italian peninsula became covered with many commemorative monuments. These were devoted, first of all, to honour the men who played a leading role in the heroic deeds of the Risorgimento but also to remember the places where the major historical events occurred. Afterwards as well, t…

Art (3 works) · 3D Surveying and Cultural Heritage (2 works) · Art history (2 works) · History (2 works) · Sculpture (2 works) · Aesthetics (1 works) · Ancient history (1 works) · Archaeological Research and Protection (1 works) · Archaeology (1 works) · Art History and Market Analysis (1 works)

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