V V Maroshi
Biographic Data
| ID | 10075344 |
|---|---|
| NAME | V V Maroshi |
| GIVEN NAMES | V V |
| FAMILY NAME | Maroshi |
| SIGNATURE | MAROSHI V V |
| AFFILIATIONS | Novosibirsk State Pedagogical University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Towards the Wind
The article focuses on the role of the northeast as a geographical direction in the history of the Russian frontier as well as on the symbolism of the northeast wind. These geopoetic motifs are present in Maximilian Voloshin’s poem “Severovostok,” in V. Kaverin’s novel “Two Captains,” and in the paratext and libretto of the modern Russian musical “Nord-Ost,” which is based on the novel. The article analyzes the contexts of the northeast wind’s mo…
The Motifs of “Native” and “Other” in Modern Postcolonial Russian Prose
The article examines the role of the opposition of “one’s own” and “someone else’s” in modern Russian prose – in V. Rasputin’s novel “Ivan’s Daughter, Ivan’s Mother” (2003), A. Volos’ novels “Khurramabad” (2000), V. Medvedev’s “Zahhok” (2017) and V. Galaktionova’s “On the Island of Buyan” (2003). The actualization of this opposition is due to the traumatic effect of the post-Soviet reality both in Russia and on the national outskirts of the forme…
Gothic beetle
The paper deals with the beetle as a minor character of the seventh chapter of the novel “Eugene Onegin” and a literary allusion. It is syntactically and rhythmically highlighted in the text of the stanza. V. V. Nabokov was the first to try to set the origin of the character from English literature. The closest meaning of the allusion was a reference to V. A. Zhukovsky, with his surname associated with the beetle by its etymology and the appearan…
With an Icon and a Knife
The article deals with semiotics of the vandal action of Abram Balashov in Tretyakov gallery aimed at the damaging Iliya Repin’s painting “Ivan the Terrible and His Son Ivan on 14 November 1581”. We compared two acts of Russian vandals who attacked the canvas on 1913 and on 2018. There is considerable difference between Igor Podporin’s reckless ideological action and Balashov’s actions which were carefully planned. Balashov was an icon painter, b…
People of fire
XIX . . , .
Between myth and literary anthropology
XIX . , , (. , . ), .
Lyrical Rite of Self-Immolation in Russian Symbolist Theurgy
«Bilious men» and diatribe
No prominent works on this page.
«Bilious men» and diatribe
Between myth and literary anthropology
XIX . , , (. , . ), .
Lyrical Rite of Self-Immolation in Russian Symbolist Theurgy
People of fire
XIX . . , .
Gothic beetle
The paper deals with the beetle as a minor character of the seventh chapter of the novel “Eugene Onegin” and a literary allusion. It is syntactically and rhythmically highlighted in the text of the stanza. V. V. Nabokov was the first to try to set the origin of the character from English literature. The closest meaning of the allusion was a reference to V. A. Zhukovsky, with his surname associated with the beetle by its etymology and the appearan…
With an Icon and a Knife
The article deals with semiotics of the vandal action of Abram Balashov in Tretyakov gallery aimed at the damaging Iliya Repin’s painting “Ivan the Terrible and His Son Ivan on 14 November 1581”. We compared two acts of Russian vandals who attacked the canvas on 1913 and on 2018. There is considerable difference between Igor Podporin’s reckless ideological action and Balashov’s actions which were carefully planned. Balashov was an icon painter, b…
The Motifs of “Native” and “Other” in Modern Postcolonial Russian Prose
The article examines the role of the opposition of “one’s own” and “someone else’s” in modern Russian prose – in V. Rasputin’s novel “Ivan’s Daughter, Ivan’s Mother” (2003), A. Volos’ novels “Khurramabad” (2000), V. Medvedev’s “Zahhok” (2017) and V. Galaktionova’s “On the Island of Buyan” (2003). The actualization of this opposition is due to the traumatic effect of the post-Soviet reality both in Russia and on the national outskirts of the forme…
Towards the Wind
The article focuses on the role of the northeast as a geographical direction in the history of the Russian frontier as well as on the symbolism of the northeast wind. These geopoetic motifs are present in Maximilian Voloshin’s poem “Severovostok,” in V. Kaverin’s novel “Two Captains,” and in the paratext and libretto of the modern Russian musical “Nord-Ost,” which is based on the novel. The article analyzes the contexts of the northeast wind’s mo…
Art (7 works) · Literature (7 works) · History (5 works) · Philosophy (5 works) · Discourse Analysis and Cultural Communication (3 works) · Russian literature (3 works) · Art history (2 works) · Character (mathematics) (2 works) · Law (2 works) · Mythology (2 works)