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The Motifs of “Native” and “Other” in Modern Postcolonial Russian Prose

Bibliographic Data

ID22135303
AuthorsValery Maroshi (0000-0003-0024-9490, Novosibirsk State Pedagogical University, corresponding author), V V Maroshi (Novosibirsk State Pedagogical University)
Year2021
Volume16
Issue1
Pages103-116
Publication date2021-01-01
Open AccessYes
TypeARTICLE
VenueStudies in Theory of Literary Plot and Narratology (JOURNAL)
Journal identifiersISSN: 2410-7883 • E-ISSN: 2713-3133
PublisherNovosibirsk State University (NSU) (PUBLISHER)
DOI10.25205/2410-7883-2021-1-103-116
OpenAlexW3196320911
LanguageEN
References cited2

The article examines the role of the opposition of “one’s own” and “someone else’s” in modern Russian prose – in V. Rasputin’s novel “Ivan’s Daughter, Ivan’s Mother” (2003), A. Volos’ novels “Khurramabad” (2000), V. Medvedev’s “Zahhok” (2017) and V. Galaktionova’s “On the Island of Buyan” (2003). The actualization of this opposition is due to the traumatic effect of the post-Soviet reality both in Russia and on the national outskirts of the former USSR. The article also clarifies the features of the post-colonial situation for the post-Soviet world and uses the metaphor of colonization proposed by Habermas. In particular, the destruction of the social environment familiar to the characters under the onslaught of the “alien” has become one of the most noticeable plot-forming factors of modern prose. The xeno- phobia of Rasputin and Galaktionova extends not so much to other nations, but to everything “alien”, including foreign discursive practices, new things, and the totality of the Lebenswelt surrounding the protagonists. The characters of Rasputin’s story overcome alienation and self-alienation, undergo a crisis of “their” common world and “their” personal one. The village of Buyan, which is similar to an island in Galaktionova’s novel, is portrayed as a unique archaic place where only «friends» who do not accept “strangers” live. It preserves the communal id- yll and traditional austerity of morals. Postcolonial novels about the civil war in Tajikistan are united by the motifs of loss of the motherland for the Russian natives of the country who are forced to leave for Russia which is foreign for them (“Khurramabad”) or to flee to an even more hostile location – a rural village (“Zahhok”). However, the Tajik characters are also divided into “friends” and “strangers”. The hybrid ethnic and cultural identity of the characters that lies between “their own” and “alien” (the Russian and Tajik worlds respectively) is inherent to several of the most important characters of both novels and it creates a dangerous conflict for them. The resolution of conflicts and collisions in both novels is the characters’ attempt to migrate to a new space which leads to an increase in alienation

Aesthetics · Alien · Alienation · Art · Colonialism · Literature · Metaphor · Political science · Politics · Sociology · History · Law · Philosophy · Sociopolitical Dynamics in Russia · Soviet and Russian History

  • The theory of communicative action

    Andrew Edgar•Philosophy of Habermas•2005

  • "Jameson's Rhetoric of Otherness and the "National Allegory

    A Ahmad•Social Text•1987

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