Valery Maroshi
Biographic Data
| ID | 9449563 |
|---|---|
| NAME | Valery Maroshi |
| GIVEN NAMES | Valery |
| FAMILY NAME | Maroshi |
| SIGNATURE | MAROSHI V |
| AFFILIATIONS | Novosibirsk State Pedagogical University |
| ORCID | 0000-0003-0024-9490 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
The Motifs of “Native” and “Other” in Modern Postcolonial Russian Prose
The article examines the role of the opposition of “one’s own” and “someone else’s” in modern Russian prose – in V. Rasputin’s novel “Ivan’s Daughter, Ivan’s Mother” (2003), A. Volos’ novels “Khurramabad” (2000), V. Medvedev’s “Zahhok” (2017) and V. Galaktionova’s “On the Island of Buyan” (2003). The actualization of this opposition is due to the traumatic effect of the post-Soviet reality both in Russia and on the national outskirts of the forme…
Self-Immolation as a Metaphor and Act in the Subcultures of the Late Russian Empire
This article examines the historical continuity between the self-immolations of the Old Believers and the radical aspirations of Russian revolutionary intellectuals, the aesthetics of sacrifice in the civil poetry of the 1880s, and the Russian modernism and avant-garde of the early twentieth century. The relevance of the article is due to its search for a metaphor that unites different spheres of Russian political and cultural life at the turn of…
Gothic beetle
The paper deals with the beetle as a minor character of the seventh chapter of the novel “Eugene Onegin” and a literary allusion. It is syntactically and rhythmically highlighted in the text of the stanza. V. V. Nabokov was the first to try to set the origin of the character from English literature. The closest meaning of the allusion was a reference to V. A. Zhukovsky, with his surname associated with the beetle by its etymology and the appearan…
With an Icon and a Knife
The article deals with semiotics of the vandal action of Abram Balashov in Tretyakov gallery aimed at the damaging Iliya Repin’s painting “Ivan the Terrible and His Son Ivan on 14 November 1581”. We compared two acts of Russian vandals who attacked the canvas on 1913 and on 2018. There is considerable difference between Igor Podporin’s reckless ideological action and Balashov’s actions which were carefully planned. Balashov was an icon painter, b…
People of fire
XIX . . , .
Between myth and literary anthropology
XIX . , , (. , . ), .
Lyrical Rite of Self-Immolation in Russian Symbolist Theurgy
A Quest for a New Eden
This article explores the strategies of the famous 18th-century European adventurer Maurice Benyovszky and the reasons that inspired his Russian companions to follow him on a dangerous journey after the uprising in Kamchatka in 1771. The quest for new colonies by Russian fugitives is connected with the transformation of the archetype of Eden in different topoi and plots of travelogues and fiction. The dream of colonising a distant exotic island w…
«Bilious men» and diatribe
From Juvenal’s bile to the ‘livers’ of Fyodor Dostoyevsky’s Raskolnikov
The article examines the origin of bile and liver as somatic metaphors of the character’s emotional state and of the mode of satire in European and Russian literatures. Bile in fiction is a metaphor of the emotional state of the character, the narrator and the author rather than a ‘flesh’ motif. The interdependence between the bodily and emotional aspects of the character suggests the importance of “bile” for the verbal behavior and corporeality …
Menageries and Zoos in the Russian Literature of the 19th and early 20th centuries
The article analyzes the process of representation of menageries and the first zoological gardens in Russian literature of the 19th and early 20th centuries during the pre-Soviet period. The author mainly focuses on particular representations of mobile menageries, of manor menageries, and Moscow and Berlin zoos. Conditions of animals in Russian menageries and zoological gardens were not as comfortable as in Europe. Additionally, the author’s spec…
Author’s graffiti in the text and outside the text
ЛИТЕРАТУРОВЕДЕНИЕ В.В. Мароши Новосибирский государственный педагогический университет Автограф-граффити автора в тексте и вне текстаАннотация: В статье выявляется различие литературного и обывательского автографа-граффити.Не менее важна и разница реального и вымышленного граффити автора.Анализируются различные типы граффити-автографов авторов русской литературы, прежде всего вымышленные граффити, ставшие элементами авторского текста.Фикциональны…
No prominent works on this page.
Author’s graffiti in the text and outside the text
ЛИТЕРАТУРОВЕДЕНИЕ В.В. Мароши Новосибирский государственный педагогический университет Автограф-граффити автора в тексте и вне текстаАннотация: В статье выявляется различие литературного и обывательского автографа-граффити.Не менее важна и разница реального и вымышленного граффити автора.Анализируются различные типы граффити-автографов авторов русской литературы, прежде всего вымышленные граффити, ставшие элементами авторского текста.Фикциональны…
Menageries and Zoos in the Russian Literature of the 19th and early 20th centuries
The article analyzes the process of representation of menageries and the first zoological gardens in Russian literature of the 19th and early 20th centuries during the pre-Soviet period. The author mainly focuses on particular representations of mobile menageries, of manor menageries, and Moscow and Berlin zoos. Conditions of animals in Russian menageries and zoological gardens were not as comfortable as in Europe. Additionally, the author’s spec…
«Bilious men» and diatribe
From Juvenal’s bile to the ‘livers’ of Fyodor Dostoyevsky’s Raskolnikov
The article examines the origin of bile and liver as somatic metaphors of the character’s emotional state and of the mode of satire in European and Russian literatures. Bile in fiction is a metaphor of the emotional state of the character, the narrator and the author rather than a ‘flesh’ motif. The interdependence between the bodily and emotional aspects of the character suggests the importance of “bile” for the verbal behavior and corporeality …
A Quest for a New Eden
This article explores the strategies of the famous 18th-century European adventurer Maurice Benyovszky and the reasons that inspired his Russian companions to follow him on a dangerous journey after the uprising in Kamchatka in 1771. The quest for new colonies by Russian fugitives is connected with the transformation of the archetype of Eden in different topoi and plots of travelogues and fiction. The dream of colonising a distant exotic island w…
Between myth and literary anthropology
XIX . , , (. , . ), .
Lyrical Rite of Self-Immolation in Russian Symbolist Theurgy
People of fire
XIX . . , .
Gothic beetle
The paper deals with the beetle as a minor character of the seventh chapter of the novel “Eugene Onegin” and a literary allusion. It is syntactically and rhythmically highlighted in the text of the stanza. V. V. Nabokov was the first to try to set the origin of the character from English literature. The closest meaning of the allusion was a reference to V. A. Zhukovsky, with his surname associated with the beetle by its etymology and the appearan…
With an Icon and a Knife
The article deals with semiotics of the vandal action of Abram Balashov in Tretyakov gallery aimed at the damaging Iliya Repin’s painting “Ivan the Terrible and His Son Ivan on 14 November 1581”. We compared two acts of Russian vandals who attacked the canvas on 1913 and on 2018. There is considerable difference between Igor Podporin’s reckless ideological action and Balashov’s actions which were carefully planned. Balashov was an icon painter, b…
The Motifs of “Native” and “Other” in Modern Postcolonial Russian Prose
The article examines the role of the opposition of “one’s own” and “someone else’s” in modern Russian prose – in V. Rasputin’s novel “Ivan’s Daughter, Ivan’s Mother” (2003), A. Volos’ novels “Khurramabad” (2000), V. Medvedev’s “Zahhok” (2017) and V. Galaktionova’s “On the Island of Buyan” (2003). The actualization of this opposition is due to the traumatic effect of the post-Soviet reality both in Russia and on the national outskirts of the forme…
Self-Immolation as a Metaphor and Act in the Subcultures of the Late Russian Empire
This article examines the historical continuity between the self-immolations of the Old Believers and the radical aspirations of Russian revolutionary intellectuals, the aesthetics of sacrifice in the civil poetry of the 1880s, and the Russian modernism and avant-garde of the early twentieth century. The relevance of the article is due to its search for a metaphor that unites different spheres of Russian political and cultural life at the turn of…
Art (12 works) · Literature (11 works) · History (8 works) · Philosophy (8 works) · Discourse Analysis and Cultural Communication (6 works) · Art history (5 works) · Aesthetics (4 works) · Law (4 works) · Linguistics (3 works) · Metaphor (3 works)