Georgij Yu Somov
Biographic Data
| ID | 1009336 |
|---|---|
| NAME | Georgij Yu Somov |
| GIVEN NAMES | Georgij Yu |
| FAMILY NAME | Somov |
| SIGNATURE | SOMOV G Y |
| AFFILIATIONS | Shanghai Urban Construction Design and Research Institute (Group) |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 26 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 3 |
Interrelations of codes in human semiotic systems
Codes can be viewed as mechanisms that enable relations of signs and their components, i.e., semiosis is actualized. The combinations of these relations produce new relations as new codes are building over other codes. Structures appear in the mechanisms of codes. Hence, codes can be described as transformations of structures from some material systems into others. Structures belong to different carriers, but exist in codes in their "pure" form. …
The types of codes and their combinations: Visual perception and visual art
Visual perception and visual connection are implemented thanks to many codes. Formation of code typology is one of the problem of semiotics. This typology may be substantiated ontologically – through universals of heterogeneity of visual art works. Groups of elements and relations of heterogeneity that are connected with structures correspond to various codes. In accordance with this fundamental types of codes, their subtypes and combinations are…
The interrelation of metaphors and metonymies in sign systems of visual art: An example analysis of works by V. I. Surikov
The interrelation of metaphors and metonymies is manifested in non-verbal sign systems of visual art in various forms: in the fundamental intentions of the works, in the forming of the works' concepts, and in the sign systems of the texts. The systematicity of the interrelations between metaphors and metonymies on these levels can be revealed through the analysis of works by great masters of visual art from the late nineteenth and early twentieth…
Codes, heterogeneities, and structures: Visual information and visual art
Codes are mechanisms in which signs are actualized. They relate various sign sides to each other. These sign sides can be represented as heterogeneities (diversity, relations, differences), some are organized with the help of various differences - identities formulated in a specific way. The basis of the codes of visual perception and art are primarily the heterogeneities of the elements perceived directly (contours of objects, sizes, directions …
Concepts and senses in visual art: Through the example of analysis of some works by Bruegel the Elder
The conceptuality of works of visual art is a manifestation of the conceptuality of sign systems in general. In visual art, concepts rely upon verbal sign systems, including texts that prevail in culture, as well as upon sign systems of visual art and its most famous works. Conceptual schemes are intensified by metaphors, metonymies, and interrelations of denotations and connotations. Basic senses of the entire conceptual scheme and separate conc…
Organizing connotations in works of visual art (through the example of works by Giovanni Bellini)
Connotations as part and parcel of human communication are found in the course of semiotic analysis of works of visual art. Developed connotative formations, deeply connected with semantics, are revealed during analysis of some masters and trends of this kind of art. The works by Bellini are characterized by developed connotative sign formations, which are included\ninto intentional, identification, and organizing codes, and form the basis of the…
Metonymy and its manifestation in visual artworks: Case study of late paintings by Bruegel the Elder
Being the object of semiotic studies, metonymy demands investigation in the\nnon-verbal domain, i.e., visual sign systems. When analyzing the metonymies of visual artworks, they prove to have different sources: verbal and visual sources refer to codes, languages, contexts, and sign forms of a work (denotations, connotations, and organizing sign structures). Different particular metonymies promote incarnation of a general metonymy of work. In the …
The role of structures in semiotic systems: Analysis of some ideas of Leonardo da Vinci and the portrait Lady with an Ermine
The formation of all sign systems is based on structures. Structures support the functioning of codes and organization of denotations, connotations, and groups of signs of visual art works. Due to codes, structure interrelations are manifested in characteristics, relations, differences-identities, and groups of elements, forming the structure of an art work. This role of structures was examined in the frames of theoretical ideas of antiquity and …
Structures and semiotic systems
A model of interrelations between various types of mentation and semiotic systems is suggested. The relations of structures, forms, and signs in different mentation processes and their effect on semiotic systems are discussed. Major features of these systems are examined from the viewpoint of simulation of changes in physical objects and human environment. Most are multilateral and are clearly structures of various systems. Their organizing role …
Semiotic systemity of visual artworks: Case study of The Holy Trinity by Rublev
The systemity of visual artworks can be described by the interrelation of several semiotic models as: (a) interrelations between verbal and nonverbal systemities; (b) interrelations of the three semiotic aspects, both internal ones and those with the three semiotic aspects of artwork verbal basis; (c) signs formed by codes, systems of linguistic type, text, and context; (d) sign form including denotations, connotations, and organizing structures,…
Connotations in semiotic systems of visual art (through the example of works by M. A. Vrubel)
In art connotations spread denotative structures. Correspondingly, the role of connotations in visual artworks should be as important as it is in systems of verbal information. Hence, developed connotative structures are found in visual artwork. Connotations of visual artworks are based on fundamental codes and develop their basic text. Representamens of denotations and connotations are interrelated and organized in system-structural formations o…
Semiotic systems of works of visual art: Signs, connotations, signals
The analysis of works of visual art illustrates typical groups of elements and interrelations, which form semiotic systems of these works. Specific systems of connotations and their relations with semantic structures, paradigmatics, and typical signal structures are described. Like in linguistic texts, different levels are formed in complex images. The following basic level types are distinguished: sems and other units of semantic level; signs su…
Semiotic systems of works of visual art: Signs, connotations, signals
The analysis of works of visual art illustrates typical groups of elements and interrelations, which form semiotic systems of these works. Specific systems of connotations and their relations with semantic structures, paradigmatics, and typical signal structures are described. Like in linguistic texts, different levels are formed in complex images. The following basic level types are distinguished: sems and other units of semantic level; signs su…
Connotations in semiotic systems of visual art (through the example of works by M. A. Vrubel)
In art connotations spread denotative structures. Correspondingly, the role of connotations in visual artworks should be as important as it is in systems of verbal information. Hence, developed connotative structures are found in visual artwork. Connotations of visual artworks are based on fundamental codes and develop their basic text. Representamens of denotations and connotations are interrelated and organized in system-structural formations o…
Metonymy and its manifestation in visual artworks: Case study of late paintings by Bruegel the Elder
Being the object of semiotic studies, metonymy demands investigation in the\nnon-verbal domain, i.e., visual sign systems. When analyzing the metonymies of visual artworks, they prove to have different sources: verbal and visual sources refer to codes, languages, contexts, and sign forms of a work (denotations, connotations, and organizing sign structures). Different particular metonymies promote incarnation of a general metonymy of work. In the …
Codes, heterogeneities, and structures: Visual information and visual art
Codes are mechanisms in which signs are actualized. They relate various sign sides to each other. These sign sides can be represented as heterogeneities (diversity, relations, differences), some are organized with the help of various differences - identities formulated in a specific way. The basis of the codes of visual perception and art are primarily the heterogeneities of the elements perceived directly (contours of objects, sizes, directions …
The role of structures in semiotic systems: Analysis of some ideas of Leonardo da Vinci and the portrait Lady with an Ermine
The formation of all sign systems is based on structures. Structures support the functioning of codes and organization of denotations, connotations, and groups of signs of visual art works. Due to codes, structure interrelations are manifested in characteristics, relations, differences-identities, and groups of elements, forming the structure of an art work. This role of structures was examined in the frames of theoretical ideas of antiquity and …
Interrelations of codes in human semiotic systems
Codes can be viewed as mechanisms that enable relations of signs and their components, i.e., semiosis is actualized. The combinations of these relations produce new relations as new codes are building over other codes. Structures appear in the mechanisms of codes. Hence, codes can be described as transformations of structures from some material systems into others. Structures belong to different carriers, but exist in codes in their "pure" form. …
The types of codes and their combinations: Visual perception and visual art
Visual perception and visual connection are implemented thanks to many codes. Formation of code typology is one of the problem of semiotics. This typology may be substantiated ontologically – through universals of heterogeneity of visual art works. Groups of elements and relations of heterogeneity that are connected with structures correspond to various codes. In accordance with this fundamental types of codes, their subtypes and combinations are…
Concepts and senses in visual art: Through the example of analysis of some works by Bruegel the Elder
The conceptuality of works of visual art is a manifestation of the conceptuality of sign systems in general. In visual art, concepts rely upon verbal sign systems, including texts that prevail in culture, as well as upon sign systems of visual art and its most famous works. Conceptual schemes are intensified by metaphors, metonymies, and interrelations of denotations and connotations. Basic senses of the entire conceptual scheme and separate conc…
Organizing connotations in works of visual art (through the example of works by Giovanni Bellini)
Connotations as part and parcel of human communication are found in the course of semiotic analysis of works of visual art. Developed connotative formations, deeply connected with semantics, are revealed during analysis of some masters and trends of this kind of art. The works by Bellini are characterized by developed connotative sign formations, which are included\ninto intentional, identification, and organizing codes, and form the basis of the…
Structures and semiotic systems
A model of interrelations between various types of mentation and semiotic systems is suggested. The relations of structures, forms, and signs in different mentation processes and their effect on semiotic systems are discussed. Major features of these systems are examined from the viewpoint of simulation of changes in physical objects and human environment. Most are multilateral and are clearly structures of various systems. Their organizing role …
Semiotic systemity of visual artworks: Case study of The Holy Trinity by Rublev
The systemity of visual artworks can be described by the interrelation of several semiotic models as: (a) interrelations between verbal and nonverbal systemities; (b) interrelations of the three semiotic aspects, both internal ones and those with the three semiotic aspects of artwork verbal basis; (c) signs formed by codes, systems of linguistic type, text, and context; (d) sign form including denotations, connotations, and organizing structures,…
Semiotic systems of works of visual art: Signs, connotations, signals
The analysis of works of visual art illustrates typical groups of elements and interrelations, which form semiotic systems of these works. Specific systems of connotations and their relations with semantic structures, paradigmatics, and typical signal structures are described. Like in linguistic texts, different levels are formed in complex images. The following basic level types are distinguished: sems and other units of semantic level; signs su…
Connotations in semiotic systems of visual art (through the example of works by M. A. Vrubel)
In art connotations spread denotative structures. Correspondingly, the role of connotations in visual artworks should be as important as it is in systems of verbal information. Hence, developed connotative structures are found in visual artwork. Connotations of visual artworks are based on fundamental codes and develop their basic text. Representamens of denotations and connotations are interrelated and organized in system-structural formations o…
Structures and semiotic systems
A model of interrelations between various types of mentation and semiotic systems is suggested. The relations of structures, forms, and signs in different mentation processes and their effect on semiotic systems are discussed. Major features of these systems are examined from the viewpoint of simulation of changes in physical objects and human environment. Most are multilateral and are clearly structures of various systems. Their organizing role …
Semiotic systemity of visual artworks: Case study of The Holy Trinity by Rublev
The systemity of visual artworks can be described by the interrelation of several semiotic models as: (a) interrelations between verbal and nonverbal systemities; (b) interrelations of the three semiotic aspects, both internal ones and those with the three semiotic aspects of artwork verbal basis; (c) signs formed by codes, systems of linguistic type, text, and context; (d) sign form including denotations, connotations, and organizing structures,…
The role of structures in semiotic systems: Analysis of some ideas of Leonardo da Vinci and the portrait Lady with an Ermine
The formation of all sign systems is based on structures. Structures support the functioning of codes and organization of denotations, connotations, and groups of signs of visual art works. Due to codes, structure interrelations are manifested in characteristics, relations, differences-identities, and groups of elements, forming the structure of an art work. This role of structures was examined in the frames of theoretical ideas of antiquity and …
Metonymy and its manifestation in visual artworks: Case study of late paintings by Bruegel the Elder
Being the object of semiotic studies, metonymy demands investigation in the\nnon-verbal domain, i.e., visual sign systems. When analyzing the metonymies of visual artworks, they prove to have different sources: verbal and visual sources refer to codes, languages, contexts, and sign forms of a work (denotations, connotations, and organizing sign structures). Different particular metonymies promote incarnation of a general metonymy of work. In the …
Concepts and senses in visual art: Through the example of analysis of some works by Bruegel the Elder
The conceptuality of works of visual art is a manifestation of the conceptuality of sign systems in general. In visual art, concepts rely upon verbal sign systems, including texts that prevail in culture, as well as upon sign systems of visual art and its most famous works. Conceptual schemes are intensified by metaphors, metonymies, and interrelations of denotations and connotations. Basic senses of the entire conceptual scheme and separate conc…
Organizing connotations in works of visual art (through the example of works by Giovanni Bellini)
Connotations as part and parcel of human communication are found in the course of semiotic analysis of works of visual art. Developed connotative formations, deeply connected with semantics, are revealed during analysis of some masters and trends of this kind of art. The works by Bellini are characterized by developed connotative sign formations, which are included\ninto intentional, identification, and organizing codes, and form the basis of the…
Codes, heterogeneities, and structures: Visual information and visual art
Codes are mechanisms in which signs are actualized. They relate various sign sides to each other. These sign sides can be represented as heterogeneities (diversity, relations, differences), some are organized with the help of various differences - identities formulated in a specific way. The basis of the codes of visual perception and art are primarily the heterogeneities of the elements perceived directly (contours of objects, sizes, directions …
The interrelation of metaphors and metonymies in sign systems of visual art: An example analysis of works by V. I. Surikov
The interrelation of metaphors and metonymies is manifested in non-verbal sign systems of visual art in various forms: in the fundamental intentions of the works, in the forming of the works' concepts, and in the sign systems of the texts. The systematicity of the interrelations between metaphors and metonymies on these levels can be revealed through the analysis of works by great masters of visual art from the late nineteenth and early twentieth…
The types of codes and their combinations: Visual perception and visual art
Visual perception and visual connection are implemented thanks to many codes. Formation of code typology is one of the problem of semiotics. This typology may be substantiated ontologically – through universals of heterogeneity of visual art works. Groups of elements and relations of heterogeneity that are connected with structures correspond to various codes. In accordance with this fundamental types of codes, their subtypes and combinations are…
Interrelations of codes in human semiotic systems
Codes can be viewed as mechanisms that enable relations of signs and their components, i.e., semiosis is actualized. The combinations of these relations produce new relations as new codes are building over other codes. Structures appear in the mechanisms of codes. Hence, codes can be described as transformations of structures from some material systems into others. Structures belong to different carriers, but exist in codes in their "pure" form. …
Linguistics (11 works) · Philosophy (11 works) · Semiotics (10 works) · Computer Science (8 works) · Mathematics (7 works) · Psychology (7 works) · Sign (mathematics) (7 works) · Visual Culture and Art Theory (6 works) · Art (5 works) · Communication (5 works)