Semiotic systemity of visual artworks
Case study of The Holy Trinity by Rublev
Bibliographic Data
| ID | 4474233 |
|---|---|
| Authors | Georgij Yu Somov (corresponding author) |
| Year | 2007 |
| Volume | 2007 |
| Issue | 166 |
| Publication date | 2007-01-21 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Semiotica (JOURNAL) |
| Journal identifiers | ISSN: 0037-1998 • E-ISSN: 1613-3692 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1515/sem.2007.055 |
| OpenAlex | W1973242716 |
| Language | EN |
| Citations received | 2 |
| References cited | 5 |
The systemity of visual artworks can be described by the interrelation of several semiotic models as: (a) interrelations between verbal and nonverbal systemities; (b) interrelations of the three semiotic aspects, both internal ones and those with the three semiotic aspects of artwork verbal basis; (c) signs formed by codes, systems of linguistic type, text, and context; (d) sign form including denotations, connotations, and organizing structures, and finally, (e) sign system of individual elements and details. The Holy Trinity painted by Rublev illustrates developed interrelations of these models
Archaeology · Context (archaeology) · Linguistics · Nonverbal communication · Semiotics · Sign (mathematics) · Sign system · Aesthetic Perception and Analysis · Communication · History · Mathematics · Philosophy · Psychology · Visual Culture and Art Theory
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,11 |
| Citation span | 2007 - 2014 (8) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |