Jessica Ray Herzogenrath
Biographic Data
| ID | 10093844 |
|---|---|
| NAME | Jessica Ray Herzogenrath |
| GIVEN NAMES | Jessica Ray |
| FAMILY NAME | Herzogenrath |
| SIGNATURE | HERZOGENRATH J R |
| AFFILIATIONS | Texas A&M University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Feminist modernist dance, part II
In late July of 1959 Chicago dance writer Ann Barzel went to Cuba. The successful revolution led by Fidel Castro to overthrow the military dictatorship of Cuban president Fulgencio Batista had happened a little over six months earlier, and relations with the United States, while not comfortable, were still imaginable. Barzel came at the invitation of her friends, the ballet dancers Alicia and Fernando Alonso, to act as a member of the selection b…
Voice from the wings
This article looks at Ann Barzel’s dance writing in the early twentieth century to explore the ways that she influenced dance in the United States from her home base of Chicago. Consideration of how she embarked on her writing career, her work for specialized publications and newspapers, and her early correspondence with the dance world’s prime movers reveals how Barzel leveraged her knowledge as a dancer and dance teacher, ultimately achieving t…
Feminist modernist dance
This is the first of two special issues of Feminist Modernist Studies dedicated to feminist modernist dance (the second will be Summer, 2022). We have wrestled in our joint editorial work here, as well as in our own work, over the disjunctions embodied in these three terms conjoined. Though feminist scholars have been doing important work in modernist studies for half a century, the term modernism remains mired in gatekeeping canon formations tha…
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Feminist modernist dance
This is the first of two special issues of Feminist Modernist Studies dedicated to feminist modernist dance (the second will be Summer, 2022). We have wrestled in our joint editorial work here, as well as in our own work, over the disjunctions embodied in these three terms conjoined. Though feminist scholars have been doing important work in modernist studies for half a century, the term modernism remains mired in gatekeeping canon formations tha…
Feminist modernist dance, part II
In late July of 1959 Chicago dance writer Ann Barzel went to Cuba. The successful revolution led by Fidel Castro to overthrow the military dictatorship of Cuban president Fulgencio Batista had happened a little over six months earlier, and relations with the United States, while not comfortable, were still imaginable. Barzel came at the invitation of her friends, the ballet dancers Alicia and Fernando Alonso, to act as a member of the selection b…
Voice from the wings
This article looks at Ann Barzel’s dance writing in the early twentieth century to explore the ways that she influenced dance in the United States from her home base of Chicago. Consideration of how she embarked on her writing career, her work for specialized publications and newspapers, and her early correspondence with the dance world’s prime movers reveals how Barzel leveraged her knowledge as a dancer and dance teacher, ultimately achieving t…
Art (3 works) · Dance (3 works) · Diversity and Impact of Dance (3 works) · Sociology (3 works) · Visual arts (3 works) · Gender Studies (2 works) · Literature (2 works) · Aesthetics (1 work) · Concert dance (1 work) · Contemporary dance (1 work)